Haile Efficient: A review of Worthy 2 B by Jah Myhrakle

Hola! I like to focus on how songs are worded and written a great deal for several reasons; the least of which is certainly not due to the fact that, as I've said in the past, I don't think we give enough credit to that aspect of music-making enough, particularly when it comes to 'message music' and Reggae, in general. We have bona fide geniuses in the genre who display it to some level of consistency (or at least have in the past) and they deserve recognition and respect and to be celebrated and I will go out of my way to provide all of those things every single chance I get. Now, you may choose to take that with a grain of salt because that's coming from someone who absolutely adores lyrics which center around "jump and wave and misbehave", but I think that my TRULY RIDICULOUSLY LONG record will speak to my fascination with those that are proficient with the spoken word. With that being said, however, music is also about entertainment and making a sound that people can enjoy. In the written sense of things, you can read some... well written technical instructions and you'll come away with a purpose having been served and you will probably feel good about it but you won't have been AMUSED necessarily. It isn't an independently pleasing experience (if you don't give a damn what the instructions are to, they're not going to do anything for you) and music should be that in some manner. With all that being said, when you can combine beautiful wordplay with an enthralling sonic experience, that is where special things occur and throughout the history of Reggae music, we've seen so many powerful examples of that, played out in album form. Personally, the PRIME case would be little release by the name of "Black Woman & Child" by Sizzla Kalonji but we don't even have to go to those loftiest of levels for the sake of comparison (...even though I just did). Take a listen to a number of sets by someone like Perfect Giddimani; as someone who CONSTANTLY provides a most thrilling brand of modern Roots Reggae while not abandoning good lyrics which are fresh takes on the genre's typical fare. Just last year, we talked about the burgeoning Eesah (BEAUTIFUL debut album, "Deep Medz", more than worth your time) and he is definitely another one who is well skilled and specializes in making music which that you can find as entertaining as it is educational and meditational (if that is even a word)... and don't even get me started on someone like Capleton yet. 

I took this direction for this review because I found myself fairly deep into "Worthy 2 B" when it finally struck me that I might actually be listening to something pretty special but when it did, it knocked HARD. There was a dominant quality to the music which kept me at least superficially interested but I was listening on a casual level for the most part (never want that first listen to be too heavy) while doing other things. This went on for awhile but eventually got to the point where I had to take a closer listen, There was a BEAUTIFUL and POWERFUL sonic appeal to "Worthy 2 B" and, coming on the heels of what I had previously dealt with ahead of it, as far as Jah Myhrakle goes, I got REALLY excited to dig into it further.

What was that, exactly? The most recent review that I wrote was for an album by the name of "Heart Of One". It was a lovely compilation from the delightfully active people at Trinity Farms Music. Amongst the impressing vocal artists appearing on that set was Jah Myhrakle with a pair of offerings... and it just so happened that he had recently been at work as, earlier this year, he had released "Worthy 2 B". It wasn't TFM on board who pushed it (although I'd LOVE for artist and label to get together on a full project at some point in the future), however, "Worthy 2 B" comes to us via Phallu Ras Sound and Gold Den Arkc Recordsz (....because people don't have enough of a hard spelling properly on their own. That is BRUTAL!). I believe that Gold Den may be Myhrakle's own imprint as everything that I have come across that they've been involved with has been his releases and, like Jah Myhrakle, the label appears to be based in New York although the artist (and if it is his label, so does it) origins trace back to Belize (biggup Ras Indio). Myhrakle's is a name that I've definitely come across over the years (sometime probably confusing him with Jah Mirikle) (biggup Jah Mirikle) but had never really tuned in, properly, until his work on "Heart Of One", which is such an added bonus in listening to compilations such as that one. They'll introduce and reintroduce you to names that you haven't paid much attention to/paid attention to at all and that is exactly what I did for me in this case (and a few others as well). I'm damn thankful because, when I started to get into the work of Jah Myhrakle, not only did I run into "Worthy 2 B", the man has SEVERAL impressive projects that I am currently working my way through, not the least of which would be "AncienT" from just last year. That album is GORGEOUS, it's full of dubs as well (nineteen tracks in all) and had I come across it last year, I might have had to make room for it in my Albums of The Year choices. Another that really stood out for me was "All 4 U" from a few years back because I found the vibes of that one to be somewhat similar to "Worthy 2 B" (call the new album a new and improved version of "All 4 U") in that they both have this BIG, chanting sound which works so well when spread out in album form. I could talk about "Eyc On Fyah", "He Who Keeps The Seals", "A Rival" and other still as examples of Jah Myhrakle turning in very strong performances. So I think it's time that we all get to know him better, courtesy of the new album. Let's take a closer listen.

There is a "dominant quality" that I alluded to prevalent throughout "Worthy 2 B" that definitely draws you in (and keeps you in). The album just has a very LARGE sound to it and it is VERY intoxicating (but in a more subtle way) and, like I said (or attempted to say), there is weight behind the words  as well - it ends up as very well written material as well. Want an example?? Check the chilly opener, 'Don't Come Plain' (is that not a very Vaughn Benjaminesque way of titling??) (is "titling" an actual word??). Though not my favourite on the album (several songs here have a dash of Hip-Hop, which is not for me, 'Don't Come Plain' has more than a dash), with the level of wordplay on the first track, Myhrakle definitely does not come plain. You can stop and take a snapshot of pretty much any line here and find something seriously impressive: 

"This is not a comedy, neither allegory

Prophecy fill judgment, now dem all ah worry"

The next tune up, 'No Knight Fall' ASCENDS! It is, easily, amongst the very best that "Worthy 2 B" has to offer and if you wanted to make the case that it is THE best altogether, you'd have a fair point in my opinion. I told you there was LARGE sound to the vibes of this album and that sound makes its initial appearance on this stunner as Jah Myhrakle burns oppression and a general negativity straight to ash!

"A who fi turn clown fi go blow dem bubble

A who dem entertain fi go walk and wobble

BABYLON YUH TROUBLE JUST AH TRIPLE-DOUBLE AND IT DOUBLE"

I told myself I wasn't going to POUR lyrics on this one because... the entire damn review would just be lyrics with teeny tiny paragraphs of actual review in between but 'No Knight Fall' is nearly as PERFECTLY worded tune that I've heard in a good amount of time. It is shattering and anchored with this big chanting sound at the chorus which goes up into verses chock-full of both knowledge for the brain and inspiration for the heart. It is a gorgeous selection. NOTHING in terms of quality is lost to the next song up, the MAMMOTH 'Hail The Emperor'. TEARS! I hear this tune and I think that, somewhere, Vaughn Benjamin is listening and he is enjoying what he hears. There is something very Akae Beka-ish level hypnotic about 'Hail The Emperor', which finds Myhrakle taking a most spiraling and winding road in the name of praising His Majesty. Benjamin might find himself a supporter of the whole of "Worthy 2 B" and that includes 'Prepare The Banquet' as well. I'm also giving it my full approval as I hear nothing on the level of 'Prepare The Banquet' on the whole of "Worthy 2 B", it is a SPECIAL tune. It's a praising piece and though they are so incredibly prevalent (and probably BECAUSE they are so prevalent) it makes such a powerful impact on me when I hear one that goes above and beyond.... 'Prepare The Banquet' goes above, beyond AND then it just keeps going!

"Haile Selassie I keeps the high place

Seraphims and cherubims they dance there

Upon the surface of the Earth there is a market

It's Haile Selassie I who prepares the banquet

Incline ya ears unto the ites and hear the words of the wise

Knowledge, intuition and discernment on your heart fi apply

For it's foolishness which is bound up in the heart of a child

Rod of correction remove these inna spiritual drive

For the preservation of good and mercy is within The Lord's eyes

Deliverance of grace and mercy by The Almighty's side

Jah overthrow the word's of the faithless who has no spiritual ites

Total laziness inside fears the lion outside

But a courageous lion inside face the punctuous

Clairvoyance and good attitude is a disciplined mind

MANNERS, DISCIPLINE AND SELF-RESPECT IS THE WAY TO LEAD A CHILD

Proverbs 22, 23, 24 and 25

And properly Proverbs is the selection to testify

He shall take heed unto I word

Lift thy heart - heart and hand unto I word

As earth" 

BOOM! BREAK SOMETHING! CALL SOMEONE YOU KNOW AND HANG UP WHEN THEY ANSWER FOR NO GOOD REASON! 'Prepare The Banquet' is THE class of "Worthy 2 B" and though there is some truly STELLAR material here, it's the clear head. If you need an example of such "stellar material" (I've already told you about some of it), check a couple of numbers on when the downright majestic 'I Behold' rolls through. There is something so damn mystical and.... EARTHLY about 'I Behold' as Myhrakle expresses the emotion behind being in complete AWE of The Almighty. Some of the wordplay on this one, particularly later on, is damn impressive as well and not to be passed over. Similarly steered (and of a similar quality) is the track chasing 'I Behold', 'Thy Gaad'. This one is SPACIOUS! It definitely does handle the business end in terms of the wording but 'Thy Gaad' comes across as being very open and, though the chanter does eventually tighten things up (you'll know what I mean when you hear it) by going Vaughn Benjaminesque, I still come away from this one FEELING just as much I am THINKING on another giant praise. I'll also add 'Rejoyce In His Name' to this lot though I don't love everything about it. The chorus on this song is somewhat strange, a little ponderous and almost overly simple to my opinion but 'Rejoyce In His Name' isn't a bad song at all (no such things exist on "Worthy 2 B") and it really flexes during the verses when Jah Myhrakle shines, in bursts, as he always does. 

Speaking of shining (and in bursts), there's a song here called 'Lion And The Lamb' which was CLEARLY intended to be a highlight (and it is) as it is the album's longest effort by nearly half a minute and, following a somewhat unremarkable start, Jah Myhrakle flips the switch and levels up to a HUGE degree. 

"Extinction ah stink waste, nuff a dem no waan let it go

Pride punctuous and pompous, nuff a dem waan pump up

Air balloon, helium balloon

Loony Tune cartoon watches a boom, boom, boom

TNT explosion, IV in living room

And all spill over right dehso inna di ocean womb

Fox News censor messenger and Google too

Puss and di boots have dem ah trooped up, boot-by-boot

Big recuit tight, tight, tight

Buckle up belt and boot

And fi di Strait of Gibraltar, right ya now dem ah parachute

Fi religious with structure, right yah now dem ah harm and loot

Fi sewage canal dem dun hammer fi drop their nukes

HE'S THE LION AND THE LAMB

RASTAFARI: LION AND THE LAMB

HAILE SELASSIE I: LION AND THE LAMB

ALPHA & OMEGA: LION AND THE LAMB"

If you enjoy -- like I do -- combing through and combing through words and analyzing people who... OVERLY proficient in their usage of words, 'Lion And The Lamb' is divine! Jah Myhrakle's style is to go in as many different directions as he possibly can under one unifying topic (which is almost ALWAYS crystal-clear) and listening to how he arrives there, at times, is thrilling. 'Lion And The Lamb' is one of those times. In a much different way, the title track is also a fine display of Myhrakle's talents. This one is nearly brutally straight-forward. This is right out of the Vaughn Benjamin bag of tricks (I literally hear stuff that I recognize as being from Benjamin ["Inna di world wide open"]). Of course, at its core 'Worthy 2 B' is a tune giving honours to His Imperial Majesty, placing HIM above all. It isn't very melodic or immediately pleasing but if you have an ear for things like this (and You do), you will have all kinds of FUN with this song. 'When We Learn' comes with a bit of a gestation process to fully receive its gifts but IT TELLS YOU EXACTLY THAT:

"CULTIVATE EAR FI HEAR"

You will have to have done some work on yourself before even approaching this one (otherwise, I can't imagine you'll get much, at all, from it) and, now that I think about that. I'll definitely revisit that idea in closing (and I'm almost done now) . There's the swinging closer, 'Pass Dat' which is one of the more sonically enjoyable songs on the whole of "Worthy 2 B" but also [DUH] isn't a lightweight at all, lyrically. I was definitely curious about the direction of this one (title almost seems a ganja tune) and it turns out to be a kind of spiritual grounded (the irony there, I know) social commentary and a BEAUTIFUL one. 

"As the hand on the wall write a language which is clearly spoken

As the compass set the space and point the direction to go

Such as the clock on the wall which alludes the mind of our true existence

There is a spiritual war going on the open, unfolding

And there's eternal war between good and evil inna di to and fro

Which way to go?

Which way have you chose?"

'Pass Dat' ends up being another of the numerous highlights "Worthy 2 B" has to offer and a stellar way to end matters here. 

Quickly, just in case I didn't make it completely clear in all of that stuff ^: "Worthy 2 B" is an EXCEPTIONALLY WELL WRITTEN release. Because of that, it becomes a very specific album to recommend. If you stress being challenged while entertained as a listener, you will LOVE this album. It's detailed as can possibly be and, musically, while you will definitely cross paths with more entertaining listens in Roots Reggae, "Worthy 2 B" is promising for what it is. It isn't dull or lacking musically. 

2025

Overall, to make it even more narrow: Do you like Akae Beka's music?? If you do, I can well suggest you take a deep listen to the work of Jah Myhrakle and why not start with "Worthy 2 B". Personally, if you've hung out here at all, you know how much I revere the work of Vaughn Benjamin and I encountered more than just the one moment that I mentioned where Myhrakle would say things that either indirectly or directly reminded me of the wizard from St. Croix. On top of that, I think I've listened to enough of his work now (from the time I started this review until now has probably been.... the better part of a month by now, if not longer) to be able to place it, in comparison to other work that he has done. Since this one, in fact, Jah Myrhrakle has already released another album, "OF 1". While solid, "OF 1" is not on the level of "Worthy 2 B" and it isn't particularly close. "Worthy 2 B" finds its very high level almost immediately and rarely dips below it and then goes discernably higher on several occasions. What ends up happening is a MOVING education of an album and, unsurprisingly, you can now count me as a fan of Jah Myhrakle from this moment forward. OUTSTANDING. 

Rated: 4.6/5

Gold Den Arkc Records

2025

Signatures Vol. VIII: Queen Omega

Today will be fun! In the next installment of our Signatures series, we take a look at someone who is not only a personal favourite of mine but someone who I also consider to be amongst the most talented individuals that Reggae music has EVER produced in the form of an ultra-dynamic, versatile and POWERFUL songstress from out of western Trinidad. Over the course of the last quarter-century or so, Queen Omega has dazzled! She has shown herself to be at a SKILL level placing herself amongst the absolute greats of the genre and has, subsequently, demonstrated a level of consistency which, again, places her in very select company. A list like this could, EASILY, be a hundred tracks long but we're going to attempt to narrow it down and gather the strongest works of, in my opinion, THE most talented female in the history of Reggae music. Signatures: Queen Omega

1. 'Warning' featuring Sizzla Kalonji & Capleton

Lovely works. In any direction you would take this one -- Sizzla & Capleton, Capleton & Queen Omega, Queen Omega & Sizzla -- you'd be sure to have a winner on your hands. The very fact that it is ALL THREE of them, however, is kinda ridiculous (and the case could be made that the young Queen outshone her legendary spars). The song was THE signature from the Queen's  beautiful self-titled debut set and has aged very well. I THINK the song was originally a combination between the two Jamaican legends and Queen Omega's portions were later added (not entirely sure though), in any case however, again, SIZZLA KALONJI + CAPLETON + QUEEN OMEGA = Something truly unforgettable.

2. 'Ganja Baby'

Ganja lady. While the legendary Rita Marley carries the heaviest of hands when it comes to ganja tunes from women with 'One Draw', I'd probably go as far as to say that Queen Omega charts in second place with the MAMMOTH shot that 'Ganja Baby' has grown into over the years. Far and away one of her most recognizable efforts, the Mickey D helmed track has remained a pillar and aged exceptionally well also. ANY type of compilation such as this would be totally incomplete and just downright irresponsible sans its presence. BOOM!

3. 'Wise Queens' featuring Kushite & Jalifa

Nah normal. This song had to be here for me for exactly whom it brings together. Years from now, hopefully we'll look back at 'Wise Queens' as having made a major impact on the genre but, specifically, Reggae from out of Trinidad in the wider sense. The tune linked Queen Omega with a pair of her very talented pears also from out of Trinidad, Kushite and Jalifa. In doing so she not only exposed their monstrous talents to a greater audience but they also, collectively, represented for women currently in the genre REGARDLESS of origins. Outside of the circumstances behind it, 'Wise Queens' was MIGHTY. It was a huge tune which pulled a variety of different vibes and covered a lot of ground and will be damn difficult to forget anytime soon.

4. 'Thunder Storm'

Grrrr! While I have not finished fleshing out this list (currently sitting at eight tracks (thirteen is the magic number, I'm thinking) (ended up being FIFTEEN), I'm very confident in saying that 'Thunder Storm' is the most purely EXCITING tune that you will find here. Irie Ites supplied their ASAP Riddim to the Queen and, in return, she burned it to the ground! EXPLOSIVE as it could possibly be, do not let what immediately strikes you about this storm distract you from another HUGE aspect about it: 'Thunder Storm' has a seat at the table of the discussion of being THE best written song of Queen Omega's entire career. The lyrical display she sets forth is one for the ages in the name of signaling to all the forthcoming unmissable revolution. 

"I SEE THE FALL BABYLON WHEN JAH PEOPLE RISE"

5. 'See You Down'

To the ground. I feel threatened by 'See You Down'. I always have and I probably always but I will tell you what I mean . At no point in during its time does it NOT feel like there is some.... uncomfortable, uneasy presence to it. Maybe (probably) it's only me but there's SOMETHING so damn unsettling about it. I think Queen Omega knew it and she invited it and even did her part in adding to it. How, exactly?? Listen to how she sings it. She, herself, "threatens" to wholly eviscerate everyone, everywhere with her vocals (which, SERIOUSLY, are amongst the finest in all of Reggae today) teetering ever so closely to completely exploding several times during the song.... only to be reeled back in at the last possible moment. I look at songs at how they're written, how they sound and how they are delivered and there's another aspect: Presentation. There isn't a finer PRESENTED selection here as the Queen makes you feel LITERALLY what her idea of "down" is.... and you don't want that. One of the most strongest songs I've heard from anyone in a long time.

6. 'Hold On' featuring Anthony Que

Firm. Anthony Que did an album by the name of "Meditation Time" about a dozen years ago. It's excellent. It's a borderline Modern Classic and I enjoy it as much in 2025 as I ever have. "Meditation Time" contained a single featured guest and it just so happened be Queen Omega, joining in on, arguably, the album's single finest moment, 'Hold On'. I don't particularly know how this combination came to me (don't care either) but Que & Queen make for such a powerful pair, both in sound and in direction, that what resulted was such a delightful song to hear and one which definitely made its impact as well.

7. 'No Love'

Can't be denied. Two things: First of all 'No Love' from Little Lion Sound was downright MASTERFUL. It was absolutely brilliant and effortless at the same time. Like I said about 'Thunder Storm' it, too, can lay a substantial claim to being THE best song Queen Omega has ever done from a lyrical standpoint, specifically. The next very curious thing about 'No Love' is definitely its 'lifespan'. It's lead a very interesting life. If any song here can be described as having 'gone viral', this is definitely it as you can find many people (who aren't necessarily Reggae fans) reacting to the Dubplate version of it for LLS. It has proven to be quite surprisingly popular and has surely brought many new fans to the queendom. 

8. 'Me No Frighten'

No fraid a you. Maybe you remember a little album the Queen did wayyy back in 2008 by the name of "Servant Of Jah Army" for Mad Professor and Ariwa. If you do then, SURELY, you should be familiar with the SCATHING 'Me No Frighten'. I say that because, otherwise, you may actually find this tune to be quite obscure but... I mean... LISTEN  TO IT! 

"Mi no run

If a murderer, come with a gun

Fyah bun! 

Dem seh dem ah tek life fi fun

Under di sun, every man fi bless wid wisdom

Knowledge, overstanding - cause that coulda never dun

Every man must love & respect his woman

Never abuse her fi tek out yuh frustrations

She is the Mother of Creation

She bring forth your daughter; bring forth your son"

{Note: Notice the TRULY RIDICULOUS way she takes the chorus after the first verse and just... TURNS IT INTO MORE VERSE!}

9. 'Last Days'

Again and again. I had this song in my head, singing it, trying to figure out what it was because it simply had to be included here.

"I say it again and again"

Eventually, I came across 'Last Days' and:

"We're living in the last days

I SAY IT AGAIN AND AGAIN"

BOOM! Crafted by the same 149 Records who worked on 'Hold On' with Anthony Que across their GOLDEN Brighter Day Riddim, 'Last Days' was problems! Armed with more than just a hint of spite, the track featured a Queen who was equally concerned and caring. It wasn't the full smack to the face but a warning that, should you not heed it, such a shot had been deployed and was in your vicinity.

10. 'Uprising'

Get yourself prepared. Along with being EXCELLENT, 'Uprising' is also the answer to a very interesting trivia question. It was the very first song on Queen Omega's debut album and it would not only go on to set the tone of what was to follow on the subsequent seventeen tracks but also for the next quarter-century or so. 'Uprising' would have likely been the very first tune that a lot of fans had EVER heard from the songstress and not only does it carry a nostalgic type of weight but it was strong as well. A LOVELY song and it's no surprise that we're still listening, all these years later. 

11. 'Big Up Papa'

PAPA! PAPA! PAPA! I gotta question for you: You probably know of hundreds of Roots Reggae songs which give [a most deserved] honour to the mothers of world; but how many do you know doing the same for the righteous, hard working dad's out there??? Probably not too many, if any at all. That being said, I've always respected the Queen for this turn, 'Big Up Papa', which found her not only giving thanks for THE Father (again, hundr.... THOUSANDS of those songs) but for her own, earthly sire for stepping up, taking care of his family and providing a strong, proper example in her life.

"Give thanks for my heavenly Father for making you my earthly father"

12. 'Don't Call Me Local'

I'm international. The great aforementioned Capleton once did a tune by the name of 'My Ting Tun Up Everywhere' which Queen Omega's 'Don't Call Me Local' has always, directionally at least, reminded me of. Both songs would go on to be fairly sizable hits in their day and the Queen's side of the sentiment easily earns its place on a list like this from me. Featuring the handiwork of the always entertaining Manudigital, 'Don't Call Me Local' was just a VIBE! It was a fun time of a song and a display of a towering level of skill and not a talent just from and for Trinidad, but the whole of Reggae music.

13. 'I Believe In Love'

It's the healing of the nation. THE standout from Queen Omega's somewhat forgotten (and damn difficult to find) sophomore set, "Pure Love", 'I Believe In Love' just may be the most BEAUTIFUL song that she's ever made. I listen back to this one these days (more than twenty years on now) and I hear such a delightfully youthful Queen. It's in her voice and I'd be willing to bet that when she sang 'I Believe In Love', she was having a really good day and it comes across to the listener. It's one of the best songs she's ever made and if it is your absolute favourite, you have very good taste, my friend.  

14, 'Selassie I Know'

Selassie I, love you. I mentioned another tune here, 'Don't Call Me Local', as having always reminded me of a Capleton song and here we have another one which does the same, only far more directly. 

"Queen Omega want yuh realize and overstand

Full time fi bun out dem confusion

Full time fi bun out dem frustration

Longtime wi ah bun out di disillusion

Now time fi bun out miseducation

Now time fi bun out dem temptation

Full time wi ah bun out paganism

Come people bun out favouritism"

Hmmmm. Now what does that sound like to you???

15. 'Away From Babylon'

Closer to Mount Zion! Lastly, 'Away From Babylon' is both the title and signature track from an album that we've declared a Modern Classic around here (same album carried 'Ganja Baby'. It was LOADED) and it... casually strides it's way onto this list and the same should be the case for any collection of Queen Omega's greatest works. 'Away From Babylon' was a celebration, it was wise, it was cool and it was just a BEAUTIFUL song and so it remains. Probably still my single favourite song that she has ever done, Queen Omega announced to all seeking her out where exactly where you could find her... or exactly where you CANNOT. 

[MORE] New From Trinity Farm Music!

Okay so, not too long ago, we told you about the excellent new compilation from the delightfully (and perhaps even over-) active folks at Trinity Farm Music, "Heart Of One". That wonderful set officially released on the 23rd of July and in the couple of months since then, TFM has already released THREE MORE projects, including one just today and I thought I'd tell you about all three of them..... because I haven't finished my review (of an album by an artist who featured on "Heart Of One"). Let's get on it! 

'Golden Globe' by Jah Rubal

Constantly appearing on Trinity Farm's releases, it should come to the surprise of absolutely no one that the characteristically frenetic Jah Rubal also recently dropped a new tune on the label, 'Golden Globe'. You almost get the feeling that Rubal enters some state of hypnosis when he makes music (not completely unlike the third vocalist here) and you'd also wonder exactly how much of what he does is actually written, versus how much of it is improvised to some degree. I would think 'Golden Globe' falls more heavily towards the latter but, in either case, it is a good tune. Also, in case you haven't notice: USUALLY Jah Rubal finds some type of a melody in his music and this is a good example of that. To no one's standard besides his own, 'Golden Globe' is pretty 'easy listening' from Jah Rubal and, again, very nice work in general. 

'Works Fa Jah' by Isayah

That of Isayah's was one of the most compelling performances on the whole of the aforementioned "Heart Of One" between a pair of offerings that he had there and I was well looking forward to hearing more from him with Trinity Farm.... and it didn't take very long at all. Things have remained the same on 'Workz Fa Jah', which is GORGEOUS! There's a point in this tune where things just level up and Isayah hits a peak of focus for a downright STUNNING stretch of music.

"All the works for Jah for The Most High One

Alla the works for Jah with good intention

Alla the works for make I & I strong, right over wrong

Alla the works for break down the walls of babylon

Alla the works for Jah, hail HIS creation"

Probably the best song on this post and... if TFM wanted to put together a full album for Isayah at some point, you'd get not a single complaint out of me. 

'Whole World In His Hands' by Ancient King

Finally, released today (like a few hours ago at this time), is the latest collaboration between TFM and the most dedicated Ancient King, 'Whole World In His Hnads'. Back in May, there was the lovely album, "Oath Of Akae", produced by Vaughn Benjamin for the label and this tune is the just the latest piece of work between artist and label and it is CLEARLY up to set quality. The tune is standard fare from what you're going to get from Ancient King:

"Dem build bunker and go hide it underground

DEM GO FOOL DEMSELF TO INFINITY, THINK DEM CAN HIDE"

It is ultra dedicated, kinda messy (and I mean that in a good way) and exactly what we've come to expect from Ancient King as he gives top honours to THE King. For me, 'Whole World In His Hands' represents some of the strongest recent work from Ancient King and, hopefully, we get another album for Trinity Farm at some point in the future. 

Higher Education by Naya Rockers

"Higher Education" by Naya Rockers [Naya Rockers & Floki Studios - 2025

Okay so, I definitely meant to get around to this one much sooner than I did but because I had  bit of catching up to do (and I'm old as hell), it took me so long that what started out as a preview is now a mini-review. Today we take a look at a very special project, pulled together by the Naya Rockers collective, "Higher Education". The album, which brings together many different artists from varying walks of life and places (like Iceland); and does so in the name of benefitting the famed Alpha School of Music in Kingston. WHAT AN AMAZING IDEA [!] one which certainly is deserving of our support and yours as well. Today we take a look at a beautiful album for an even beautiful[er] cause, "Higher Education" from the Naya Rockers, Floki Studios and Friends. BOOM!

1. 'Come With Us' by Clinton Fearon

BOOM! When I first heard the riddim on 'Come With Us' it made me smile and probably made me tear up a little as well. IT IS STUNNING (and wouldn't it make for a nice instrumental/dub????)! So nice and light and jovial with an old school HEART given to it courtesy of the legendary Clinton Fearon. 'Come With Us' is a musical celebration. It is a standing ALTERNATIVE TO NEGATIVITY ["Leave them guns and bombs outside"] and, REALLY, how can you possibly feel like doing something bad after hearing this tune. It's literally impossible! 

2. 'Higher Education' by Ivan Neville

I do know who Ivan Neville is, by name, but I couldn't name a single piece of work of his until he contributed the title track to the "Higher Education" project. This tune kind of combines a Jazzy feel to Reggae with Neville being from New Orleans in the US and it definitely makes it stands apart from the pack here, because of its sound. It's direction, however, is right in line with balance of the album as Neville puts forth the typical uplifting and inspirational messages that you've come to expect from the genre. A lovely song! 

3. 'Teach The Youths' by Sister Nancy

We all have to come together and do a better job in setting a proper example for the youth of the world is the sentiment behind Sister Nancy's offering to "Higher Education", 'Teach The Youths'. When I first heard this one (and still now) what I initially felt about it is that 'Teach The Youths' is very EASY. What I mean is that, while you will find other tunes here which maybe are more free and 'risky' (not literally, of course), Nancy keeps it very level-headed and consistent. She also introduces ideas such as humility and respect (of oneself and others) 

4. 'Thanks' by Hector Roots Lewis

Impressing St. Catherine native, Hector Roots Lewis, is one of a few here who can lay a significant claim to having the single strongest tune on the whole of "Higher Education" with 'Thanks'. This thing is GORGEOUS! It also fits in quite nicely with the theme, at least in my opinion as, along with the knowledge and education to be found within books, it's also important to be rewarding and fulfilling to YOURSELF on an emotional level and Lewis well wraps that within giving praise. A BEAUTIFUL SONG!

5. 'The Right Path' by Stephen Marley

Definitely the biggest name to leap out at you, on paper, is that of the great Stephen Marley who blesses the album with another of its genuine highlights, 'The Right Path'. Like the song it follows, 'The Right Path' (as its title suggests) is one more concerned with your spiritual health and morals over what you might pick up out of sitting in a more traditional and ACTUAL classroom.

"I say we learn from the past

Make our futures last

CHOOSE THE EARTH FIRST"

Although the vibe here is a SWEET one with an infectious bounce, it is the vocalist who takes the brigihtest of spotlights on 'The Right Path' as Mr. Marley delivers information in heaps and heaps which is not to be ignored.

6. 'Dub With Us' by Mad Professor & Clinton Fearon

What a shock! I mentioned how well the riddim to the opener, Clinton Fearon's 'Come With Us', might translate to an instrumental or a dub and look what we have here! The equally venerable, Mad Professor takes his hands to the tune and comes up with 'Dub With Us'. The Professor, as expected, doesn't take things in a straight course but what the dub lacks in that kind of 'wholesome' simplicity as the original song, it makes up for with a heavier but still fairly LOOSE vibe and it's the first from Mad Professor. He'll be back with us in a minute.

7. 'Long Way Down' by Mike Love

Despite the nature of his song, I'm going to make the assumption that, when he recorded 'Long Way Down', Mike Love was in a pretty good mood! He sounds like he is THOROUGHLY pleased with the material that he's singing and he's feeling the music behind him... and he has no reason not to feel good based on what I'm hearing. He's also trying to simplify things in his life and turn away from not all things modern but things that are contemporary and far from healthy.... downright poisonous at times:

"They'll make you ill then sell you pills

Call it medicine"

'Long Way Down' is a tune whose VIBE threatens to overwhelm its direction -- you can HAPPILY lose yourself in it and not hear a word Mike Love says, but a special gifts awaits those who take the time and do a bit more digging because the writer hits his notes as well. 

8. 'The Brotherhood' by Angelo Moore & The Tamlins

While I am familiar with his band, Fishbone, the name Angelo Moore was one commpletely unknown to me prior to "Higher Education", on which he gives us the delightful 'The Brotherhood', alongside the mighty Tamlins. There's a hint of old[er] school R&B (I guess that's what it's called. You know that song 'YMCA'? This one sounds NOTHING like it but something about it gives me that same genre for some reason... and maybe only me) here, mixed with Reggae, definitively, of a passed era. What results is a very unique vibe in support of theme of a pure unity from Moore and The Tamlins.

9. 'Words of Wisdom' by Queen Omega

LOOK WHO IT IS! Unsurprisingly, the tune that had me THE most excited to hear on "Higher Education" was definitely 'Words of Wisdom' as it is the handiwork of one of my absolute favourites EVER, the incomparable Queen Omega. Sitting as the album's longest track (clearly everyone involved knew with whom they were dealing), the Queen puts on an INFORMED display which builds up to a downright dazzling crescendo in its latter portion.

10. 'Same Lessons to Learn' by Micah Shemaiah

The well gifted Micah Shemaiah doesn't miss a beat following the Queen with his LOVELY effort, 'Same Lessons'. There is a well infectious BOUNCE to the riddim here and Shemaiah makes the most of the track with message of unity - in bringing up oneself, you also turn around and bring along others with you as well. That, INHERENTLY, applies to knowledge as it doesn't do much good taking it to the grave with you . PASS IT ON! 

"No man is an island, no man stands alone

Even the wickedest one will give their dog a bone"

11. 'Thanks Dub' by Mad Professor

The maddest of all mad professors, Mad Professor, returns to send us on our way in closing shop on "Higher Education" with his second creation, a dub of 'Thanks' which Hector Roots Lewis provided the original vocals for. I actually prefer 'Thanks Dub' to the previous 'Dub With Us', probably because it's a bit more straight forward. As I said (or at least I think I did), 'Dub With Us' takes the original sound in several different directions, that isn't the case with 'Thanks Dub', which is far closer to a straight instrumental (it isn't though, don't worry). The Professor's additives are more subtle but are sterling and, for me, delightfully go to accentuate what was already a HUGE creation. 

Of Note: A review of Heart Of One

Signatures. I'm currently working on the latest installment of our running series, 'Signatures', which is a feature we started to highlight some of my personal favourite songs from various artists. It's gotten a pretty solid response thus far and, after a break, we will continue it with the legendary Cocoa Tea, probably sometime later this month. I bring it up (because I absolutely love it) to lead into the fact that you can definitely take that same concept and apply it not only to a particular, individual artist but an entire label as well. It can be a little bit more difficult (and interesting to write) because you may not normally associate a certain piece of work with a label in terms of release and the choices you have to choose from may be incredibly vast but it can also be a very fruitful and satisfying experience as well. I'll bring up an example of a label that not only fits the concept of what we're doing today (they've worked with some of these artists) but one which has done PRECISELY what I think we're looking at here as well. Of course, I'm referring to I Grade Records and, by extension, the Zion I Kings. What're the signature releases of I Grade Records??? Were you to put together a list, surely it would be full of pieces from Akae Beka -- having the biggest Virgin Islands artist alongside the biggest VI label -- but I'd also include, off the top of my head, a pair of albums from Lutan Fyah and you might also come across works from the likes of Dezarie, Tuff Lion ["Ten Strings"], Pressure Busspipe and maybe even one or two others as well. Another set that I think would HAVE to be included (....and, of course, I'm now thinking about doing such a list) would be an album that we've well discusses around these parts so I won' take up too much of your time by beating it down again but, way back in 2009, IGR would release what is my opinion one of the greatest compilations of the modern era of Roots Reggae music, "Joyful Noise". Similarly, the other components of the Zion I Kings, Zion High Productions & Lustre Kings Productions, have also released compilations which are, easily, amongst some of their greatest productions. I could go on a more well known scale and start mentioning things such as "Reggae Gold" and "Strictly The Best" also - people who make Reggae music love making compilations and when they are very well done, the results can be some of the most memorable and most identifiable that they make, period. 

So, were one of my favourite labels going today to release a compilation which, at least on paper, looked like pure FLAMES, they're probably going to have my full attention. That brings us back to the wonderful people at Trinity Farm Music who, once again, are doing something well worthy of a look. While I could already point to a signature release from the label (they did launch our favourite album of 2024, Akae Beka's "Living Testament"), TFM have CONSISTENTLY delivered solid work in very recent times courtesy of a very interesting batch of names (biggup Batch) and have done so at a fantastic rate. Clearly, they have no intent on slowing down AT ALL. 

2018

So how do you take things even higher? Maybe [another] large compilation would do it. I can't go too far with this (well, I can (and I probably am eventually, but....), because Trinity Farm Music already has an outstanding compilation to their credit in 2018's LOVELY "Music Tree" which would have been one of their very first releases altogether. At least to my knowledge, there was never a second volume to "Music Tree" so, in its stead (kinda), 2025 now brings us "Heart Of One". The PACKED compilation checks in at nearly and hour and a half, spread over twenty-one tracks, featuring contributions by a VERY healthy variety of names. If you're following along with TFM's works, you'll see a number of their favourites building up the vocalist roster on "Heart Of One" and you'll also see some wonderful surprises as well (some of whom, I hope to see recording with the label more going forward) including some old personal favourites that we haven't seen much of it lately. For me, when it comes to compilations (especially on riddim albums which're far more rare these days than they used to be) one of the things that stand out most immediately is who is on board. I've actually made comments about that exact thing in the past and have had producers message me saying what happened or how certain things came about and it's all very fascinating (one was even apologetic) but when I laid eyes on what was happening here, even prior to hearing the actual music, I was mightily impressed, once again, by TFM. I failed to see how you could even put together such an array of talents and drop something subpar and "subpar" is not what I heard when I did get to hear "Heart Of One". Also, like pretty much everything that I've listened to from TFM, the music here is very heavily Roots Reggae, but I didn't find it very.... exclusive. While I don't see it being a very good starting point for listeners new to the genre entirely, if you've only recently come to know the greatest sound on the planet (congratulations), you're going to find something here entertaining and not just because there's so damn much of it. From beginning to end, "Heart Of One" shows itself to be stellar and a FINE potential introduction to one of the best labels going today. Let's get into it! 

Did I mention that this album had twenty-one songs on it?? It's been a minute since I've done a review on an album so damn long and I don't know how I'm going to break it down and segment it but let's just get to it anyway. Getting things up and going on Trinity Farm Music's BIG compilation is a very familiar name to our eyes and ears as the Arkaingelle puts both his and one of the album's best foot forward with the outstanding 'Yaddin by the Rivers'. By the slimmest of margins (with respect to maybe two or three others (but one in particular)) The album's opener is also my single favourite that it has to offer. Arkaingelle has a song called 'Manifess Joy' which is one of the top fifty or so best songs that I have EVER heard, so it's no surprise that he takes top honours here for me, as 'Yaddin by the Rivers' is simply flooring. 

"It is time now for repatriation 

Gather yourself, yow, let's get it together

We've got to organize, and centralize and mobilize

We haffi dispell all their falicies and all their lies

Do you know The King Of Kings was crowned, Haile Selassie I?

Rastafari, Head Creator over I & I

Lord Of Lords, Conquering Lion Of Judah

Prince Of Peace, I wonderful Counsellor 

Yes, He's the Alpha & Omega and with Menen, there's no other

The King & Queen, dem hold the ancient order

Mek I an ah yad a Mama land, lef outta babylon

No matta where you come from, Africa Fi Africans"

The Arkaingelle gives a MASSIVE grounded praise to The Almighty with this shot and it, instantly, became a favourite of mine (would have to think, but it COULD be the second finest tune that I've heard from him thus far) and were it at all possible, suddenly I was even more intrigued by "Heart Of One". Also want to give a quick credit to the music here: The impeccable aforementioned Tuff Lion is credited as being amongst the musicians on this album and I don't know if he plays on 'Yaddin by the Rivers', but I would not be surprise if it does feature his handiwork. This sound, as EASY as it is, is GORIOUS and I would well recommend that you pay a closer attention to the riddim as it develops because it does move ever so slightly and becomes even stronger to my opinion. Next up (spent all that time talking about one tune, time to get moving!) is someone whose name I have come across but, clearly, don't know as much about as I should because Dre Z Melodi DELIGHTS on his effort, 'Faith'. Just last year, Melodi dropped an album which I heard a bit of by the name of "Victory". Such release was damn difficult as it featured, amongst others, Akae Beka (twice) (and the first of the pair, 'Loving Jah' was fantastic), Fred Locks and Perfect Giddimani. It may be time to give "Victory" a closer listen because 'Faith' is damn impressive. DZM has somewhat of an unusual delivery. To my ears... he's almost sounds a bit like Ras Army but no matter a point of comparison you may want to come up with, check the golden 'Faith', another praiser but one which definitely finds its home with a VIBE. Listening to this song makes me feel good! Also, again, note the lovely musical conclusion here as well. Veteran Haile Maskel comes through for Trinity Farm Music with 'Wadada Today', which I'm going to allow my wonderful Wife to review:

"This song sounds like a cool old man singing a song"

There you go! From my point of view.... 'Wadada Today' is so DAMN BASIC but I don't mean that in a derogatory way. There is something compelling about it (beyond the great music, which I'm going to stop mentioning so much because it's the case on pretty much every song on this album, so I can save it for closing), especially in its latter stages as Maskel puts forth a very solid unification tune. Underrated and overlooked Belize born, Jah Myhrakle, has a new album out of his own by the name of "Worthy 2 B" (about six weeks old at the time of writing this), which is pretty good and I should probably review it at some point in the future. Until then, however, check his contribution to "Heart Of One", 'Take Frontline'. This GORGEOUS selection deals with ideas such as loyalty and the importance of surrounding yourself with positivity and positive, forward thinking people. EASILY one of the strongest pieces on "Heart Of One", Jah Myhrakle SHINES and does so in a very entertaining and melodic way as well. Hikari Zion, unfortunately, offers up the sole and solitary misstep on the whole of "Heart Of One". Try as I might, I could not get into his 'Luv Yu' at all. Both the pacing and what is are rather unusual and neither worked for me, ultimately (I, seriously, have no clue what is going on with that song). Righting the ship, the final two names from the opening third of the album came as total shocks and really helped to up my curiosity here. The first is Ickarus. Former (and maybe still) member of the famed Star Lion Family (which also produced both Pressure Busspipe & NiyoRah) from out of St. Thomas, Ickarus may not have had the road that some of his peers have enjoyed but OBVIOUSLY that isn't a matter of talent as he displays throughout his 'Everything Irie'.

"You've gotta nice smile, now put it on display

Do it real fast, arriba, andale

Wi no inna negative, wi no waan today

Tell dem mi serious and now mi no come to play

Put di knife down, youth, put di gun away

And hold a Bluetooth speaker from today 

UPLOAD SOME AKAE BEKA POSITIVE SONG TO PLAY

And watch di moon enlight di night and sun bright di day

When you walk with a positive, it's like a spiritual armor

Some people say bad deeds does return

Some people a just does ah call it a karma"

As you would expect, a song by the name of 'Everything Irie' goes in every possible direction and I'm thinking it was just something that he Ickarus vibed for that riddim. Regardless of its origins, however, it is a big winner for the album. Whether you realize it or not, THE most identifiable name on the whole of "Heart Of One" is that of Ras Elijah Tafari. Best known for his visual artwork in album covers -- such as this one, this one, that one over there, this one and that one too and even THIS ONE HERE -- (I HAVE NOTHING IN MIND WHILE I AM WRITING THAT. I'm going to go through and fill them in later. That shows you how prolific he's been and continues to be) but here, he turns his talents to actually inside the recording studio (as far as I can tell, he's been doing it for a decade or so at this point) and offers a pair of tunes for "Heart Of One"... along with the cover, of course. The first of them, 'Same Family' MIGHT be my favourite of the two but it's very, very close. Tafari's style is fairly straight forward chanting, for the most part, though he will press it and back off from time to time and he has a pretty good command of melody as well. That is well apparent here, 'Same Family' is pleasing to listen to and it makes sense. The same could be said when Tafari returns for 'Hot Hot Hot', later on. For its part, this song has more of a HEAVY vibes to it (there's something really cool about 'Hot Hot Hot'... despite its title) as the artiste turns up the heat on those in serious need of cleansing. I give a massive credit to Ras Elijah Tafari, in general. He's one of those people who'll likely not get his full credit for it but the man has made a MASSIVE contribution to this generation of Reggae music, again, whether you know it or not. 

The next third of "Heart Of One" keeps the wonderful surprises coming in the form of who's on board and the quality of their output is also high. We also get a couple of names back from the first batch with their second songs on the album: Jah Myhrakle & Dre Z Melodi. Myhrakle's song, the very catchy 'By  His Words' sits comfortably amongst the album's finest in my opinion, combining exactly what you're thinking of for a theme with a very clever method. DZM, on the other hand, takes a somewhat unique route on 'Keep My Health'. Although this one doesn't quite reach the heights of 'Faith' and (it's going to take a few spins to grow on you) it's fairly skeletal at times, 'Keep My Health' wins by virtue of a uniqueness and a VIBE. Staying away from it for now - musically, something very interesting happens on the tune and, again, if you have a little patience, 'Keep My Health' will glow for you. We also get a pair of CANNONS courtesy of two unexpected names for "Heart Of One" as both 'Rastafari Guide the Way' and 'Moralist' are EXCELLENT. The very simple former is by an Isayah, who I'm not entirely sure that I've come across at any point ahead of this album but it the big praising piece comes as a very welcomed introduction and, as usual, I'll immediately head off and find out what else Isayah has been up to (he'll come back and show us what he's been working on, later). The ULTRA impressive Kali Wale is the man behind 'Moralist' and though I thought I'd also have to do some background work for him, a name change actually saved me some time. Wale has a very nice singing voice (it's very LOUD and clear) and he's an even better writer.... somewhat reminiscent of an artist by the name of YahKali, with whom I am familiar, largely due to a review I wrote over a dozen years ago for an album by the name of "Powerlink" by the Amandla collective. I was impressed with YahKali's abilities back then and he and Kali Wale just so happen to be one of the same and, nothing has changed: 'Moralist' is downright MASSIVE and I could really go for a full album of this. 

"System of the serial 

Some win, some losers

Use language just to confuse us

Ripped from nature so dem can abuse us

Entertainment just to amuse us

And nation rise unlike no other

Giving honours to the child and the mother

Protect the innocent and respect each other

Equal rights, justice forever

System backward: Sit down - get reward

Identify the I as civally morbid

Reject your place of birth, inheritance forfeit

Another generation sorted

And nation rise, not bound to no colour

Just to pedigree, tradition and to culture

DECLARE your allegiance and start to unocover the true source of all your power

Moral, say we loyal and we noble

Royal cause we cup full, yet we joyful

Healthful, sipping sorrell, smelling floral

Inna the spiral, message viral, with we hearts full

Moral, say we loyal and we noble

Royal cause we cup full, yet we joyful

Healthful, sipping sorrell, smelling floral

Inna the spiral, message viral, with we hearts full"

Original Nine Fingers, Xkaliba, WONDERFULLY also makes an appearance here with a big piece of intelligence in 'Want More'. Though not to the same degree as the aforementioned (and soon to be mentioned again) Ickarus, we'd definitely like to hear more from Xkaliba. His style is SUPER SIMPLE. It is very basic and straight-forward but it works for him, far MORE often than not. I do enjoy 'Want More' (don't love the spelling but everything else is just fine) as the Cruzan chanter touches on the thin line between thriving and seeking the best for yourself ["Get good loving. You still want more"] versus just being DAMN GREEDY. The musically motivating 'You Can Be' comes from someone who I almost certainly have not mentioned for at least a decade, King Hopeton. Several hundreds of years ago, Hopeton released a FINE album by the name of "King Of Kings". It was a thundering introduction to the singer and although he didn't really follow up on it (he did, but none of Hopeton's subsequent work has been on the level of his debut, in my opinion), it made a fan out of me and I've at least made an attempt to keep an ear out for what King Hopeton's been up to. 'You Can Be' is another one which required some time to grow on me but it has greatly from the first time I heard it. King Hopeton also has a new collection out, "Time", which will probably be just about a week old by the time you read this. About a year ago, veteran Rob Symeonn pushed "Manners & Depression", an album, for Trinity Farm Music. He's also had other work on the label, including since the album, so it should come to no surprise - his presence on "Heart Of One", with 'Depression' (...probably would have been a surprise if he weren't on board). This song is what you're thinking it is as Symeonn warns all about the various stresses of everyday life and how to not get caught up in so many things piling up on you at once and losing your happiness. The topic is, obviously, quite crucial to him lately as the artist also pushed the similarly concentrated 'Sunshine', another single for TFM, earlier this year. 'Depression' is even stronger and a major attraction for "Heart Of One".... more on that later. 

Another kinda/sorta familiar name shines during the final chunk of "Heart Of One" as both of the songs that Noble Culture contributes are found here. About twenty years ago, a Black Culture launched the Bambu Station produced well-received "Lion's Den Adversity" and, like Kali Wale, he, too, has undergone a name change and is now Noble Culture. Between his 'Refugee' & 'Not in The Mood', it is former which REALLY stands out as BC puts forth a very nice and specific social commentary about how people can feel like outsiders in their very own homes. Apart from the sake of comparison, 'Refugee' is just really strong as well. Though it doesn't quite hit those levels, 'Not in The Mood' also goes well, especially lyrically. The shortest selection here by more than twenty seconds, you do wish it were lenthier but 'Not in The Mood' does manage to make an impact in its short time. It's also very simple and nice to the ears. Our old friend, Messenjah Selah also makes an appearance with this fun time, 'Natural'. In the early days of this blog, we did a kind of running project with one of Selah's albums, "Breaking Babylon Curse", so he's had a special place on my players even since. 'Natural' is EASILY the best song that I've heard from Selah in some time and it features him dealing with how he's come to be who he is, musically, a 'sufferer' of intense, infectious Reggaemylitis. 

"It's written in my blood

REGGAE YOU DO ME LIKE NOBODY DOES, NOBODY DOES"

It does all of us like that, Messenjah Selah. Take Haile Maskel, for example. He loves it so much that he comes back again to the album with 'Negust is Ruler', which is even stronger than his first effort here, 'Wadada'. I'm going to tell that though I don't feel the song needs any time to grow on you, it does take a bit to develop and, as the only over five minute piece here, 'Negust is Ruler' gets all the time it requires on that front. When it does get where it's going, it is a creepingly LOVELY praise which fits its creator (and THE Creator) perfectly as a vibe which is the best way I feel it is enjoyed. Ickarus also makes a return before ending things here with his second go on "Heart Of One" with the familiar 'To Africa'. This song actually taps the same riddim as 'Who Will Go For Us', the initial single from what turned out to be our favourite album of 2024, "Living Testament" by Akae Beka. Here, we find the chanter outlining some personal goals as he plans to visit the continent before the end of his days. This one is FUN and you can really here the passion coming through Ickarus and HOPEFULLY he makes it home! Lastly, check the ABSOLUTELY MAMMOTH 'StrucJah' from Isayah who returns to the project gloriously. Isayah beats us all down to the cellular level (the man literally talks about things like DNA and photosynthesis) (somewhere, Vaughn Benjamin approves) and you get to a place where, in its later stages, Isayah is SOARING all over 'StrucJah'.

"HIS Haile temple is the willingness of royalty

JAH GIVE US EVERYTHING WE NEED IN RIGHTEOUS ENERGY

The DNA, double helix, highest complexity

YOUR BODY IS A NATURAL ORGANISM, KEEP IT CLEAN"

DAMN! If you were, at all, unfamiliar with and unaware of Isayah's level of skill prior to "Heart Of One", you, like me, have just been placed on notice as he gives a giant word to honour the power of The Orchestrator. 

I've alluded to it (and flat out said it) a few times throughout this review, so I'll make this brief: The music all over "Heart Of One" is kinda SPECTACULAR. It's really, really strong. In particular, I'd point you in the direction of Haile Maskel's 'Negust is Ruler'. The guitar (which may or may not be played by Tuff Lion) on that thing is GORGEOUS and it truly levels up near its conclusion. Big credit goes to Trinity Farm for making an album which sounds like this because, even if you aren't as fond of the actual songs as I am, anyone even remotely a fan of Reggae music will thoroughly be impressed by what they hear by the players of instruments here. 

Overall, while I definitely set some mighty shoes for it to fill and a big path for it to follow, "Heart Of One" does just fine with it. It is excellent and it is such in a way that is very understated, for the most part. I don't think ANY vocalist on this album is going to leap out at a more casual fan. Again, THE most recognizable name here would be that of Ras Tafari Elijah and that's because of his visual art. Musically??? PROBABLY who stands out the most is Arkaingelle (Rob Symeonn and Messenjah Selah would also be in that conversation) but, as a collective, for someone like myself (and probably Yourself) this lineup is delicious and rarely is there a wrong direction taken. So, perhaps if you haven't been paying attention to the fine work Trinity Farm Music (and Go A Chant Productions) has been pushing over the past few years, "Heart Of One" represents a brilliant point to become acquainted, especially for more constant fans of the genre. One of the finest Reggae compilations of 2025 - and it ain't even close!

Rated 4.5/5

Trinity Farm Music

2025