He's Still There: A review of Nah Give Up by Anthony Que

Who doesn't love surprises? 'Me!' may be an appropriate answer given the circumstances or if the word 'surprises' is preceded by 'bad', then I guess 'everyone' would be even better. However, when it comes to shocks and spontaneity of the positive and 'good' variety, count me in. If you are fortunate and you live a good life, by its end you will have experienced many wonderfully surprising moments. Be it a proposal, receiving or (even better) giving a gift, witnessing some amazing occurrence or an endless list of other WONDERFUL things we may encounter in life, surprises can be things which you truly never forget. When it comes to music, perhaps we don't tend to look at things in that way (because a big tune is a big tune and when you hear it, at least not initially, you're usually not wondering how it came to be), but the same can definitely be true. To no type of frequency does it happen, but when it does, it sticks with you. I don't have to go very far for examples of this, in fact, I can use these very pages for research. Right off the top of my head two GREAT shockers come to mind. In back-to-back years, 2009 and 2010, we would designate our selection for album of each year to be from relative unknowns, Lion D and Naptali with "The Burning Melody" (still a fantastic title for an album) and "Long Journey", respectively. In the case of Lion D, I don't think I'd heard of him AT ALL prior to that album and, for Naptali, I may've come across a tune or two prior to "Long Journey", but it was nothing to suggest THAT was forthcoming. Both were debuts, I chose both over some spectacular competition (Naptali, specifically, was my favourite in 2010 over a pair, "Feel Your Presence" by Niyorah and Chezidek's "Judgement Time", both of which I've since deemed Modern Classics) and they remain two of the best albums I have heard from anyone. Similarly, we can go back now nearly a quarter of a century to a point when, one album deep into his career, a up and comer by the name of Miguel Collins would cement his arrival (and legacy at the exact same time) with his second and third, "Black Woman & Child" and "Praise Ye Jah", one of which is THE best album I have ever heard and the other is not very far at away at all. In those cases, curiously, we're dealing with situations where the surprise was that this unknown/up and coming artist demonstrated themselves to be capable of more than what we expected, but we did not know what we had, precisely. Today, on the other hand, we get to deal with an individual who at least I thought had played every card in his hand; but nine years ago during on seventy-six day tear, he showed me how wrong I was.

I'd known who Anthony Que was prior to 2012 and his name was exactly that. He was a name. By that point he may have already had four or five albums to his credit and he was, I THOUGHT, a 'known commodity' (and those albums weren't bad, far from it, but they were of a certain quality-level which suggested that... that was what you were going to get from him). I thought I knew who Anthony B was musically and there wasn't a song (not a single one) that I would closely associate with him. He was just a guy. The main attraction to him would have been that he sounded quite a bit like the legendary Beres Hammond (who he looked up to and actually recorded with if I recall correctly), while focusing largely on conscious Roots styled music. Where I was trying to figure out WHO Lion D and Naptali were and HOW talented Sizzla might've been, already around fifteen years deep into his career, I thought those questions had been answered for Anthony Que.

Anthony Que 2012

Again, I was horribly mistaken. In the early summer of 2012 a French label by the name of 149 Records (apparently still around, at least up until last year), in association with Babyclone Band (apparently looooong gone), would begin to show me the error of my ways by releasing simply one of my favourite albums ever, "Meditation Time". I probably should get around to writing it up as a Modern Classic feature, itself, because "Meditation Time' was HALTING. It was (and remains) the type of a release you hear from someone that makes you reconsider everything they'd done up until that point - essentially asking yourself, 'did I miss something?' and 'has it always been THIS good'? Nearly a decade on and I still can sing songs like 'Ease Up The Pressure' ["...on the poor. We can't take it nor more"], ["Meditation Time. This is...."] 'Meditation Time' [!], 'Hold On' alongside Queen Omega and 'Come Come' ["Beautiful Empress. Come give me all your love"] instantly without much thought. It is a personal classic for me and he wasn't finished that year. Just one day shy of seven weeks later, Anthony Que took his talents south and linked up with Reggaeland from out of Barcelona (hala Madrid) and produced another WINNER, "No Fear No Man". That album brought big tunes such as the unforgettable title track ["I DON'T FEAR NO MANNNNNNN! CAUSE I'VE BEEN GIVING JAH THE PRAISES ALL MY LIFE!"] (BOOOOOOOOM!), 'Holy Ground', 'Calm the Beast', 'Blowing in The Wind'.... I could go on and on. If you haven't figured it out by now: In my opinion, Anthony Que had a fantastic year in 2012. It not only scintillated that year, but it also marked him as someone who, going forward, I made a point of checking in on from time to time. From then, Que would resurface in early 2018 with an EP called "Resurface" for Ricko Berry and, later that year, came "Runaway Slave", which was a full album for Lloyd Mullings. That old school vibed set was very good and probably worthy of a vault review at some point and did absolutely nothing to dampen my newfound opinions concerning the ability of Anthony Que (there was also "Junction Series: Anthony Que Meets Bunny Lye Lye" in 2017 which was decent and did have at least one large moment in 'Rise Like  a Lion'). Three short years later and the singer is at it again, this time with a very familiar base. "Nah Give Up" comes via the esteemed Stingray Records from out of London. A lot of Anthony Que's work has been with European labels and producers and, with what they've managed to do, you'll find nary a label in Europe or anyone else with the commitment to quality as the McLeod family ran Stingray. A glance at THEIR WEBSITE prominently displays their motto as "Producers of good Reggae music without profanity" and they have well earned their reputation and stature in the music (here would be where I would run off a list of the artists that they've worked with throughout the years, but instead of doing that, I'll just tell you that they've worked with everyone. Literally, EVERYONE) (oh, and maybe I should try to watch my dam.... my mouth in this review as well). I had no idea that this set was forthcoming actually, but even on paper the idea of Anthony Que & Stingray is very exciting. The question, of course, is whether or not it really works out in the end.

That's not really a question. You already know the answer; of course it does. Going back now and listening to both "Meditation Time" and "No Fear No Man", I hear a trait which I don't know if I've ever mentioned in a review (I also hear it on an earlier album by the name of "Recharge & Reload", which reached way back in 2005). I hear CONFIDENCE. I hear someone who is at peace and in favour of what they're singing about and has a certain level of assurance in their ability to convey it. It isn't Dancehall or Soca bragging -- it is a humble confidence -- it's just a very nice 'spirit' which is present and gives the music a compelling tone (prime examples are 'No Fear No Man', the song, and 'Hold On' from "Meditation Time"). Fittingly, Anthony Que also appears to be very solid and sure of himself as he strides into his brand new album from Stingray Records, "Nah Give Up", with the fully sterling 'Visions of Light'.

"I get the wisdom of life from being humble

I know the Higher Powers will keep me strong

Cause I'm a messenger from Jah, come to spread the message through music

Until my very last breath, I'll be doing Jah works"

That very first line, "I get the wisdom of life from being humble", thoroughly encapsulated what I meant in regards to Que's confidence. It isn't an arrogance; it's a COMFORT. That is the prevailing message behind this outstanding opener as well - taking comfort and finding a safe place with His Majesty. The song also has this delightful classic sound to it and quickly shows itself to be amongst the very best "Nah Give Up" has to offer. Even stronger, however, may be (it is) its second selection, 'Trample Vampire'. Here, we find the singer building upon the vibes set by 'Visions of Light' and taking things in a slightly more aggressive step (and you won't hear anything... like violent, but there is a greater 'push ahead' on 'Trample Vampire' to my ears). On top of that (or behind it, actually), this tune is EXCELLENT to listen to. That riddim is so fu.... so SWEET to listen to and I'm sitting here wondering if Stingray may've done even more work on it. Furthermore, take a listen to the latter portions of this one as it is easily amongst the most thrilling sections on the whole of this release. Next we have the first of a few love songs and the album's sole combination, 'Baby I'm a Want You', which features Anthony Que alongside BEAUTIFUL voiced Chardel Rhoden from of England. Rhoden has become a Stingray staple over the past few years: In 2018 she released "Natural Woman", a seven track EP on the label and, just last year, artist & label combined to follow the EP with a full release called "Born Again" (which featured a golden Reggae-fied redo of Aretha Franklin's classic 'Natural Woman'). Rhoden is primarily a Lover's Rock so, 'Baby I'm a Want You' is right near her specialty. She shines on this one with that voice! If angels do actually exist and they sing, if they're lucky, they probably sound a lot like Chardel Rhoden. After 'Baby I'm a Want You', we run into one of the COOLEST (and probably my second favourite) songs on "Nah Give Up", 'More to Come'. I've heard similar songs to this one and I think I usually go to the term 'ode to music', which is basically what it is but, again, this one is a VERY confident and bold one.

"Cause when you think that we're over and done

We still got more to come

The musical maestros, we are still around

More boom songs still left to come

So when they think, Stingray over and done

We stil got more left to come

The musical maestros, yes, we're still around

More boom songs still left to come"

Unlike any other form of entertainment than I can think of, music is something that doesn't really lose anything. If you watch your favourite movie, for example, over and over again, you'll probably get tired of it somewhere during just the second watch. Sports, inherently, lose their drama on the very first replay (because you already know who won and lost), but you can listen to the SAME DAM.... THE SAME SONG OVER AND OVER AGAIN for a few hours and still love it so while I don't know the impetus behind 'More to Come', I'm very happy it was written. What it does do is to give a bit more credit to producers and others behind the scenes who make this wonderful music possible. I'm thinking it may've been something of a vibe and a tune which arrived in a more organic type of way. Whatever happened here, 'More to Come' is excellent. Along with 'Baby I'm a Want You', "Nah Give Up" offers a few other at least decent love songs as well. The best of them all (technically) (more on that in a minute) is likely 'Truly Bowled Over'. Up until the time I heard it, I was really wondering what this song was really about. It is a basically about a feeling you're lucky to have once or twice in your life. It's being COMPLETELY and UTTERLY impressed by and enamoured with. It's a halting type of love and it doesn't come through on this one in some desperate or creepy infatuation type of display. Instead, as you would expect, Que is mature about it, all the while acknowledging that, YEP, he's stuck on someone in particular. On 'So Lonely', the artist isn't quite to the point of 'Truly Bowled Over', but he's working on getting himself there ["I've got so much dreams for you, you may think I'm Martin Luther"] while wondering if (even more importantly, perhaps), where exactly her head is as well. It's about that point in a relationship when things have clearly gone into a higher gear but you're STILL trying to figure out where your head is and where theirs is as well. And for the times when things go bad and stay bad, there's a piece like 'Girlfriend'.

"I need a new girlfriend to brighten up my life

I need new girlfriend to make me feel alright

I need new girlfriend to spicen up my life

I need new girlfriend to brighten up my night

After being together for nine long years

We've been through blood, sweat and tears

Now I think it's time for you to leave

Cause I'm a big man and I can't take your grief

Though after so long, we've been wasting time

So won't you pack up and leave, but don't touch my child"

Sometimes shi... stuff goes sour and, because of that, there will always be places for songs like this one. In full, I just want to say that between, 'Truly Bowled Over', 'So Lonely' and 'Girlfriend' (and definitely 'Baby I'm a Want You' is included in this), what you have is just SOLID Lover's Rock and four REALLY nice songs to listen to and that's what you hope for. They aren't the main attraction on "Nah Give Up", but they do well help things go along and stay at a certain level of quality to my opinion. There is another one which isn't truly a love song, but it fits within that scope and it is amongst the centerpieces here, 'Run to Me'. This one is unique because you don't come across many like it in Reggae music. 'Run to Me' is an anti-domestic violence song and the subject that Anthony Que isn't speaking to a love-interest really (and it doesn't even matter if she is), but more like an old family friend. It's such an fascinating point-of-view to take on the topic because it doesn't present this kind of 'leave him for me' type of dynamic that you'll hear on standard 'love songs'. Que doesn't really get anything out of her leaving that piece of garbage she's with; but it becomes a matter of him just being concerned for someone, in general, and wanting to see the best for her. An IMMACULATELY conceived song and one which reaches near the heights of this album or any of Que's is 'Run to Me'. 

The delightful 'Jah Love Is Real' finds Anthony Que singing of a love of a different kind. What a  nice song! <That is exactly what went through my mind from the very first time I heard this one, a quality which has not waned at all a dozen or so spins later.

"I rise in the morning greeted by the morning dew

Jah poured down his blessing and the sun came shining through

And whoa, what a glorious feeling! -

In seeking HIS spiritual healing 

And I see all the things HE created for me and You

Jah love is real

Jah love is so real

That's just the way true love should be

I give thanks for health and strength, oh Lord, to go through

That's why I count my blessings

WHERE WOULD I BE WITHOUT YOU?

I'll never forget where I'm coming from

You've always been there to keep me strong

Yes, through you Jah, I'll sing a joyful song"

TEARS! You look at a title like 'Jah Love Is Real' and you think it something cursory or cliched if you want [!], it will be your mistake and you will be punished for the oversight. This song is a golden turn and it directly leads us into another, 'Fight Fight'. Where the track just before it speaks of the splendour of receiving The Almighty, 'Fight Fight' goes into what happens when you do not.  It can lead to violence on a massive scale ["All they do is just drop their bombs on other nations"] and just terrible discontent ["It seems the people know Jah, they don't care bout creation"] in general. Que paints this picture, but it isn't one which is a depressing one. There is a underlying BEAUTY on this one and I don't just mean the riddim (.... which is lovely. The unifying 'Children of Africa' also ranks very highly on "Nah Give Up". What I eventually took from this one was the notion of just how much power and influence Africans and people of African descent could have if we all (or just even a lot of us) came together ["Don't forget where you're coming from. I need my people to be strong. REMEMBER YOU ARE NO BLACK MAN, YOU ARE A NUBIAN"] ["Tell dem be proud of dem darkness. THROUGH MELANIN, BE PROUD THAT YOU'VE GOT THIS. All inna di snow, all di boiling sun shine, you will find the Nubians every time"]. It's a tune virtually completely on the positive side of things and, as he says, Que sees an immense opportunity of growth should we reach some type of significant unity. It is my opinion that 'Nah Give Up' is the single greatest moment on the album named for it and, virtually as soon as I'd heard even a bit of it, I became (and remained) of that opinion.

"It rough, it tough, it dread down yah

But wi nah give up

Wi caan give up

And life get harder everyday round yah

Everyday dem pressure wi more and more

But wi nah give up

Wi caan give up

And life gets rougher everyday down yah

But wi nah give up

Wi caan give up"

The album's title track is a social commentary with a considerable STING to it (it leaves a mark and if you don't care for it properly, you may get an infection!) Along with the general vibes of it, 'Nah Give Up' impresses lyrically and it shines in its direction. While not being some 'game-changing' or revolutionizing type of drop, it is FANTASTIC and I wasn't shocked at all that someone decided to make it the album's title. Should it get it a push of some sorts, I think Que and Stingray may have a hit on their hands; because it is THAT strong. The somewhat similarly vibed 'Armageddon War' sends us home. On 'Nah Give Up', Que outlined precisely what the problem was and the effect that it was having on the world, 'Armageddon Time', on the other hand, finds him preparing for the battle to make things change. Between the both of them, 'Armageddon War' and the title track, you have what represents some of the finest output of Anthony Que's entire career and while Stingray's catalogue runs quite deep these days, I wouldn't be surprised if you could say the same for the label as well.

Overall, if I lean back on Anthony Que's wondrous 2012 campaign for the sake of comparison here, "Nah Give Up" fits COMPLETELY in there as far as its quality level. This album, unsurprisingly given its composers in Stingray, does have more of an old school sound to it than either "Nah Fear No Man" or "Meditation Time" (which is good, actually) and maybe features more in the way of Lover's Rock (the UK looooooooves Lover's Rock, always have, always will) (when Beres Hammond retires he could move there full-time and live like a king) (he could probably live like a king anywhere) but the qualities are to the point where I think it's safe to say that THIS is what I'll just be expecting from Anthony Que from now on. I'm convinced! He's an artist who makes really good albums. He just is and whatever he does in the future, I'll be interested in hearing. "Nah Give Up" shows that the revelation of 2012, while still a glorious surprise, may have actually been more of an indication of a talent which was already very well rooted.

Rated: 4.4/5

Stingray Records

Digital

2021

What I'm Listening To: May

"Men Of Steel" [Faluma Records - 2014]

Biggup the fine people at Faluma Records for doing their annual compilation which makes you know that they're still around and doing big work (if you overlooked all of the Scrappy albums ) ["DUS DE ASH, DUS DE ASH!"] [BOOM!]. This year, they've turned back the clock for one SWEET Calypso compilation, with a great cover, "Men Of Steel". The album actually carries the tear-inducing 'First Time' from the incomparable Destra Garcia (you can also hear it on her new album, "Queen Of Bacchanal") (in stores now), along with fourteen tracks and more than an hour of other music. Also included are big tunes from the likes of Kes, Nicole Greaves, Anslem Douglas as well as the man of the moment, the pan-crazy Crazy, who delivers a fifth of the album himself. Though they aren't as active now as I wish they were (and they never did deliver the Rocket Launcher), when they do have new projects, Faluma always manages to bring forth top notch material and "Men Of Steel" is not the exception.  

'Switch' by Luciano & Anthony Que [149 Records - 2014]

Check this downright monstrous single from the legendary Luciano alongside the increasingly formidable, Anthony Que, courtesy of 149 Records who… simply brings the best out of Que, 'Switch'. Produced by Mikey Red Records, this EASY and ultra-relaxed ganja song links two big talents and the results are precisely what you would expect. I really enjoy this tune and it's definitely been a highlight for me from the first half of the year… and hopefully it's the first single from a forthcoming Anthony Que album from 149... just a suggestion.

'Rivers' by Miriam Simone [Dredda Records - 2014]

Always impressive Dutch songstress, Miriam Simone, continues to (look exactly like Alison Hinds) roll on her latest single via the also always impressive Dredda Records, 'River'. The tune finds Simone delivering a very interesting environmentally conscious/social commentary type of composition which really has a very unique approach to my opinion. Also of note is the fact that apparently 'Rivers' is the first of many as, later this year, Simone is set to reach with her debut album. A big tune and hopefully a big year from Miriam Simone.  

"One Love Unity Network Vol. 1" by Colah Colah [Elevation Records - 2014]

Veteran, Colah Colah, continues to network on his brand new album, "One Love Unity Network Vol. 1"… and I mean that literally. It seems like only a half an hour ago Colah teamed up with Turbulence for the "Network and The Future" album (it was actually almost a year ago now) and apparently he enjoyed the concept because this new album carries fifteen tracks -- including an Intro and an instrumental -- and exactly 100% of the other songs are combinations with different names. Unsurprisingly Turbulence does make a return, but he is one of quite a few big names which include the likes of Luciano, Mikey General, Courtney Melody, Fantan Mojah, Terry Ganzie and even Natty King who features on the sublime 'The More You Want From Life". I'm still working my way through this one, but it seems pretty good. Pick it up and see for yourself.  

'Wine & Jiggle' featuring Destra by I-Octane [Seanizzle Records - 2014]

And finally (not really, because I have to go back and write one of those that you've already read) is the official release of just a HEALTHY combination as I-Octane teams up with the Queen of Bacchanal, Destra Garcia, for a delightful remix of his track, 'Wine & Jiggle', for Seanizzle. The original track was this very fun and catchy hyped up old school vibed Dancehall track and the very versatile Destra only added to a BIG foundation. Destra has been turning in nice combinations with a whole heap of Reggae stars lately and this one is, easily, amongst her best. Big tune.

Rewind!: "No Fear No Man" by Anthony Que

"No Fear No Man" by Anthony Que [ReggaeLand Productions]

Overlook it if you like. Veteran vocalist, Anthony Que, was one of many artists enjoying what was a big and breakout year in 2012. In his particular case, this was definitely due to a pair of album releases which, collectively, at least in my opinion, featured some of the finest work the singer had ever done in his career and went a very long way into making him someone of whom I can firmly say that I am now a fan and very much anticipating his future work. On one end, there was the MASSIVE "Meditation Time" from 149 Records. Although I wouldn't say at this point that it was an album which has gotten its respect and due attention (because it was amazing), it did get more of both than its counterpart, which was also fantastic and wholly entertaining. The other album would come courtesy of ReggaeLand Productions who had a huge year of their own as, along with Que, the label would also deliver debut sets from both Chantelle Ernandez and Malijah and a strong album from Singer Jah, "Warrior Of Jah Army”. Today we take a look back at what was, in my opinion, the clear champion of that strong back and REWIND! "No Fear No Man" by Anthony Que.

#1. 'Cyaa Stop Jah Blessings'

"Dem caah stop wi blessings

Dem caah step pon wi pride

Di wicked won't last for long

Only the righteous will survive"

TEARS! The opener of "No Fear No Man", 'Cyaa Stop Jah Blessings', was a favourite of mine from the very first time that I heard the tune and it's grown, considerably, in the past five months or so. This tune is really one just speaking of maintaining oneself through difficult times and not letting people without good intentions in their heart, but definitely accepting the help and the gifts of positive people. It also had such a large amount and properly focused PASSION to it which so much helps the presentation of a song like this, particularly at the head of an album. MAGIC! 

#2. 'Rastaman House'

The very clever 'Rastaman House' is another tune that I think I appreciate more now than I did previously and I think that's because I appreciate the originality here. If you look at that title you come away thinking of one thing --a very spiritual song-- but that isn't what it ultimately is. It's a love song to it's a core, a very cool love song, but one which well manages to dazzle throughout. 

#3. 'World Keep Spinning Around'

"The world keeps spinning around

Spinning around, for you and me

Once you found true love girl, then you would see"

As I said previously, the third song on the album, the sparkling 'World Keep Spinning Around', does a very good job in combining the sentiments and moods expressed and displayed within its two predecessors. This song maintains the level of upfulness outlined by 'Cyaa Stop Jah Blessings' and it's also a love song, like 'Rastaman House'. The results are spectacular on a tune which has not ceased to make me SMILE from the very first time that I heard it. 

#4. 'Calm The Beast'

Despite its very serious, and somewhat gloomy, nature, one of the most striking things about 'Calm The Beast' is its amazing sound, sonically speaking it is, by far, one of the most attractive songs on "No Fear No Man”. But its message is also very crucial and significant. When you combine the two, it makes for a very compelling song and another one which is extremely difficult to forget (not that I've tried, because I haven't).  

#5. 'Good News'

Looking back now, 'Good News' is such an original song in what it does. It is a social commentary, essentially, but it's also kind of a commentary on top of that commentary. What Anthony Que does is to go over so many of the problems in the world today and, in that respect, it is a straight forward tune. The twist is that, along with covering it and giving the 'news', he also comments on the news. His comment? He's tired of it!

"Another bad news again

Can't we hear some good news my friends"

It's also a very revealing moment to my ears as you get the feeling that it's all beginning to sicken the singer, and justly so, and he puts it together brilliantly in a song which will likely NEVER receive the credit its due. It's amazing.

#6. 'In This Yah Time'

While not as twisting as the track which precedes it on the album and far more straight-forward, on the whole, 'In This Yah Time' is also a big tune. Along with the sweetness that is ReggaeLand's Cultura Riddim underpinning it, this piece really made its quality in my mind due to the large amount of good COMMON SENSE you'll find expressed on it. 

#7. 'Babywrong Don't Know'

Really now digging into the ideas behind the writing of 'Babywrong Don't Know' and I'm inclined to say (even though I'm already tired of saying it), that it's now become a more noteworthy composition for me than it was previously. The most interesting aspect of it has turned into the way that Que gives examples of powerful leaders of the past and holds them up not only as examples to the leaders of the future, but to the leaders of today as well. He also seems to 'give' it to the masses as a sign of what good leadership is and how unfortunately rare such a thing has become. 

#8. 'Beautiful Mother Nature'

'Beautiful Mother Nature' (and its great chorus) features the artist taking time out to give credit and love and respect to the world, herself. Two things now standout from this song to me: The first is how it is almost set up as a love song. Surely you could easily make the case that it is a love song, but this isn't the usual way in which such a song is delivered. The other thing should go without saying, but the riddim on this track is… divine.

#9. 'Change The World'

'Change The World' may've been the first single from the album as it released earlier in the year, if I recall correctly, and while I may have chosen something different, initially (and I might even still), I have to say that despite the fact that I prefer other songs here, I can see why ReggaeLand and Anthony Que chose to give this tune so much attention. Along with being excellent (and it is), like 'Good News', it seems to be another song which very much brings together the ideas of several different songs and, perhaps, a large chunk of the album, as a whole. It is somewhat of a love song, but it is one of a very unusual quality as what Que is saying is that two people should be together because, in being together, they have the opportunity to do great things, thus 'changing the world'. I take it to being more of an inspirational piece, but it is one which is so finely broad and can be left open to just as wonderfully wide array of interpretations. 

#10. 'Holy Ground'

"All I want to know is my real name

My Afrikan name"

Slightly reminiscent of the MAMMOTH 'Chosen One' from the "Meditation Time" album, 'Holy Ground' is nearly just as towering and has become one of the best songs on either project for me. This song is one which is so appropriate to my ears. It speaks of and makes a big deal out of things such as good manners and being respectful and respectable to who you are and your heritage. As an extension to this tune, which is very much a historical one, I also wanted to place it in a more contemporary direction and, I think that Que would agree with me that you don't have to actually STAND on "holy ground" to behave like you are and, in fact that ground is one which can move with an individual who is doing the right things in his/her life. A BEAUTIFUL song!

#11. 'Blowing In The Wind'

"I want to lead my people to the Promised Land

As I put pen to paper, listen the melodies of my song

Where is the love we should be spreading?

I don't like this direction that we're heading

Blowing in the wind!

I can feel a change is coming!

Blowing in the wind!

This mystical feeling that I'm feeling!

What's the meaning of life, when life is just for living?

You want everything for yourself when you should be giving

The world inna world of crisis

People running, don't know where to turn

We need a change!”

Still trying to facilitate change, Anthony Que brings forth another really nice song in 'Blowing In The Wind'. The sound of this track makes it a standout, alone, and it develops all along its way (you eventually hear straight handclaps which is a great addition), seemingly to make a tune which is as captivating as it is unifying. Mission accomplished! 

#12. 'No Fear No Man'

"I DON'T FEAR NO MAN!

CAUSE I'VE BEEN GIVING JAH THE PRAISES ALL MY LIFE!

I feel HIS miracles in the wind that blows upon my face

I see HIS spirit in the trees that blow and the mountains

Giving thanks for Your blessing, wonderful Glory!

I know Jah, You've always been there protecting me 

I DON'T FEAR NO MAN!

CAUSE I'VE BEEN GIVING JAH THE PRAISES ALL MY LIFE!

The people need words of wisdom, to comfort their soul

Too much negativity and bloodshed taking control

Society don't really care for humanity

Oh Jah, won't You come and set Your people free!

I DON'T FEAR NO MAN!

CAUSE I'VE BEEN GIVING JAH THE PRAISES ALL MY LIFE!

BOOM! The MASSIVE praising title track of "No Fear No Man" FIRMLY remains its single biggest moment for me. There was absolutely nothing but beautiful music here and it's one of the best songs Anthony Que has ever song. AMAZING!

#13. 'Poor People Cry Out'

The final original song on the album, 'Poor People Cry Out' had no difficulty at all maintaining the quality levels instituted during the twelve songs coming before it. It turns out to be a strong social commentary and, just maybe, the single strongest lyrical effort present on this album. These days, although the vibes are great and Anthony Que also sounds in a great form, it is the writing of this song which stands out so vividly and that definitely helps to make it a winner for me.

"Some say a world crisis

Too much high prices

And a too much regulation of the people

Dem ah trapped under frustration

Working from 19 til yuh 65 for a pension -

And caan pay di doctor bill

What a situation!" 

#14. 'Calm The Beast [Acoustic]'

The streamlined and acoustic version of a beautiful song is… still beautiful. The acoustic version of 'Calm The Beast' ever further highlighted the mixing of a kind of melancholy song with a bright and nearly explosive Roots Reggae track. Gorgeous. 

#15. 'Blowing In The Wind [Remix]'

Call it Techno or Electric or whatever you like, the remixed version of 'Blowing In The Wind' was somewhere in there. If you haven't heard it, I can tell you that it was far better than you're likely thinking (… and even if you didn't like it, the original is on the same album so stop whining!). 

#16. 'No Fear No Man [Acoustic]'

And finally, as if the trio of remixes were a microcosm of the album, as a whole, the best of them was the acoustic lick of the title track. Still so completely impressive. Still so completely perfect.

"Cause I've been giving Jah the praises all my life"

Much like the "Meditation Time" album, this is a set which, throughout, is subtly dynamic. Although with some of the material here it certainly isn't as 'restrained', in the end it makes for a very fun Roots Reggae album which is something that I hope, going forward, becomes a signature of Anthony Que's music. In 2012 he not only showed that he had that capacity, to make such an exciting brand of Roots music, but he put on display what is, I'm assuming, the height of his talents (if he can somehow have an even stronger year then… we're just going to have reassess a whole heap of different things). In doing so he impressed so much and, like I said, made at least one new fan in me. So, if you were one of the many people who overlooked the efforts of the singer in 2012, definitely pick up "Meditation Time", but also be sure to check out the outstanding "No Fear No Man" from Anthony Que as well. Biggup ReggaeLand Productions.

See Original Review

Rewind!: "Meditation Time" by Anthony Que

"Meditation Time" by Anthony Que [149 Records]

2012 has very much been a year brimming with many good things and not the least of them all are the many surprises and surprising moments which has brought us. Speaking of albums specifically (which is what we're doing today) and looking on the whole, as we've examined, the extraordinarily high number of quality sets from such a wide variety of different names has definitely been a great revelation, as have individual sets from the likes of Jah Marnyah (to the rest of you! That was no surprise to me at all) and Reemah. Still, personally, the biggest single surprise, in more ways than one, has been the amazing year turned in by Anthony Que. While I have recognized his talents throughout the years, he likely has had pretty bad fans who have been bigger supporters than I have, but all of that changed in '12 when the singer turned in what had to have been the single greatest year of his entire career to date. In September, Que would step forward with the fine (but apparently overlooked) "No Fear No Man" set for ReggaeLand Productions (which still gets better every time I spin it) which would go on to be one of the best albums of the year in my opinion and that was the second time that had happened for him. Earlier in the year, the artist delivered the downright SPECIAL "Meditation Time" for 149 Records and the Babyclone Band from out of France. Today we take a look and listen back to the first of what would become a pair of GREAT albums from Anthony Que in 2012 and REWIND! "Meditation Time" by Anthony Que.

Album Teaser

#1. 'Chosen One'

"I am from

I am from

I'm from the cradle of civilisation"

'Chosen One' opens the "Meditation Time" album and it institutes a joyous brand of meditation in its time as Anthony Que delivers a track which not only instills quite a bit of pride in someone's history and lineage, but also a great deal of positive humility. I LOVE this song and I might even go as far as to say that it has become my absolute favourite song here, but even if it hasn't, I am confident that there does not exist a combination of words in any language on this planet or any other which could convince me that this isn't a great song in every way. Huge message. Huge vibes. Huge sound. HUGE tune and a lasting signature moment from this project.

#2. 'Freedom Train'

Things don't stop or stoop it all when 'Freedom Train' rolls in which, like the opener, is another selection which I so enjoy ed from the very first spin through, but I enjoy even more these days, a few months on. Here, Que mixes in a very clever and twisting social commentary with the stamp of the song being this train rapidly coming to take the righteous away from the nastiness.

'Well it take a revolution for you to set the people free?

I know that my Jah Jah rather - for us to live in love and unity

I want to plant my own plantation

I want to plant my own vineyard

I see the mark of the beast is here -

It's on their bank chips and their computer cards" 

#3. 'Ease Up The Pressure'

'Ease Up The Pressure' is definitely another mighty and signature piece from "Meditation Time" and it draws on one of the finest tracks from 149 Records, the Datta Riddim. Everything here is HEAVY and Que actually puts together a song which sounds like something maybe from Achis Reggae favourite, Ziggi Recado, but at the same is wholly of his own special blend as well. This was full on social commentary and you might call it somewhat bleak (and you'd be correct in my opinion), but there is something in here which, at least to my ears, which well provides the listener with just a bit of hope and possibility in that struggle.

#4. 'Ghetto Youth'

One of the things that I so much enjoyed and still enjoy about "Meditation Time" is just how so incredibly well put-together that it is. What I mean, particularly, is that there is no stop along this journey that isn't something better than good for me. 'Ghetto Youth' is the perfect example of that. It may or may not stand out in your tastes as much as the other, but its sound isn't one which leaps out at you - but it is a completely brilliant effort from Que and company.

#5. 'Ghetto Dub'

The first of a couple of Dubs on the album and uses the previous tune as its 'subject'. Never have been the biggest Dub head in the world (although I find myself becoming more so as I get… really, really old). I do favour the second Dub more, but this was golden and if they wanted to, at some point, take care of the other thirteen songs in a similar way - I won't be complaining.

#6. 'Hold On' featuring Queen Omega

Queen Omega

When I first listened to this album and for several spins afterwards, 'Hold On' stood out as my favourite song and it probably still does (I've been listening to 'Chosen One' and another song here pretty much continuously for quite some time now - I think that song, particularly, could help a lot of people if it got the opportunity). Of course, a great part of that is that it includes one of the most talented individuals currently blessing Reggae music with their presence, the incomparable Trini Reggae Empress, Queen Omega. There is nothing about this tune which is not GREAT. Not 'good' or 'solid' or 'nice' or some of my other well used adjectives, it is a GREAT which comes through on a inspirational vibe and 'holds itself' to such a high standard as you would expect between two highly skilled artists. 

"I'm as firm, as firm as…

Firm as the Rock of Gibraltar

I'm like the walls around Jerusalem

Mountains around Ethiopia

The more you persecute me, is the more I grow stronger

I unleash my pain on you

Oh I unleash my anger!"

#7. 'Meditation Time'

The album's title track continues a stretch of genius which traces back to the nascence (I LOVE that word) of the record and with it, it brings, arguably, the most well known track 149 has ever done, the GORGEOUS Speaker Riddim. I've come into this wonderful state of reverence of this song which I now find as being SO ambitious, yet so straight-forward (if that's possible) (and it probably is not). If I say a song is a 'call to action' typically what I mean is that the artist is saying for people to get up and do things to make a change, but here -- I guess -- Que is also making a call to action, but the "action" he is calling for  is to sit down and think about things! Where I've taken that, previously and by extension, is that he's saying for everyone to slow down and take things easy and more carefully before pursuing your next step and I'm still at that point, but I've added something to it. What I get now from this song is that after you've done these things, after you've come into this "time" of meditation and this awakening - do whatever you feel like doing! Proceed in the way you feel best proceeding. If it is carefully then so be it. If it is passionately or freely, that's great also. What Que ultimately seems to be suggesting you 'achieve' in the 'Meditation Time' is this grand sense of awareness and EDUCATION (WHAT!) (you begin to meditate and come out on the 'other end' smarter?!) (WHAT!) (BOOM!).

"I love Mother Nature

SHE teaches me about life

Natural energy from the sun teaches me about life

I want to learn about the universe, there must be other worlds -

Created by God

Created by God!" 

If you do that and you receive what is taught to you. Then the next step and however you get there is clear in Que's eyes. MASSIVE song.

#8. 'Survive'

I definitely wanted to pay a special chunk of attention to 'Survive' because I don't think that I gave it as much credit for being as good as it was as it deserved in the review. It is (like everything else on this album) excellent. First of all, the riddim on this song is one of the strongest that I hear on the entire album and Anthony Que uses it to give us a song which really just taps into a great deal of emotions. The song's title fairly explains what you're going to expect here in terms of direction - it's a song about maintaining oneself and being determined throughout the journey of life - but it won’t reveal the… I don't even know what to call it. There's just a powerful vibes attached to this tune where it draws out passion. It makes you smile (especially at the chorus, which outstanding) and RESPECT what is going on here. I RESPECT THIS SONG!  By its end, you have a composition which is fully dynamic and engaging and striking and just a MAMMOTH song and one which I hope is revealing more and more of itself to listeners on every listen - just like me. Don't miss this. 

#9. 'Word of Wisdom'

I was under the impression, and it apparently has turned out to be the case (I'm actually correct maybe twice a year), that 'Word of Wisdom' which is (missing an s) an amazing song, would go largely underappreciated and underexposed. On an ALBUM which carries those same traits, that's a pretty tough set of circumstances, but for everyone who really dug into this one, it was such a rewarding and fulfilling piece on "Meditation Time". This song had a very COOL feeling about it, but it said and did so much in that mood. 

"I have understanding and power given to me by The Holy King Of Kings

HE leadeth me in the path of justice

I was here from the beginning of time

By eternity I was so divine -

With the words of justice"

#10. 'Herb of Life'

Que's 'Herb of Life' was one beautiful ganja song which definitely had an ear towards a more social type of circle. You get these songs which kind of either celebrate the herb and its magnificence OR they speak on how maligned it has become in unfortunate sections of society, but 'Herb of Life' was a piece which very much had its feet in both arenas. Plus, it was a lovely song all the way through, but especially in its latter stages where, despite its very straight forward sound, it just… MELTS into this dynamic mix of scintillating Roots Reggae (more on that later). Furthermore, I also like how, in the middle of the tune, Que seems to go out of his way to make the direction of the tune crystal clear (as if there were any question) and in doing so gives the album one of its signature lyrics, when he says: 

"We tried to hide it so far in the mountain

Still your police and soldiers give us problems

The chalice smoke surround me like the clouds

I can hear the sirens shouting out loud

BUT THIS IS A GANJA MAN SONG

GANJA WOMAN SONG

THIS IS A HERB FARMER SONG

HERB FARMER SONG"

#11. 'Shootout'

As its title would suggest, 'Shootout' is an anti-violence piece… even though it doesn't sound like it. As a track, and track alone, the riddim behind this song is golden and it does very interesting things in its lifespan. As for the song itself, what I so much enjoy of this one, firstly, is just how open it is. It is a sung song (WHAT!), but it has this kind commentary type of sound on it, almost like a narration of a story or something like that, but that is not at all what it is. Instead, it exists as this brilliantly arranged and creative 'put down the gun' type of selection which, at least in some aspect, could be looked upon as a changeup on the album as opposed to the more obvious choice at #14. An excellent song.

#12. 'Come Come'

Talking about surprises -- How unexpected is it that in a year where we received full albums from the likes of Beres Hammond (a double), Glen Washington, Cocoa Tea and Lloyd Brown - all masters of the subgenre - and Alaine (2013???), the greatest thing to happen to Lover's Rock music in a really loooooooong time, remained very active, the single finest love song I heard came from Anthony Que?! 'Come Come' was… something far stronger than just "great". It was an exquisitely vibed love song which was completely seamless. It was forced at all and it almost seemed as if, at points at least, Que never really even bothered to write a song and just stepped in the studio and said what was on his mind over a riddim. Surely that wasn't the case (well it may've been), but whatever he did, it was a master class of a track and one which, at least in my opinion, has yet to be equaled in 2012 for what it was. 

#13. 'Dub Coming'

The riddim track on 'Come Come' is outstanding and it gets the Dub treatment on 'Dub Coming' which I also love and between the two, I've well spent hours (HAPPY ONES) completely lost in this giant of a love song.  

#14. 'Roots Man Skanking'

As I mentioned a few songs ago, 'Roots Man Skanking', ostensibly, is THE definitive changeup on "Meditation Time", but it isn't really much of such a song in the traditional 'strength' of the word. This song not at all reaches outside of the scope of the thirteen pieces preceding it and, in fact, it even builds on at least pieces of it - this time in the celebration of the music. 

"Music is all I've got to give

And that is what I give to the people"

#15. 'It's Another Day'

And “Meditation Time" reached its conclusion in the arms of a song which I've grown to appreciate just a bit more than I initially did, 'It's Another Day'. I still (and likely always will) find it somewhat folksy (because it is), but that doesn't make it any less significant and, I suppose in terms of how it ultimately does sound, it adds to the 'experience' of the song. The message here is a great deal of that experience as Que basically says to 'enjoy the moment' and to make the best of each and every moment that you can. It is somewhat, but I take it back to the title track and what he seems to be saying is that whatever your life is - do it!

"Let life take you where it wants"

Listening to it now, I can definitely say that one of the major points of attraction to this album is that, along with its heavy messages and great writing, this record is probably one of the most DYNAMIC and sonically pleasing Roots Reggae albums of the year. As I've said in the past, so many times the subgenre is looked upon as being this type of template-based and unchanging style, but here is an album which isn't so greatly standing outside many of its peers, in terms of its sound, on the surface, but it the music is ENTERTAINING throughout and I'd think it would be so for new and old fans alike. It's very cleverly accessible and while I don't think so many new fans will or have already found their way to this album, the older fans who have, have found a WONDERFUL release from Anthony Que. It did not seemed to have gotten much in the way of fanfare and discussion, but I think it's easily one of the greatest albums of 2012. So if you haven't already, definitely check out a possible future modern classic (now wondering exactly why I didn't make this one a 5/5) - "Meditation Time" by Anthony Que.

See original review

'Come Again': A review of "No Fear No Man" by Anthony Que

Double trouble. As far as Reggae albums go, if 2012 were to end right now there would definitely be a great deal of top ranking stories to go through. You can certainly get a point in the more typical directions and come up with so many interesting choices and candidates for them all which is a fact that already has me well looking forward to drawing up a recap of the year that was come December or January. For example, to my opinion the single best album of the year remains "Reggae Music Again" by Busy Signal who would subsequently go on to fuel a top story of a different kind with what has become of his year. You also to have to acknowledge and observe that FINALLY burgeoning potential superstar I-Octane delivered his much anticipated and long awaited debut set, "Crying To The Nation", which did not disappoint. We've also seen more than stellar returns to form from the likes of Mr. Vegas, Mark Wonder, Lutan Fyah, Tarrus Riley and others, while the inimitable Ras Batch very recently made his case for one of the year's finest as well when he pushed the brilliant, "Know Thyself". All of that is great and, for the most part, really unquestionable: As we've said in the past, there has just been some MIGHTY material released this year. Within that well sized track-record is also a very large surprise or two and, to my opinion, none AT ALL come close to what happened not too long ago when veteran vocalist, Anthony Que, instituted his "Meditation Time". I am still wondering whether or not I should just go back and give that album a 5/5 score. It was THAT good and on each and every listen, it seems to get just a bit stronger. And as I said in the moment, while I surely knew Anthony Que was talented, I had no idea that he was capable of something like that and definitely not that he was capable of something like what was to be heard on that massive shot, right now. It's become, at least for me, his most signature moment and an album which will enjoy future years gaining in momentum and popularity. So! What might the most surprising Anthony Que do to follow that up? Maybe sit around and release a new album in 2015 or so? 

ReggaeLand Productions

No. He'll link up with another surprise. ReggaeLand Productions has seemingly make 2012 when they made their very large arrival in the music known and they done exactly that and in a very unusual way. Sure, you could string together releases from big name (losing all of your money in the process), or you could 'just' make really good music utilizing some pretty significant up and comers and the latter is the method the Spanish based imprint has chosen to initiate for themselves. Prior to this latest release, in 2012 the label has already released full studio albums from Malijah, Chantelle Ernandez and Singer Jah. And while I cannot say that they are all potential Album of The Year candidates, what each one is, in their own way, is a very solid and welcomed release to the year. ReggaeLand has been doing some serious work and now their paths cross with an even more welcomed artist and one who offers up the finest of the label's quartet.

"Gimme What's Mine" by Chantelle Ernandez, "Dancin' Shoes" by Malijah & "Warrior Of Jah Army" by Singer Jah from ReggaeLand Productions [2012]

While "Meditation Time" was a surprise in and of itself to my attentions - I didn't expect it to… exist, I knew well that Anthony Que was on the radars of ReggaeLand and although I wasn't sure the project would manifest, I was SO happy when I noticed that forthcoming was another brand new set from the suddenly BOOMING Kingston native, "No Fear No Man". Previously Que had already done several tracks for RLP on their various releases over the past year or two and now, in retrospect, perhaps I should have been paying more attention than I was at the time (in my defense, I am… lazy or something like that) because much of that work, with my ears now pointed in Que's direction, is nearly stellar to my opinion. In going back through that route prior to the coming of the new album and after having heard the first album of the year, again, I was surprised. I don't know where THIS version of Anthony Que came from! I don't remember him being this talented and in this current time, in retrospect, had you told me in December that I would be in the second half of the coming September writing my second review observing an EXCELLENT album from ANTHONY QUE [!], I would have thought you even crazier than myself. Just to make it plain before we go any further: "No Fear No Man" isn't as good as "Meditation Time". It just isn't. That album, to my ears, was absolutely stunning and I think a rather fine case could be made if you wanted to call it the single most impressive Reggae album of this year thus far. HOWEVER, I'm not prepared either to say that album #2 is such a far step down from the first album, because it isn't. This album, also, is very strong and, again, I'm sitting here thinking that maybe there was this talent there all along. Certainly Que didn't just all of a sudden to start being COMPLETELY WICKED some time over the last two years, but that is obviously what he has done. Also, on the part of ReggaeLand, this album was so good, and even so much better than their already strong 2012 schedule (which also included a lovely single from veteran Mikey General, 'King Selassie I Alone'), that it now puts them in a different category in my opinion. They've now made it known that they're capable of something like this and when you take that and combine it with not only their previous works, but also with their full level of prolificacy - I'm expecting big things from them going forth as well. Should Anthony Que's own tear as well as that of ReggaeLand continue into 2013 and beyond, in producing more winners such as "No Fear No Man" then I'll have to make even more room for another pair of favourites because this album is wonderful! Let me show you why.

The first great thing about this album is that it, inherently, dictates that you go back and refresh yourself with the "Meditation Time" album, if for no other reason than to just observe the differences between the two. To my ear, the only change you'll notice (maybe) is that the first album is slightly more anchored to the old school side than its successor. Though ultimately this album is going to sound like more of a continuing sequel to "Meditation Time", rather than a deviation from it. "No Fear No Man" fires up with one of its handful of certifiable BOOMS you'll find here, 'Cyaa Stop Jah Blessings'. This tune is just one big musical gold bar. That's exactly what it is. It was far and away the single best tune on this album to my ears for eleven songs and even now it gets better and better each and every time I hear it as Que offers up an inspirational piece for the ages. 

"Dem caah stop wi blessings

Dem caah step pon wi pride

Di wicked won't last for long

Only the righteous will survive 

I know that I'm blessed cause -

I neva settled for less of

Working hard at everything I've got 

Cause I've got to reach my goal

Why some people just sit and watch your business?

Dem just waan fi know what you ah gwan wid 

So they can fight and stop you

See what they're trying to do?

Oh what is to be must be!

Jah control my destiny!

DON'T YOU EVER THINK TOO MUCH OF YOURSELF, YOU'RE GONNA NEED SOMEBODY'S HELP!

I seh life from the beginning

And I never choose a life of sin

Di wicked tried to conquer I -

But I just keep on, keep on striving" 

TEARS! Things continue to flow with the second selection on the album, the SWEET 'Rastaman House'. As you are surely doing right now, I kind of judged this tune incorrectly. It isn't what you're thinking it is. Instead what it is, is a bonafide big love song and its placement here may be a bit unusual, this album is a better one for its presence. Things take a similar course on the next tune which rounds out the opening of "No Fear No Man", the unexpected 'World Keep Spinning Around' which is kind of an inspirational love song (thus combining the two songs preceding it) and a stunning on to the degree of being one of the finest songs on the album. 

That's saying a great deal here as "No Fear No Man" proves to be stuffed full of tracks which well stick out for their immense quality. To my opinion, none are bigger on the album than the one for which it is named. This song is going to make grown men cry like babies (TRUST ME! This I know) and it had me from the very first words so casually and calmly sang which instantly gave the album its most signature of moments.

"I don't fear no man

Cause I've been giving Jah the praises all my life"

WHAT! This song just trapped a part of my mind and made me feel so good! On top of that, it's a tune which is well aimed at uplifting the masses - it has a purpose and the sonics are some of the best on the album altogether. The results are not only the best tune here, but it may've been the best tune on the “Meditation Time" album as well and it is DEFINITELY one of the finest I've heard from anyone in 2012! STUNNING! Not quite on that level, but a shining tune still, is the set which follows the album's title track - top notch social commentary 'Poor People Cry Out'. This song is featured on ReggaeLand's lovely Dem Talking Riddim, where it was a standout (on a riddim which also includes the likes of Sizzla Kalonji [twice], Norris Man, Chezidek and others) and it kind of has an 'aura' to it. It is hard to describe, but its sound is one which seems to kind of set a tone apart from the songs itself and that's a very interesting thing that I hear and a good one. The excellent 'Calm The Beast' is another tune that I'm sure I've heard before although I couldn't tell you from where and it is another big winner on board "No Fear No Man". I really enjoyed the way this song is written, it's very original with Que taking on the 'beast' [oppressive society] and dealing it with it like the most skilled of tamers. It's also a 'moody' tune with moments of urgency and passion wrapped so comfortably in a package which is predominately laid back. Not to be missed. Also on that note, check the nearly massive 'Babywrong Don't Know'. 

"Babywrong don't know nothing bout rights

Babywrong don't know nothing bout -

Equal rights and justice

Equal rights and justice"

This is a tune calling on future leaders of the world, the youth, to live up to lofty standards set by heroes of yesteryear to really just fix up the madness of the world because the system in place hasn't done that to any degree at all (I also LOVE the riddim on this song). After the opener and title track, my next favourite on this album is 'Holy Ground' which is sublime.

"From the banks of the River Nile to Ethiopia

To down in Egypt where they keep all the secrets

Rastafari trodding in The Congo

Through the jungle, close to Mother Nature

Jah is The Creator

Holy ground

Take off thy shoes, now you're standing on -

Holy ground

Take off the shoes, now you're standing on -

Holy ground

My Forefathers were taken from the ancient land

Brought round here to toil on the plantations

AND ALL I WANT TO KNOW IS MY REAL NAME - MY AFRIKAN NAME

All they love in the west is their fortune and fame

Seeking now, my children, Mama Afrika is the light of salvation

It’s the cradle of civilization, bring cometh every nation

Can you feel it in the breeze?

Vibes like these!

Close to Mother Nature, near the animals and the trees!"

…I mean… don't even really know what to say there. I could have sooooooo much fun working my way through the functions of this song (and I am, whether I'm going to write it up or not is another matter) because it just makes so many succinct connections and passages between different subjects which're a bit closer than you're thinking maybe going into this tune. Brilliant. And you should also well check the electric 'Blowing In The Wind', which is very difficult to ignore as it steps up the intensity of the album and for a good reason, Anthony Que feels a change coming and he wants the world to know and to make his point he utilizes the Reggae Reasoning Riddim.

'Change The World' digital single [2012]

Speaking of changing the world, of the remaining batch (biggup Batch) of songs on "No Fear No Man", one of the biggest of them all is the previous single, 'Change The World' which I almost mentioned in the previous grouping. Though you will find stronger material on the album (I just named a few of them), you won't find any MUCH mightier than this ingenious piece which is somewhat of a love tune, but more of a relationship song. Que is telling the special woman in his life that if she sticks by his side, together they can do great things and change the world. Of course you make this a general and broad message and when you do that, you come to which is so much more interesting and crucial than one drawn in a more stereotypical direction (which you can also do here if you want to, although I'd suggest against it). 'Beautiful Mother Nature' is another song worth multiple listens as the singer stands up for the world in an environmentally conscious moment.

"Beautiful Mother Nature -

How I adore you

Beautiful Mother Nature

Oh you're a miracle

Hey what a wonderful world

And if we take care of Her

She will take care of us

I know Mother Nature cares

Stop cutting down the trees and making pollution

I see the world heading in a wrong direction"

The moving Cultura Riddim backs the equal poignant social commentary 'In This Yah Time'. Again, this is another borderline GREAT song and weren't I so inclined not to (because it's just too much damn work), I'd probably place it in the class of the previous group because it's not far from those big tunes. Also do check the very intelligent 'Good News' which wonders, in light of all the ills of the world and bad things occurring, where is the good news. Does anyone have anything positive say because such things are, most unfortunately, a rare find.

"No Fear No Man" reaches its conclusion with a trio of mixes. There's an acoustic set of 'Calm The Beast', a very colourful adaptation of 'Blowing In The Wind' (kind of techno-ish, but not bad) and lastly a most appetizing acoustic version of the title track. All of these are pretty nice touches in my opinion and ReggaeLand has shown in the past that they enjoy doing these types of things and as an add-on to a very healthy, but not too packed, thirteen tracks, I'm not complaining.

Anthony Que

Overall, I do want to reiterate the fact that "Meditation Time" is the best Anthony Que album of the year. It was that way before this album reached and it remains the case. But on its own merits, I can very much see "No Fear No Man" making the lower steps of a top ten list of the best releases of 2012 because it is VERY strong. I'm listening to both of them now and just am really impressed that not only does the singer have such a great presentation of his music, which I didn't think he did have, but he also so much to say and he doesn't repeat himself over and over. It really sounds like this album was the fitted and pre-planned second half of one grand message. Were that the case by design or it just worked out that way isn't really important. What is crucial, however, is that both Anthony Que and ReggaeLand Productions continue to soar with their brand new album "No Fear No Man" and both continue truly dazzling years in 2012. Very well done!

Rated: 4.55/5
ReggaeLand Productions
2012
CD [I THINK] + Digital

Review #388