![]() |
"See It Deh" by Ras Shiloh [Reggae Vibes Productions] |
Achis' Reggae Blog
No Behaviour. None!
Wednesday, July 24, 2024
See It Deh by Ras Shiloh!
Monday, July 15, 2024
Signatures I: Akae Beka
Okay so, I've had this idea for awhile but I've always found myself too stuck on a review or between ideas to actually get to working on it, but now is the time. "Signatures" is very simple: It's an album-style (meaning somewhere in the range of 12-16 tracks) list of my absolute favourite songs from a particular artist. The idea originally came from noticing that, despite the fact that he has... I don't even feel like counting now... DOZENS of albums to his credit, no one has ever put together a 'greatest hits' type of compilation for the great Vaughn Benjamin that I know of and it's understandable why, actually. In general, it would probably require tons of work (and quite a bit of money) to put together, given all the various producers/labels he spent his majestic career working alongside but also... how do we register "hits" when it comes to someone like Benjamin. The only charts you're likely to have ever found his work on would have been very specific album sales and it doesn't appear that he's stacked what we typically regard as 'popular' releases, despite just how oddly passionate and LOYAL his fans are and have been from very early on during the days of Midnite. So, it's my thought that compiling such a list would be most interesting if you individualize it. The work he left, unlike almost anyone else, is SO personal. I've had conversations with people about songs that I barely even recall, but they literally changed their entire way of thinking or became THAT moment where that light bulb came on in their head and led them to inheriting the KINGDOM of this wonderful music.
And "Signatures" was born. Here is my own personal list of favourite songs from one of the greatests to ever do it. Signatures Vol. 1: Akae Beka.
{Note: The only basis for songs being on this list is how much I enjoy them. That is all}
{Note 2: Songs are listed in absolutely no particular order, although I will say which is my single favourite, as I typically do. I also intentionally did not write them in the order they appear. I jumped around purposefully}
{Note 3: This was VERY difficult and I may do a second disc at some point, but Vol. 2 of this series will be Lutan Fyah}
1. 'Enter'
......for now and forever. The aptly named 'Enter', in retrospect, was probably one of the songs that made everything begin to 'click' for me when came to Vaughn Benjamin's music. Set as one of the gems from the "Jah Grid" album (which was outstanding and also included the truly MAMMOTH 'Before I Lose My Strength'), 'Enter' just had a VIBE about. There was something.... almost mysterious to it with its very focused sound but Benjamin went ALL OVER THE PLACE atop the I Grade produced riddim. For me, 'Enter' is both an emotional ["If you plan fi live good, open Jah door and enter"] and a knowledge ["Dem ah listen and dem ah search the entire universe fi hear Jah voice echo chamber"] offering with the artist saying that if you choose to accept The Almighty, alllllllll of this is available to you. Symbolically, it said that for me in regards to his music. I did accept it and, looking back, it was one of the greatest decisions I ever made... for now and foreverrrrrr ('Enter', EASILY, has one of THE coolest endings to a song that I have ever heard).
2. 'Just Decided'
Perspectives will have to realign. The first of a pair of ganja tunes on this list (and, now that I think about it, the other is fairly similar in terms of how it's written), I've held 'Just Decided' in increasing standing throughout the years because of a pair of very simple and basic reasons: It is extremely well written (DUH!) and it SOUNDS GREAT! Ignore the first of those for a second (because you know who wrote it) and focus on the latter. 'Just Decided' is DYNAMIC! A quality seldom associated with the music of Benjamin, that Fifth Son Records licked riddim was downright blissful! It hits a plane and just SITS DOWN right there for such a wonderful musical moment. Probably THE most dynamic tune you'll find here and one which has always stuck with me.
3. 'Black Mamba'
True nature. This list is compiled of tunes which are signature moments for me, personally. Because of that and in the name of pure standouts in terms of recognizability, 'Black Mamba' may just be the single biggest 'hit' you'll see here. The Andrew 'Bassie' Campbell produced drop was the loudest of chimes found on "King's Bell" (which released a truly disturbing thirteen years ago) (time does not "fly". It SOARS) and from the very second I laid ears on it, 'Black Mamba' has stuck with me. Another selection finding a powerful blend of deep and penetrating messages with an overall extremely difficult to shake sound, AT ANY GIVEN TIME IF I AM SINGING AN AKAE BEKA SONG IN MY HEAD.... it's probably 'Black Mamba'.
4. 'In Awe'
....IN AWE. I used to be quite fond of using the term "skeletal" to describe some of the music of Vaughn Benjamin. When I did (and still occasionally do) use it, it was in reference to a song where he didn't.... seem to pay much attention to the riddim going on behind him. Maybe there wasn't a great (or ANY AT ALL) connection between the vocals and the music and it, of course, had some type of an impact on the overall sound of the tune. 'In Awe', the title track of an album from the aforementioned Fifth Son Records from a dozen years ago was definitely SKELETAL. It was also pretty much without flaw and, even to this day, a tune which has this certain vibe about it which I find FLOORING. It is an absolutely DEVASTATING track within a certain simplicity and one where the artist explains his observance of The Almighty and also, coincidentally, explains my observance of the song he is singing.
5. 'Grapes Of Wrath'
Magma lava.While not new to my ears (and probably the single oldest tune you'll find here) I have to say that it wasn't until fairly recently -- maybe the last... two or three years or so -- when I REALLY became a fan of a tune which might just have one of the biggest supporting groups of any of Akae Beka's the CLASSIC 'Grapes Of Wrath'. Prevously, my interaction with this tune was as a live tune where it, apparently, was a favourite of Benjamin's to perform and you'll find countless instances of him doing renditions of the tune all over the world during his travels. Given the kind of spontaneous and organic nature of the live performances (and of this specific song, in general), I've come to regard 'Grapes Of Wrath' as, EASILY, one of the greatest freestyles ever. That's only in respect to the rest of Benjamin's work, I most certainly could be wrong, but I don't feel like he spent a lot of time actually writing it and what ERUPTED from him when it was created was a cauldron of genius, leaving no stone unturned and covering an endless story of themes in an exceptionally emotional and fiery way from the chanter.
"Dem lack di counsel of di elder
Lost di reference of di daughta
I man a Rasta, living amongst di people like a waiting disaster
Love dem order
Dem seh dem love di sun, but di sun dry up dem water"
Dilly dally. Buried on an album which wasn't the greatest and has largely gone forgotten -- 2008's "Maschaana" from Natural Vibes -- you will find the TORRENTIAL 'Sha-tee'. You will find a somewhat similar and far more popular tune later on here but, for my opinion, the very clever social commentary with a spiritual core that was 'Sha-tee' will always have a place amongst my favourites as well. Benjamin gives his listeners absolutely nothing in the way of relief (and you deserve none!) in geting his point across and though it may take even more effort than it typically does with his music (and it always does take at least some), the idea behind 'Sha-tee' and the LYRICS are in the stars!
"Jah is the Cab, the taxi driver is the cabbie
Jah is The Ruler over already -
Over twister and tsunami
Over faith and destiny
Over tranquility and without no partiality"
7. 'Same Boat We'
Magnificent edifice. My absolute favourite Akae Beka album ever??? That would require some thought but an album DEFINITELY in the conversation would be the MAMMOTH "Beauty For Ashes" and 'Same Boat We' has become that album's signature offering for me. It's almost difficult for me to slice "Beauty For Ashes" now because it sits so succinctly as a completed unit with Benjamin absolutely DISSECTING the idea of unity... grinding it down to a fine, powdery substance. For its part, in particular, 'Same Boat We' was simple and didn't try to do much with its sound but when you got into its lyrical direction - IT ASCENDED! It grew wings and soared to the heavens. From an incredibly local level, to a continental one, to a one of the highest degree ["MILK WAY GALAXY"], Benjamin would bring everyone EVERYWHERE together and do so in an entirely unforgettable way.
8. 'Hemp Scroll'
Awareness & alertness. 'Hemp Scroll' was kinda mesmerizing. It was. There was a very... 'light' sonic feel to it with the artist adopting an almost robotic delivery and somewhere in the midst of it all, the listener gets LOST and I mean that in the best way possible. All of these years later, 'Hemp Scroll' which featured on the "Free Indeed" set (an album which didn't have a very big release but was delightfully very well regarded in its day if I recall correctly) has only grown in stature, despite starting somewhere amongst the stars. Ever the proponent of the herb, Benjamin (as I alluded to in regards to 'Just Decided') weaves an all-encompassing which climbs so many different mountains. You'll hear ganja tunes and, if you think about, they're either really specific -- as far as maybe covering a single incident than someone went through -- or very broad. 'Just Decided' and 'Hemp Scroll', oddly, were both. They both dealt with a variety of different aspects but did so with incredible detail and both are utter joys to listen to.
Thursday, June 20, 2024
What [ELSE] I'm Listening To
'Addicted' by Khalia [Ineffable Records]
Ladies first this week as, headlining a number of big names is the deliciously (and I do mean DELICIOUSLY!) difficult to avoid Khalia who is back, already, with another lovely single, this time for Albion Muzic, 'Addicted'. If you've been following the work of Khalia lately, then you'll know largely what to expect from 'Addicted' as it is just another syrupy sweet piece of modern Lover's Rock which finds the vocalist tackling a classic riddim which sounds like a cut of the Queen of The Minstrel Riddim to a near perfection. Khalia is quickly cornering the market on just.... BEAUTIFUL, SENSUAL (though not necessarily sexual, although she does have her very clever moments) (it's never completely obvious, it takes a little thought) Reggae music and there's nothing wrong with that. Earlier this year she blessed us with "Stay True", her wonderful EP and I wouldn't be surprised at all if its followup (maybe even in full form) is set to follow sometime in the remaining six and a half months of 2024. 'Addicted' is sublime.
'Tear No Man Down' by Perfect Giddimani [ChinaMan Yard]
Next we have a single that definitely had to work on me quite a bit before I really began to tune it in, 'Tear No Man Down', which comes from the always welcome and always most compelling Perfect Giddimani, alongside ChinaMan Yard, who is literally out of China, as part of their Higher Grounds Riddim. Okay, I'll tell you what I heard initially that I didn't particularly care for: The.... pacing of this tune?? I write it as a question because I'm not entirely sure if I'm explaining it correctly (highly unlikely). 'Tear No Man Down' had (and still has) an unusual kinda 'hitch' to its sound to my ears (and maybe (probably) I'm the only one of that opinion but it's something that took a bit of overcoming. What helped in that is an unmistakable CHARM that the tune also carries. You know how you can talk to someone on the phone and you can still kind of HEAR them smiling when they talk? It isn't exactly the same, but there're portions of 'Tear No Man Down' which just gives the vibe that Perfect FELT REALLY GOOD IN SAYING WHAT HE IS SAYING at that given time. It radiates throughout this one and, from personal experience, I can tell you it is a quality that takes a song that I'm rating as "okay" early on and transforms it into... something maybe a little special.
'Dem A Murderah' by Anthony B [Green Lion Crew]
I probably could have put the whole of the outstanding Extra Heavy Riddim for this next one (but TECHNICALLY it hasn't released yet as a full unit) from the increasingly venerable Green Lion Crew but, instead, we're focusing on the track's finest moment (but they're all really good), Anthony B's 'Dem A Murderah', which finds the original fyah man putting the golden track to the sword... I'll probably do a track by track for the Extra Heavy when it releases. It is absolutely lovely!
'Trust H.I.M.' by Lutan Fyah [Truesounds]
A big credit goes to one Truesounds for laying down their very creative Roll Call Riddim for the great Lutan Fyah to provide vocals over and, listening to this one.... MASTERFUL! There is an infectious flute that dominates the vibes here and the Fyah uses it with this style darting back and forth in his delivery with a fittingly fiery lyrical display.
'Yeah, while you're living hail The King cause that's di thing
If you're corrupt, you get di judgment and di fyah that it brings
Dem ah put on a show fi go tek picture
Fi a while now dem skanking but now dem style it up fi wealth but that a babylon thing"
I don't know if Lutan Fyah has a bigger fan than I, PARTICULARLY OF HIS WRITING, over the years and my attraction for his words has not diminished in the slightest. At his absolute peak, the chanter from Spanish Town has VERY FEW equals.
'Nuh Afraid A People' by Pressure Busspipe [Digital One Music]
If you're stocking up a bit of frustration and need to it let out somewhere in this post, I'm sorry, no, you'll find no Soca here, but check this SCALDING tune from Pressure Busspipe and Digital One Music, 'Nuh Fraid A People'. The tune was recently (relatively recently) released as part of DOM's "Trichotomy The Album" which featured a trio of well solid Dancehall tracks (two of them, especially) and it showed a more AGGRESSIVE side of the chanter who also continued to display a level of ultra-heightened skill, regardless of the topic at hand.
![]() |
The Seasons Riddim [Don Corleon Records] |
Perhaps you can figure out why the roughly two decades old Seasons Riddim has come back to my radars and if you can't, I'll gladly let you know whenever I finish my next review (as it now takes me one (or TWO) weeks worth of attention to write something which, not too long ago, literally just took a few hours) (getting old..... no fun!), but I've been enjoying this set which probably should be regarded as a classic these days. The Seasons Riddim, along with the Drop Leaf helped to put its creator, Don Corleon into a different stratosphere and he went from one of the most influential Dancehall producers of his day (and that era would have been a mighty one with the likes of Steven 'Lenky' Marsden and Di Genius also shining at the time) into being the same for the entire genre of Reggae music. Absolutely saturated in hits, these days tunes like 'Love Is' from Jah Cure, Alaine's STUNNING 'No Ordinary Love', 'Thanks & Praise' by Fantan Mojah and DEFINITELY 'Far From Reality' from Natural Black rank as not only genuine hits of the time period but... really some of the finest work from those particular [well decorated] artists entire careers.... and that's what I'm listening to.
Saturday, June 8, 2024
What I'm Listening To: LATELY
'Never See Us Fall' by Marlon Asher & Sizzla Kalonji [VAS Productions]
First up this month is a tune which brings together two [THREE] very big names as Marlon Asher links up with the great Sizzla Kalonji.... on a Don Corleon produced track [!] for a big new tune, 'Never See Us Fall'. At the risk of becoming a 'prisoner of the moment' (what I care), I'm going to go ahead and say that 'Never See Us Fall' is the single best tune I've heard from either artist in a minute. On paper, such a combination is truly ridiculous and when you put a wizard at the helm what you expect becomes giant.... 'Never See Us Fall' is giant.
{Note: Wouldn't be surprised at all if Asher had an album forthcoming this year}
![]() |
"Ganja Man" by Linval Thompson [Irie Ites] |