Tuesday, December 25, 2012

Lyrics!: 2012

Out of everything else that it's managed to do, 2012 has definitely produced one of the most memorable years in recent times in terms of powerful writing. We have seen some of the best lyricists in Reggae step up in some cases and we've also seen up and comers perhaps make their case for belonging in the top group as well. Whichever the case, or any other, the lyrics of this year have largely been fantastic. Today we take a look back at some of our favourite verses and choruses from Reggae this year. Lyrics! 2012

“I can hear the trumpets blowing
And the angel’s choir singing
Ithiopians calling
Hail His Majesty

Zion behold Her glory
Rainbow coloured story
Lion of Judah reigns
The advocate of change
True philosophies -
Fulfilling all history
The seals, the revelation
What a joy!
Sweet redemption!
Ancient of days, worthy to be praised 
King for us now and for always” 
-from 'Zion's Glory' by Mark Wonder

"2012, I hear, might be wi last year
So the Mayans say
It's the end of days
But everybody know, and this is a fact:
Tomorrow might not come, today not coming back
So let go yahself
Forget about all yah troubles -
Put them on a shelf!
Be happy and free yourself
All hands in di air!
Up in di air!
Up in di air!
Di air!
Di air!

JUMP!
Like you have no tomorrow
WAVE!
Like you have no tomorrow
GET ON!
Like you have no tomorrow
JUMP!
Like you have no tomorrow
JUMP!
Like you have no tomorrow
JUMP
Like you have no tomorrow
WAVE!
Like you have no tomorrow
GET ON!
Like you have no tomorrow"
-from 'No Tomorrow' by Claudette Peters 

"Elevate your mind!
Chant Rastafari!
I and I and I, praises to The Most High
Elevate your mind!
Chant Rastafari!
I and I and I, praises to The Most High

Babylon ah have di youth dem lookin in di sky
Waiting for an angel to save I and I
Theif our culture - it, dem deny
Analyze, open your eyes and youth wise
Homeless, restless, babylon careless
Starving, famine
Everything is hopeless
Recession, oppression, depression, dem stepped on
Seek -
And you will find salvation

Price higher
Guns higher
Roadblock, bun tire
War inna babylon system a vampire
Soldiers, police and civilians exchange fire
Not even water can cool this hot lava
Signs and wonders, lightening, thunder
Babylon ah f#@k with Mother Nature
Earthquake, cyclone, flood and brimstone
Drought all about
Mek wi forward to Africa

Hey
Well a babylon ah have di youths dem lost inna bondage
Hocus and pocus, dem cause so much damage
Mental flames have yah brains inna bondage
Free your mind with the wisdom and knowledge"
-from 'Chant Rastafari' by Tarrus Riley

"Hear dem out
Hear wah di streets talk bout:
'No justice. No peace', dem shout
One more politician - one more doubt
One man cry represent all bout
Unfair practice dem dun spiral route 
Make sure you feed your mind not just your mouth
Blind repetition cause spiritual drought
Sure, inna these times, the weak weed out
The real, camouflages make-believe
What is on your screen was already conceived
Isn't it ironic how you wipe your plate clean?
What yah gonna do when we level the playing field?
Uh huh

Time fi ease di tension
Inna due time fi ease di tension
Cycle repeat inna slow motion
Renegade style fi shatter the faction
Fi real - time fi ease di tension
Inna due time fi ease di tension
Cycle repeat inna slow motion
Renegade style shatter the faction

Mental slavery -
Dem still ah chain we
Dem waan wi remain ignorant and getting used daily
Religious fanatics, no dem neva speak plainly
On wid dem struggle a di focus mainly
Lost originality
No morality
I chant truth and I chant reality
Supply di work and still ah form charity
Hide underground and dem leave out di majority
What pon di TV, dem get caught, believe me
Living inna world where nothing no come freely
All dem deh loan what dem care bout really 
ALL ON DEM KNEES AND DEM STILL A SLEEP EASY
You feel me?

Truth be told: The pressure coming back tenfold
No amount of money cannot save ya soul
Caan box me in, cah me no on ya payroll
What kinda livity wah dem ah uphold?
Some choose life and some ah choose bowl
Some choose humility and some ah walk bold
Wi no follow fashion cause dem fashion too old
Find truth that's your own cause di strong stand alone
Hey, let me read your prophecy 
Full circle ah come around wid a tenacity
Sabotage life now you come out wid a casualty
No more you plead, it time fi you pay ya penalty"
-'from Due Time' by Reemah

"If I know the things I knew then, that I know now
My life wouldn't be the same
Cah mi know seh good things come to those who wait
And success comes with pain 
If I know the things I knew then, that I know now
My life wouldn't be the same
Cah mi know seh good things come to those who wait
An greatness come with pain

Mi nah go put mi trust inna no mankind
Almighty mi ah praise from longtime
Look how mi teach dem fi do di ting
Show dem di juggling
And how dem gwan like dem waan take mine
To alla di ladies I've hurt before -
Mi did ah play a game and did ah try fi score
PLEASE FORGIVE ME FOR MY CHILDISH WAYS!
Mi know mi nah go do dat no more

This ah di present mi prepare for di future
My mind so focused like a computer
Mi get inspiration from Martin Luther - King
So mi know seh dem caah trick di youth yah 
Nuff people fake and ah gwaan like dem real
Ah smile inna yah face when dem ah try stop ya meal
My success dem did ah try steal
But dem haffi hide when di truth reveal

To alla di people weh use mi and tink dem win -
Remember: everything is everything
Mi caah turn back di hands of time
So Delly deh pon di grind and ah gwan hail The King
Mi nah hold no grudge 
Mi nah cuss nobody 
Mi nuh waan nobody feel seh mi a mad smaddy
Mi nah regret di good nor di bad
Mi just ah step like di child of God"
-from 'If I Knew' by Delly Ranx

"Gangsta a gansta and coward a coward
From you a cat you caan par wid no dog
Hey boy, from you born, you no bad
When man out a di road, run go back inna yo yard

Some bwoy no grow wid no militancy!
Some bwoy no grow wid no militancy!
Some bwoy no grow wid no militancy!
Dem no militant, you can take a minute and si

Cah, mi nah run lef mi parry, mi sorry
Nah inform pon mi chargie to sargie
No information, mi nah gi
Mi nah talk!
So no offer mi no plea bargin
Cause mi - secure mi place lak a guardy 
And mi will share out dem food - gi mi doggie
Mobay man, dem a some bad piece a yardy
MAN A BAD PEOPLE, SO COWARD DEM CAAN CALL MI!"
-from 'Militancy' by Aidonia

"No other genre coula test wi fate
Doh mind Soca artist weh dem doh waan rate
What we do wid ease dem have to concentrate
Wi move fifity-thousand people like it have no weight
Soca music doh get Grammy, nor record deal
We cater music to how de nation feel
So all who a test wi
Come on, address wi
Wi mash dem up snail unda wheel!
Anything just -

MASH UP!
Mash up de party, let dem rag kick like karate
MASH UP!
Mash up de party, mi doh care if you over forty

To all the young ones coming in this game
Don’t be unprepared and make ya ownself shamed
Everybody want to get dem tips and fame
You cannot rise to de top by mashing down man name
Some of you have tune on radio, getting thousand wheel
Look how good the nation, and the people feel
When ya tune leave radio and it live on stage show
Yah better mash up dat stage fi real!"
-from 'Mash Up' by Bunji Garlin

 "Sweet words: Good herbs
And the sign on the room door says -Don’t Disturb-
Naturally preserved
And I gotta lot more in storage, reserved 
No chemicals to harm yah nerves
Smells so good from around the curve 
Authentic marijuana mi plant and serve to Diana and Irv

Don’t worry nor panic
Cause my chronic
My chronic -
Is organic
So take a draw from it

Johnny! 
Hey yah!
Can I have some marijuana?
I wanna smoke it again!
Wanna smoke it again!
When I am on the corner
So gimme that Ochi kush!
From the collie bush!
If mi haffi walk pon foot, tek ride or drive or -
Pedal and push"
-from 'My Chronic' by Perfect Giddimani

"People inna danger, living in fear, satisfy dem curiosity
Entertain di stranger, wi no need no animosity
Fyah to di fuel, wi burn babylon authority
Wi living in a world of technological atrocity
These coming days - no man can prevent
You caan find food without di dollars and cents
You rely upon a system dat don’t make a sense
I give account only for myself

This is a warning, warning!
Hypocrite neva believe Haile Selassie send a judgment from di east
Come ya wid a warning, warning!
Let’s trample di beast -
For winds, earth, sky and sea!
I tell yuh dis a warning, warning!
Let’s take it to di street
Wi fight for justice, won’t accept defeat
Let’s take an advice from di meek
Wi speak di word, whether famine or feast

Hey, don’t live a life to please di devil’s
Withdraw yourself from babylon unknown perils
Repel satan send him back go dung a hell
Haile Selassie I seat up in di heavens
People walk in di shadows of death without dignity
Dem wanna take di life The Most High give to me
And it’s a joy to show dem love, even though dem think contrary
Tell dem di truth and dem nah hear me"
-from 'Warning' by Lutan Fyah

"Dem study ya weakness, study ya strength, study ya vulnerability
Dem come come, siddung pon ya rights and siddung pon throne hereditary
But if you look in a likkle deeper you see the whole hierarchy
Fueled on nepotism, dominating desperately
Well Solomon Throne and David House Yahoshua entrance be
Tell dem di ruler of disparity waan siddung equality
Federal throne and territorial municipalities
Celebrity no supercede over substance you see
Never before in the world have run up so much deficit we
Exhibitionist overboard, over sensuality
Know fi generate a cash you haffi narrate more money
Is di plan you ah tell dem seh so ‘see more, feed me’
A approach from desperate directionally
Breaking T-A-B-O-O every
Know seh generous pride and shame and Negus sensitivity"
-from 'Nothing Restrained' by Midnite

"Tell dem every time seh a love a di solution
World leaders look a new resolution
Industrial companies ah cause di pollution
Di people doesn’t like it, so wi cause a revolution
Babylon ah wonder what di Rastaman made of
Just know Selassie I name mi ah praise up
None of dem can stop di fyah mi ah blaze up
Cause every time you look you si di food price ah raise up
Kill out di boys and they kill out di girls
Destroy Mother Nature and they’re drilling up the Earth
Fighting for di power, through dem waah rule di world
None a dem no great like Selassie I The First
Nuclear warfare, nobody free
Babylon ah dump all a di rubbish inna di sea
Killing vegetation, no cutting down the trees!
Where are di birds and di bees?

Hey, make sure you answer when The Almighty call
Tell you every time babylon haffi go fall
Afrikan people, you gotta stand tall
Why is it di people dem ah suffer inna Somalia
The ozone layer been depleted
SEEMS AS IF YOU WANT DI HUMAN RACE TO BE DELETED
The Almighty works not yet completed
People all over di world been mistreated
Tell di people dem turn to God
Do all the good and don’t do no bad
Everybody don’t love, you’re not happy, you’re always sad
Unite my people, live in love and be glad

Hey, Babylon ah drink blood lak a cannibal
Nuttin no left, not even an animal
Babylon you caan test di Five Star General
Selassie lead us perennial"
-from 'Planet In Peril' by Sizzla Kalonji

"I give Jah thanks for shelter
I give Jah thanks for the rain
For everything that I have as I am
For the life going through my veins
That I can open my eyes this day
With the health and strength to face another day
In a moment it could be taken away
What we ahgo say?

Still The Most High -
Is always there
Most High!
Relief the fear
Most High
Again and again
HE is called by so many names
Most High
Dry up I tears
Most High
No one compares 
Most High 
Again and again
HE is called by so many names

Poor families and good healing
Whatever Jah want I & I to do, I am willing
Deh pon di front line - nuff blood spilling
Recognize dem don't really care nothing for the living
Mass genocide, without ending 
Hypocritic, lunatic too mars dem sending
Pon di Afrikan farmer relief no money spending
Oh what a wicked shame" 

"Most High, You're the reason I'm living so I give thanks and praises to You
Most High, You are my foundation, without you what can we do?
I thank You for this gift of life
Most High!
And for the love that You provide
Most High!
In Your creation we abide
Jah guide I & I"
-from 'Most High' featuring Ima by Ras Batch

"Yes I am trying, trying, trying - to catch a vibe
Trying, trying, trying to get it right
But I don't feel it
Can't you see it?
We can try but we can't fool ourselves"

"So many people dem get wrought up and caught up inna di system
Dem try fi be somebody dat dem not and end up di victim
DI IMAGES DEM DEPICTIN' - FAR FROM WHAT DI SCRIPTURES DAT WAS WRITTEN SAID ABOUT DI PROPHETS AND DI RIGHTEOUS SISTREN
Dem lyin to dem owna self
Dem nuh know wah dem creatin' a dem owna hell, weh dem alone ah dwell
But what you need to know -
If yah heart no feel it, then yah seed won't sew"

"Mi nah feel!
Di way weh dem ah deal wid Rastaman
Mi nah feel!
Di life weh I ah live in babylon
Mi nah feel!
Di lyrics weh some man ah put inna dem song
And di youth weh step a foot inna dem gang
Dem seh nah feel -di fyah weh mi burn
Feel, dem ahgo feel it when di lions dem emerge
Try dem ah try fi mek it work, but yah life it has a purpose
Destiny inside us from wi birth"
- from 'Trying' by Sara LugoKabaka Pyramid


"Life is a struggle, nothing good no come easy
Got to stand up for your rights now
There's no kink in life cycle - what is meant to be will be
Every eye will see Jah light now
Living at a time full of social injustice and inequity
Everyday we fuss and fight now
No powers of man can stop di fulfillment of prophecy
DEM AHGO WITNESS JAH JAH MIGHT NOW
War dem ah wait so dem so dem seh peace is not a possibility
War machine is what dem like yow
Starvation killing millions - tell me where's the generosity?
Tell mi where's the equal rights yow?
Mass political corruption dem call democracy
The working man ah feel di bite yow
Jah alone I & I praise, to babylon mi nah go kneel

This is liberation of your mind
Liberation of your soul
Liberation of your heart
Liberation of your thoughts
FREE UP YOUR MIND AND WALK
Yes this is liberation of your mind
Liberation of your soul
Liberation of your heart
Liberation of your thoughts
FREE UP YOURSELF AND WALK

I & I nah belittle I integrity
I man a no clone inna dem system
Who bring di weapon dem inna dis society?
Cause inna dis city nobody no make dem
Si dem selling their illusion of a people that's free
But that is modern enslavement
To divide and conquer is their philosophy
Every natural resource dem waan tek yeah
Every ancestral bond dem waan break yeah
Inna no babylon ritual I nah partake yeah
And The Most High I will never forsake yeah
Liberate yourself, mentally lock off di shackles and chains -
Inspire some change hey
Deh yah inna crucial time, but still wi gotta maintain, wi got to sustain
Hey babylon ah circle dem prey, dem ah move like vulture
Vampire dem bloodsucking inna dem culture
BUT I & I NAH GET DEVOURED THROUGH WI PROTECT BY THE ALMIGHTY POWER!"
-from 'Liberation' by Ziggi Recado

"Trample di beast and trod to di east
Cah nuff a dem ah live like fleas
Tell dem lock dem mouth when relation ah speak mi si nuff a dem ah live like freak
Bun dem north and south-
Cah fire get hot, mi seh judgment, gnashing of teeth
Blackberry crash!
Dem head get mash!
Dem get confuse cah dem caan tweet
Incomplete
Caan even si it
Nuff a dem fall, can stand pon feet
Likkle more, watch dem, dem ah crawl pon feet
And ah feed, pon di wrong set of things dem ah eat
Youth don’t get defeat
Watch wi ah feast
Nuff stand up pon di cornah wid dem palm waan grease
So mi haffi bun di corrupted priest, weh touch di likkle pickney-
But Jah Jah nah sleep

Trace dem a trace cah chatty mouth dem
Time dem ah waste, wi no matta bout dem
Coulda neva keep none badmind friend, weh ah pree my money, every dollar mi spend
God nah sleep
HIM ah peep pon dem
All wicked deed dem, mi ah fyah bun dem
Nuff a dem ah discriminate Black
End up inna roadblock
Detour gone inna dem end
Well nuff nah go deh deh when Jah Jah role call
Like Gibraltar Rock, so mi standing tall
Dem ah bawl
Dem ah fall
Dem ah crawl
Nuff no memba Jah til dem back ‘gainst the wall
No burn bridges behind you, you will stall
So mi bun badmind and bun dutty heart and slew dem all!"
-from 'Fire Ball' by Busy Signal

Monday, December 24, 2012

What (else) I'm Listening To: December

"Power Link" by The Amandla Band [Amandla Productions - 2012]


"Power Link" preview

First up on my radars today is a very interesting release full of extremely familiar names and faces here as the fittingly titled "Power Link", to my knowledge, is the first release of tunes by the very active Amandla Band collective. WHO? The group includes Achis Reggae favourites Toussaint The Liberator, Ras Iba ["He has found Jah!"] as well as the incomparable genius that is Tuff Lion and Burnie T and Yahkali also.. The piece is a six track EP style record which showcases each of the band's members on lead vocals for one track and it also includes a gorgeous instrumental track (I did say that Tuff Lion was in the group and definitely check out his own new release, "I Want The World To Know [The Love Of Jah]"). Of course, the reviewer in me wishes so badly that this was a full album, but anytime I can get new music from these artists, in any way, you know I'm going to be interested and while the line is certainly crowdy (biggup Merciless), "Power Link" is one of the best EP's that the genre has produced this year. This is excellent.

CD + Digital
The Saucey Head Riddim [Yellow Moon Records - 2012]

Despite its title, the Saucey Head Riddim from Yellow Moon has absolutely nothing to do with one spicy intoxican, Ms. Belfon (biggup Saucy), but the track from earlier this year is well difficult to run away from on its own merits and, just as a riddim, is EASILY one of the finest the Dancehall has produced in 2012. What brought me back here --what facilitated my return-- was 'The Return', one explosive piece of tune by Capleton, which was all kinds of fiery. Busy Signal, Anthony B, Bling Dawg [WHAT!], Lady Saw, Merciless and ESPECIALLY Kiprich also shone on a riddim which didn't have the finest songs but, again, strictly musically and as a composition, the KNOCKING [!] Saucey Head Riddim had very little in the way of peers in class this year. 

Digital
The Sufferah Riddim [Tiger Records - 2010]

In 2010 the single finest song that I heard was one by the name of 'Cross Me Heart' by Junior X (who could make me very happy by doing a new album next year) (check out his excellent release from last year, "Plead My Cause", if you haven't already) ["Babylon I wish there was a pill that I could take, to make you go away just like a headache. You're a pain in my life, I can't take you. Someway, somehow, we're gonna break you"] which was produced by Achis Reggae favourite, Sherkhan and company at Tiger Records… just like the HEAVY Sufferah Riddim which has made its way back on my players. This sublime track featured vocal excellence from the likes of Lutan Fyah, Norris Man, Perfect Giddimani, Jah Mason (more on him in a second), Diana Rutherford and others and while I'm almost sure that I didn't appreciate it as much in its day than I do these day, whenever you jumped on, the Sufferah was a beautiful track. 

Digital 
"Love Govern Us All" by Qshan Deya [Diamond Rush Productions - 2012]

Definitely enjoying the opportunity to go back and listen to all of the wonderful albums from 2012 in attempting to see how they might rank with one another on an… Album Of The Year type of list. One of those which has well taken up (wonderfully) a great deal of my listening time has been the OUTSTANDING sophomore set from the extremely talented Qshan Deya, "Love Govern Us All". Looking back now and being able to actually say such a thing, this album went SO underappreciated and overlooked by SO many fans which is terrible. Give it a healthy listen if you've yet to. Deya is an excellent and there is some of the best material from anyone this year within these twelve tracks. Lady G, Half Pint and Tony Rebel all joined in as well. 

Digital
"B Caribbean" [B Caribbean - 2012]


'Chaque Jour' by Goldee

I haven't at all been paying the slightest bit of attention to Zouk music in 2012 (aside from the latest album from the sweet divinity that is Lindsey Lin's. "Dé Not Kréyol” in stores now, pick it up), but a compilation from my absolute favourite Zouk label, featuring some of my absolute favourite singers has changed that for the moment. "B Caribbean" is a… compilation from the great label of the same name, headed by the masterful Joel Jaccoulet. Of course two names here standout brightest to my eyes, and that is Stevy Mahy and Goldee (any day with the new album Goldee) (she does have a new tune on this album) who, by my (almost surely incorrect) count have nine of the album's twenty-one tracks between them (yes, 'Beautiful' and the musical candy that was 'Chaque Jour' are on this album). Also on the set is E.sy Kennenga who is very talented, as well as Victor O (including a tune with Stevy Mahy) and OMS. Call it a runaway as the best Zouk[ish] compilation of 2012 and call it the next album you pick up because "B Caribbean", label and now album, are top notch. Also a very nice album for new/casual fans of the genre. 

CD + Digital
The Bad Mind Riddim [Positive Stars Records - 2012]

And lastly, biggup Bredz (big him up firstly, lastly and everywhere in between, every time) who sent me the most obscure, yet one of the most BEAUTIFUL riddims which I'd essentially forgotten, but made itself familiar in a such powerful way. The Bad Mind Riddim via Positive Stars may be nearing a decade old or so now (if it isn't already) and features such big names as Luciano, Chuck Fenda, Natural Black (…) and Abijah. HOWEVER [!], your primary interest in this track, like mine should come centered around a single tune, 'Even When the Wind Blows I Can Feel Jah' (yes, that title is entirely too long) - the MASSIVE, MAMMOTH (grrrr!) shot from Jah Mason.

Digital

Thursday, December 20, 2012

Rewind!: "Meditation Time" by Anthony Que

"Meditation Time" by Anthony Que [149 Records]
2012 has very much been a year brimming with many good things and not the least of them all are the many surprises and surprising moments which has brought us. Speaking of albums specifically (which is what we're doing today) and looking on the whole, as we've examined, the extraordinarily high number of quality sets from such a wide variety of different names has definitely been a great revelation, as have individual sets from the likes of Jah Marnyah (to the rest of you! That was no surprise to me at all) and Reemah. Still, personally, the biggest single surprise, in more ways than one, has been the amazing year turned in by Anthony Que. While I have recognized his talents throughout the years, he likely has had pretty bad fans who have been bigger supporters than I have, but all of that changed in '12 when the singer turned in what had to have been the single greatest year of his entire career to date. In September, Que would step forward with the fine (but apparently overlooked) "No Fear No Man" set for ReggaeLand Productions (which still gets better every time I spin it) which would go on to be one of the best albums of the year in my opinion and that was the second time that had happened for him. Earlier in the year, the artist delivered the downright SPECIAL "Meditation Time" for 149 Records and the Babyclone Band from out of France. Today we take a look and listen back to the first of what would become a pair of GREAT albums from Anthony Que in 2012 and REWIND! "Meditation Time" by Anthony Que.

Album Teaser

#1. 'Chosen One'

"I am from
I am from
I'm from the cradle of civilisation"

'Chosen One' opens the "Meditation Time" album and it institutes a joyous brand of meditation in its time as Anthony Que delivers a track which not only instills quite a bit of pride in someone's history and lineage, but also a great deal of positive humility. I LOVE this song and I might even go as far as to say that it has become my absolute favourite song here, but even if it hasn't, I am confident that there does not exist a combination of words in any language on this planet or any other which could convince me that this isn't a great song in every way. Huge message. Huge vibes. Huge sound. HUGE tune and a lasting signature moment from this project.

#2. 'Freedom Train'

Things don't stop or stoop it all when 'Freedom Train' rolls in which, like the opener, is another selection which I so enjoy ed from the very first spin through, but I enjoy even more these days, a few months on. Here, Que mixes in a very clever and twisting social commentary with the stamp of the song being this train rapidly coming to take the righteous away from the nastiness.

'Well it take a revolution for you to set the people free?
I know that my Jah Jah rather - for us to live in love and unity
I want to plant my own plantation
I want to plant my own vineyard
I see the mark of the beast is here -
It's on their bank chips and their computer cards" 

#3. 'Ease Up The Pressure'

'Ease Up The Pressure' is definitely another mighty and signature piece from "Meditation Time" and it draws on one of the finest tracks from 149 Records, the Datta Riddim. Everything here is HEAVY and Que actually puts together a song which sounds like something maybe from Achis Reggae favourite, Ziggi Recado, but at the same is wholly of his own special blend as well. This was full on social commentary and you might call it somewhat bleak (and you'd be correct in my opinion), but there is something in here which, at least to my ears, which well provides the listener with just a bit of hope and possibility in that struggle.

#4. 'Ghetto Youth'

One of the things that I so much enjoyed and still enjoy about "Meditation Time" is just how so incredibly well put-together that it is. What I mean, particularly, is that there is no stop along this journey that isn't something better than good for me. 'Ghetto Youth' is the perfect example of that. It may or may not stand out in your tastes as much as the other, but its sound isn't one which leaps out at you - but it is a completely brilliant effort from Que and company.

#5. 'Ghetto Dub'

The first of a couple of Dubs on the album and uses the previous tune as its 'subject'. Never have been the biggest Dub head in the world (although I find myself becoming more so as I get… really, really old). I do favour the second Dub more, but this was golden and if they wanted to, at some point, take care of the other thirteen songs in a similar way - I won't be complaining.

#6. 'Hold On' featuring Queen Omega
Queen Omega
When I first listened to this album and for several spins afterwards, 'Hold On' stood out as my favourite song and it probably still does (I've been listening to 'Chosen One' and another song here pretty much continuously for quite some time now - I think that song, particularly, could help a lot of people if it got the opportunity). Of course, a great part of that is that it includes one of the most talented individuals currently blessing Reggae music with their presence, the incomparable Trini Reggae Empress, Queen Omega. There is nothing about this tune which is not GREAT. Not 'good' or 'solid' or 'nice' or some of my other well used adjectives, it is a GREAT which comes through on a inspirational vibe and 'holds itself' to such a high standard as you would expect between two highly skilled artists. 

"I'm as firm, as firm as…
Firm as the Rock of Gibraltar
I'm like the walls around Jerusalem
Mountains around Ethiopia
The more you persecute me, is the more I grow stronger
I unleash my pain on you
Oh I unleash my anger!"

#7. 'Meditation Time'


The album's title track continues a stretch of genius which traces back to the nascence (I LOVE that word) of the record and with it, it brings, arguably, the most well known track 149 has ever done, the GORGEOUS Speaker Riddim. I've come into this wonderful state of reverence of this song which I now find as being SO ambitious, yet so straight-forward (if that's possible) (and it probably is not). If I say a song is a 'call to action' typically what I mean is that the artist is saying for people to get up and do things to make a change, but here -- I guess -- Que is also making a call to action, but the "action" he is calling for  is to sit down and think about things! Where I've taken that, previously and by extension, is that he's saying for everyone to slow down and take things easy and more carefully before pursuing your next step and I'm still at that point, but I've added something to it. What I get now from this song is that after you've done these things, after you've come into this "time" of meditation and this awakening - do whatever you feel like doing! Proceed in the way you feel best proceeding. If it is carefully then so be it. If it is passionately or freely, that's great also. What Que ultimately seems to be suggesting you 'achieve' in the 'Meditation Time' is this grand sense of awareness and EDUCATION (WHAT!) (you begin to meditate and come out on the 'other end' smarter?!) (WHAT!) (BOOM!).

"I love Mother Nature
SHE teaches me about life
Natural energy from the sun teaches me about life
I want to learn about the universe, there must be other worlds -
Created by God
Created by God!" 

If you do that and you receive what is taught to you. Then the next step and however you get there is clear in Que's eyes. MASSIVE song.

#8. 'Survive'

I definitely wanted to pay a special chunk of attention to 'Survive' because I don't think that I gave it as much credit for being as good as it was as it deserved in the review. It is (like everything else on this album) excellent. First of all, the riddim on this song is one of the strongest that I hear on the entire album and Anthony Que uses it to give us a song which really just taps into a great deal of emotions. The song's title fairly explains what you're going to expect here in terms of direction - it's a song about maintaining oneself and being determined throughout the journey of life - but it won’t reveal the… I don't even know what to call it. There's just a powerful vibes attached to this tune where it draws out passion. It makes you smile (especially at the chorus, which outstanding) and RESPECT what is going on here. I RESPECT THIS SONG!  By its end, you have a composition which is fully dynamic and engaging and striking and just a MAMMOTH song and one which I hope is revealing more and more of itself to listeners on every listen - just like me. Don't miss this. 

#9. 'Word of Wisdom'

I was under the impression, and it apparently has turned out to be the case (I'm actually correct maybe twice a year), that 'Word of Wisdom' which is (missing an s) an amazing song, would go largely underappreciated and underexposed. On an ALBUM which carries those same traits, that's a pretty tough set of circumstances, but for everyone who really dug into this one, it was such a rewarding and fulfilling piece on "Meditation Time". This song had a very COOL feeling about it, but it said and did so much in that mood. 

"I have understanding and power given to me by The Holy King Of Kings
HE leadeth me in the path of justice
I was here from the beginning of time
By eternity I was so divine -
With the words of justice"

#10. 'Herb of Life'

Que's 'Herb of Life' was one beautiful ganja song which definitely had an ear towards a more social type of circle. You get these songs which kind of either celebrate the herb and its magnificence OR they speak on how maligned it has become in unfortunate sections of society, but 'Herb of Life' was a piece which very much had its feet in both arenas. Plus, it was a lovely song all the way through, but especially in its latter stages where, despite its very straight forward sound, it just… MELTS into this dynamic mix of scintillating Roots Reggae (more on that later). Furthermore, I also like how, in the middle of the tune, Que seems to go out of his way to make the direction of the tune crystal clear (as if there were any question) and in doing so gives the album one of its signature lyrics, when he says: 

"We tried to hide it so far in the mountain
Still your police and soldiers give us problems
The chalice smoke surround me like the clouds
I can hear the sirens shouting out loud
BUT THIS IS A GANJA MAN SONG
GANJA WOMAN SONG
THIS IS A HERB FARMER SONG
HERB FARMER SONG"

#11. 'Shootout'

As its title would suggest, 'Shootout' is an anti-violence piece… even though it doesn't sound like it. As a track, and track alone, the riddim behind this song is golden and it does very interesting things in its lifespan. As for the song itself, what I so much enjoy of this one, firstly, is just how open it is. It is a sung song (WHAT!), but it has this kind commentary type of sound on it, almost like a narration of a story or something like that, but that is not at all what it is. Instead, it exists as this brilliantly arranged and creative 'put down the gun' type of selection which, at least in some aspect, could be looked upon as a changeup on the album as opposed to the more obvious choice at #14. An excellent song.

#12. 'Come Come'

Talking about surprises -- How unexpected is it that in a year where we received full albums from the likes of Beres Hammond (a double), Glen Washington, Cocoa Tea and Lloyd Brown - all masters of the subgenre - and Alaine (2013???), the greatest thing to happen to Lover's Rock music in a really loooooooong time, remained very active, the single finest love song I heard came from Anthony Que?! 'Come Come' was… something far stronger than just "great". It was an exquisitely vibed love song which was completely seamless. It was forced at all and it almost seemed as if, at points at least, Que never really even bothered to write a song and just stepped in the studio and said what was on his mind over a riddim. Surely that wasn't the case (well it may've been), but whatever he did, it was a master class of a track and one which, at least in my opinion, has yet to be equaled in 2012 for what it was. 

#13. 'Dub Coming'

The riddim track on 'Come Come' is outstanding and it gets the Dub treatment on 'Dub Coming' which I also love and between the two, I've well spent hours (HAPPY ONES) completely lost in this giant of a love song.  

#14. 'Roots Man Skanking'

As I mentioned a few songs ago, 'Roots Man Skanking', ostensibly, is THE definitive changeup on "Meditation Time", but it isn't really much of such a song in the traditional 'strength' of the word. This song not at all reaches outside of the scope of the thirteen pieces preceding it and, in fact, it even builds on at least pieces of it - this time in the celebration of the music. 

"Music is all I've got to give
And that is what I give to the people"

#15. 'It's Another Day'

And “Meditation Time" reached its conclusion in the arms of a song which I've grown to appreciate just a bit more than I initially did, 'It's Another Day'. I still (and likely always will) find it somewhat folksy (because it is), but that doesn't make it any less significant and, I suppose in terms of how it ultimately does sound, it adds to the 'experience' of the song. The message here is a great deal of that experience as Que basically says to 'enjoy the moment' and to make the best of each and every moment that you can. It is somewhat, but I take it back to the title track and what he seems to be saying is that whatever your life is - do it!

"Let life take you where it wants"

Listening to it now, I can definitely say that one of the major points of attraction to this album is that, along with its heavy messages and great writing, this record is probably one of the most DYNAMIC and sonically pleasing Roots Reggae albums of the year. As I've said in the past, so many times the subgenre is looked upon as being this type of template-based and unchanging style, but here is an album which isn't so greatly standing outside many of its peers, in terms of its sound, on the surface, but it the music is ENTERTAINING throughout and I'd think it would be so for new and old fans alike. It's very cleverly accessible and while I don't think so many new fans will or have already found their way to this album, the older fans who have, have found a WONDERFUL release from Anthony Que. It did not seemed to have gotten much in the way of fanfare and discussion, but I think it's easily one of the greatest albums of 2012. So if you haven't already, definitely check out a possible future modern classic (now wondering exactly why I didn't make this one a 5/5) - "Meditation Time" by Anthony Que.

See original review

Tuesday, December 18, 2012

"I'm Waitinnnnnnn!": A review of "World Cry" by Jah Cure

In time. As opposed to things such as concerts, films and sporting events, when it comes to albums, I don't know exactly how much attention is paid to the actual timing of a release. I wouldn't think that it would be a great deal, specifically in Reggae, because not only do albums come from such a wide variety of sources which are wholly unpredictable, anyone who cares about albums and is/has been a fan of people like Sizzla Kalonji, Midnite, Luciano and a whole heap of others has likely encountered, over the years, multiple occasions where a particular artist is literally competing against themselves. The one deviation from that, of course, would be with a single active label not doing that, but even then it isn't unheard of to have one label have multiple big releases out from, seemingly, artists who would appeal to the same lot of fans (like right now with VP Records on board with two big releases from Beres Hammond and Cocoa Tea) ("One Love, One Life" "In A Di Red", big albums, in stores now). My point in there is that I think that everything has a 'proper' or a 'best' time, when it comes to releasing albums and even if that isn't such a grand concern on the business side of things (and it probably isn't) - maybe sometimes it should be. For example, hmmm… Oh I don't know, last year Reggae superstar and the greatest vocalist in the history of humankind, Jah Cure, released his sixth album to dat… that album never actually reached, did it??? Unlike some of his previously named and far more prolific peers, the Cure's album catalog, even when he wasn't directly involved with it, hasn't been without plan and 'free-flowing'. He has never had more than one album in a single calendar year and he's never even had albums in two consecutive years, which definitely makes such moments very big deals, respectively, and spots to REALLY look forward to from his huge audiences (of which you and I are members). So, because of that, following his most recent set, 2009's "Universal Cure", nothing had changed, nothing had diminished and whatever was going to be the next Jah Cure album was going to be yet another very big deal for the genre and everything pointed to a very nice 2011 being the year.  
"The Universal Cure" [2009]
And that was the plan, apparently. The label, SoBe Entertainment, who had really did a fine job in promoting "Universal Cure", had the next album planned, were dropping consistent singles (which were hits), had big international faces on board and even gave it a name, "World Cry". I think they may've even given away a free song and, once again, the wheels of a legitimately impressive promotional vehicle in Reggae music appeared to be in motion as early as the first two or three months of 2011. There was news of a delay back then, which wasn't very long (and if you follow probably any genre of music, not really a problem or unexpected), and then there was more and even more music and "World Cry" appeared to be right around the corner - a very, very long corner. 

2011, SHOCKINGLY, would come to its end with no album in sight, even though it had seemed like you'd already heard it (more on that in a moment) and while surely Jah Cure wouldn't end his career without releasing another one, it seemed as if "World Cry" might be destined for an unlikely future shared with records from the likes of Sasha, Ding Dong (WHAT!), Kid Kurrupt, Predator and a few others which just never worked out and never came out. Respect to Sasha (now Sistah Sasha and singing Gospel music), but you aren't looking for any of those projects and weren't when they were, seemingly, coming soon, the way you are to new music, in general, from someone like Jah Cure who remains one of the most popular Reggae artists on the planet - a distinction which isn't running away from him either. Fortunately that wasn't the case and SoBe still had plans for the unreleased set and though it had fallen well off the proverbial radar, 2012 would almost, but not actually conclude without the album manifesting as Jah Cure's "World Cry" has now been released. The first thing, as you might expect, becoming noticeable here is the fact that the album missed 'it's time'. It doesn't have a ton in the way of competition now and had it not been delayed four-hundred times, December 2012 would be a nice time for it to reach, but the lustre and interest which would have been there twelve or eighteen months ago isn't. On top of that, "World Cry" is now digital-only to my knowledge (joining Spragga Benz' "Shotta Culture" as the two most popular such albums in Reggae to my memory) and much of the reaction has centered around the delaying of the album which is just awful and would not have happened had it not had so much pre-release work. Furthermore, fans weren't the only ones affected by the delays as I read an interview with the Cure where he said that not only had waiting for the 'World Cry" album to reach allowed him to focus on other things, but it did so to the point where he had already COMPLETED its followup and even set the July 28, 2013 date (the sixth anniversary of his release from prison) as when the album's first single would drop. Again, this isn't someone like a Vaughn Benjamin who we are talking about (currently Midnite stands at album #45 with the next two set and ready to go, but you KNOW Benjamin probably has enough written to stroll right in the studio and record up to #55 or so RIGHT NOW), so obviously delaying this album has even thrown of Jah Cure's plans a bit as well. Still, with all of that being said, it is Jah Cure. He is amazing and you're still interested in how it all eventually ends. Let's find out. 
Previously release from "World Cry"
If you've never heard Jah Cure's music, the first thing that you need to know is that his voice is… indescribable. You could sing much, much worse than this man (and pretty much everyone else does) and still have a fine singing tone. What he is able to do vocally is unlike anyone else and, because of that, along with maybe people such as Aidonia or Admiral T -- the lyrical acrobats of the world -- you're able to appreciate his music even when it's not at its greatest or is a bit past due. For instance, check the opener of Jah Cure's new album, "World Cry", 'Nothing Is Impossible'. This tune is a very well known single from more than a year ago and it's a beautiful song. It's somewhat Poppish to my ears, but a very nice song still and one on an inspirational type of vibes, obviously. A decent way to start things. Next is the aptly titled R&B tune, 'Can't Wait', which is also a song from awhile back. This tune is more of a relationship type of composition, a very cool one, and a real winner in my opinion. Also, I'd point to a piece like this one as being one which is aimed more at 'mainstream' circles and I do think that the Cure could have some success in that arena, but I'm waiting for a HEAVY Reggae song. That doesn't come through on the very colourful 'Co-Sign', which is new to my ears, and another piece which shows more of a lean towards a different type of audience. I don't want to make it sound like these songs aren't good, they all are and, at least to my opinion, out of the opening trio, 'Co-Sign' is the best of them all and one of the best on the whole of "World Cry". 

It's interesting that the name of the album is what it is and, in Reggae music, you see/hear such a title and immediately think of Roots Reggae music, but "World Cry" is not a Roots Reggae album. It's Pop, it's R&B, there is Reggae music, but as a complete project, you definitely take it as one which SoBe Entertainment (a label which isn't greatly involved in the genre. Outside of the Cure, to my memory their only involvement in Reggae has been previously working with Ce'Cile) (biggup Ce'Cile for the review title) has geared towards more of the typical audience which follow their other artists. That's not a problem, but it doesn't appear to be an album made with people like myself and yourself in mind (they probably assumed that we'd arrive here anyway) (they were right). There're also several love songs throughout the album and that is the dominant topic of discourse here. And again, I don't want to make it seem as if that's such a striking problem, it isn't, in fact one of my favourite songs on "World Cry" is such a moment. Unsurprisingly, I still very much favour THE song here which is most familiar to my ears, the admittedly well worn 'Unconditional Love'. He's sung better songs and he's sung many of them at this point, but I'd very much rank this tune as one of the finest love songs of Jah Cure's entire career and on an album teeming with them, it reigns supreme on that end. The golden Cardiac Bass Riddim supported 'Before I Leave' is another top notch track, albeit one well over two years old at this point. The Cardiac Bass was… a STUNNING track and didn't birth anything but substantial music and 'Before I Leave' was one of the more 'ample' to my ears.


'Unconditional Love'

The very clever 'Only Vice' is another one which should be familiar. Despite not knowing the actual song, the Sensimillionaire Riddim from the House Of Riddim (EXCELLENT riddim album, featuring tunes from the likes of Jah Mason, Mark Wonder, Joggo, Zareb and Smiley) ('Big Money Bag', big tune) keeps a place in my memory (biggup Smiley) and the Cure scores heavily on the HEAVY Reggae track and in a very 'free' style. 

"I'll be the one to raise your blood pressure
Deep dive til I find your secret treasure
Take gravity away, our feet won't touch the floor
And if you're chilly baby I can be your summer
And if you're lonely baby I can be your lover
And if you're feeling down and out, I'll be your upper
Just say the word and baby I'm a come running" 

The unusually talented Jazmine Sullivan (very interesting and 'soulful' voice she has) joins in on 'World Cry" on the decent (but growing) 'Choose Up', a song which I wouldn't be at all surprised to, someday, become one of my favourites here, although it does have some room to work there. I'm pretty sure I recall this song from earlier this year at least and it is the type of song which so easily fits the vibes on of the rest of the album. The same could be said for the all Zouked up 'Me Miss', though I'm not at all crazy about this tune and expect it stay such. It's an okay track, but nothing really special, good or bad, around it, although it does get slightly better as the tune progresses, so listen through it entirely before passing a final judgment. 

The final third or so of "World Cry" presents and represents a shift in focus as the music goes away from the love song, dominant in its first (and middle) portion, to dealing with more socially conscious themes and subjectry and while I wouldn't at all call this Roots Reggae music (because it is not), it is a very welcomed shift. It's also worth mentioning that while the topics shift, there isn't such a clear connecting swinging of the actual music. It is, for the most part, the same mix that it's been up to that point. To my ears, the finest song here is also the album's top ranking offering, the very recognizable 'Save Yourself', which (may be three years old at this point) is full on masterful and always has been as a straight forward and basic (a good thing here) social commentary. 

"So they send out the people to break up our nation
Say they seek out the people so patently waiting
Then they send out the people to change our emotion
SAY THEY TIRED OF PEOPLE WITH SO MUCH DEVOTION

So I say, save yourself!
No matter what you do
Save yourself!
From the ways of the world
Save yourself!
We've come this far, you don't need no help 

Say they change up the weather to throw off our season
Say they send out pollution to cancel our breathing, breathing
So  they pick out president without our choosing
And they riot whenever we start to refuse them"

I called it 'basic' because of the way the song is presented, but its presentation is the only thing deserving of such a tag. The 'body' of it is full brilliant and something, in terms of the sound, which is different from the Cure. This portion of the album also contains the album's other two combinations, 'Like I See' and 'Praises To Jah' with Mavado and Phyllisia, respectively. I don't like the former at all. It is a Hip-Hop song and, in one form, was a combination featuring rapper, Rick Ross. The sound is rough and grimy, both of which are 'surfaces' on which Mavado shines and he does well here, actually, but I just don't like the tune. Oft Jah Cure collaborator, onetime label mate and bonafide CUTIE, Phyllisia, chimes in on a song which didn't sound like I expected it to at all. 'Praises To Jah' is kind of Poppish. It's a very colourfully vibed selection which is on the doorstep of several different sounds and it's also very good in my opinion. Of course, I would have preferred the more expected route, but I have no problems with what they came up with and HOPEFULLY after what was a pretty strange 2012 to my knowledge, Phyllisia can have some big successes in the new year because she's always shown herself to have a considerable talent calling for more activity (like a Zouk song). There's also the LOUD title track which I've gone back and listen to now many times and just can't quite say that I fully enjoy it.


'World Cry'

Interestingly, that song is very similar in my tastes to the two remaining songs on "World Cry", 'Reach Out' and 'All By Myself' (which has a remix featuring Hip-Hop legend, Tupac Shakur). All three of these tunes are instances where if you just listen to what is being said, it is powerful material, especially on the title track, but it is the marriage of meaning and message and lyrics to sound where I begin to lose my appreciations for all three. And it's probably (likely) because I'm a stingy and jaded Reggae fan and I wanted my Jah Cure Reggae album and this isn't it (and I wanted it in last year), because none of these three songs are BAD at all and 'Reach Out' is actually pretty good - they're all good. But its is a process of going through and them, and for the most part the same exists on all of the album before them - they just seem to be missing something
Jah Cure
Overall, to go back to the premise of this review, I really think that the situation of the constant delaying of this album has really hurt it. Obviously that is the case of the old songs (and, like I said, we're approaching the completion of the third year for one or two of them, entering 2013). This is Jah Cure, this isn't an unknown, if he makes music it gets popular and you listen to it, over and over again at times and it's really bad that so many tunes here are not only so old, but have PEAKED (and were hits of varying degrees) in every way, even before the album arrived. It's a 2011 album stuck in 2012. And to go along with that, the  musical mix here isn't what I would have hoped. I was definitely looking for more straight forward and Reggae-centric music from the Cure and "World Cry" is many things, but that isn't one of them. Still, the album isn't without quality, obviously, but I would only recommend it for newer fans of the genre (who aren't very likely to be reading a review this long). For more experienced heads - with what the album turned out to be, I don't know if even coming eighteen months sooner on the calendar would have remedied what you won't like here. "World Cry" is decent and it is full-on beautiful in some aspects, but it would have had to have been an all time classic to make it worth that wait. 

Rated: 3/5
SoBe Entertainment
2012
Digital

Review #407

Monday, December 17, 2012

Completely Random Thoughts #45: Album of The Year?

"Free Expressions" by Etana [2011]
The best album of the year? With the last day of the year now coming up on two weeks away, it seems like a very nice time to start going back and thinking of a few pieces such as that album that released wayyyyy back in January which you thoroughly enjoyed, but haven't really listened to from maybe June-ish (biggup Da Professor) and seeing exactly where it fits in. It's also a good time to maybe check out that record that you didn't pay your greatest attention to and, again, seeing and hearing just how good it actually was and if it should be on a list representing the class of 2012 (biggup Admiral T). You'll do this, likely, for a variety of different things, but saying someone had the Best Album of The Year in a particular genre, at least in my opinion, is a great distinction and is a testament to that artist and everyone behind the scenes in more avenues than just that one project. You're essentially saying that these people are extremely good at what they do and for one twelve month period, they were without peer.  
"The Burnin Melody" by Lion D [2009]
So what makes an album THE best of the year? And what would make one confident enough to proclaim an album to be such, particularly when they KNOW they haven't heard every other qualifying project. For me, the top ranking album is one which initially, for whatever reason, sets itself apart from the hundreds and probably even thousands of others in a given year for you. Be it as simple as just a feeling you have or one of your favourite artists or producers or whatever. There's going to be something about that album which gives its own 'category' in reference to your tastes even before you listen to all of it. Of course, I'm probably not the one to ask as two out of my last three top choices, 2010's "Long Journey" by Naptali and 2009's "The Burnin Melody" by Lion D (any day now Lion D), took top honours from me and very likely only me (because everyone else was wrong). But that is yet another fascinating product of such a distinction: I certainly would not, but with that extra order stuck on there it is absolutely no way now that I EVER forget either of them and their music. That album can come from anyone and it's always just as nice when it comes far off the proverbial radar, as it is from a bonafide superstar - as it did last year, when Etana's magical "Free Expressions" was the best album to be found in my opinion. 
"Long Journey" by Naptali [2010]
 Now that's just my opinion, here's another.
Your 2013 Grammy Award nominees for the Best Reggae Album are:

  • "Rebirth" by Jimmy Cliff [Ume/Sunpower Records]
  • "Miracle" by The Original Wailers [MRG Recordings]
  • "Reggae Got Soul - Unplugged On Strawberry Hill" by Toots & The Maytals [Isis Productions/Metropolis Recordings
  • "Tomahawk Technique" by Sean Paul [VP Records/Atlantic]
  • "New Legend - Jamaica 50th Edition" by Sly & RobbieThe Jam Masters [Mondo Tunes]
I've gone over and over these things over the past few years and just don't see the point this year. What I will say, however, is that with no one named Marley to block his path (and he's only ever lost the award to Marleys), it appears as if Sean Paul is headed for his second Grammy. "Tomahawk Technique" was not a favourite of mine (so many songs there sounded like each other), but who cares. The only competition would figure to come from the legendary Jimmy Cliff, who would also take his second win here. You'll find many Jimmy Cliff fans greater than me, but I have to admit that "Rebirth" is, by far, the finest album on that list of four albums and a five-track EP (two studio albums, a live set, a compilation and an EP…) (yeah). 

You could also take the interactive approach of our friends at Da Ville
And, with a really nice idea, leave the decision to the masses. 

Or you can just make one giant list, like we always do. Whatever your standards and whatever your favourite album from the year, enjoy what has been one amazing year for Reggae music and Reggae albums in particular - highlighted by a fireball

The 20 Best Reggae Albums of 2012 - coming soon