Although I find myself, basically in defense of modern artists, often referencing the differences between the era now and those of yesteryear but more often than not, I find myself discussing the similarities. It is those similarities, in my opinion, along with presenting the literal skill of today’s faces that I feel will ultimately begin destroy this almost inherently acceptable disrespect of the current crop of our artists, who I feel, are just as strong as those in any other era. However, a couple of the most powerful qualities some of the artists from yesteryear (well, all of them, if they’re still around) possess that most of the current artists are still searching for is the almighty intangibles of EXPERIENCE and far more importantly, LONGEVITY. Experience, is a bit which I feel can be overrated sometimes, depending on who’s claiming to have it, as you can certainly have, especially in music, ‘experience’ in being bad or simply mediocre, its unlikely but possible. When you take said experience, however and combine it with longevity, ESPECIALLY in the rather fickle industry that is Reggae music, you’re dealing with something very very stong. Which is why I always try to pay a bit of extra respect to artists who can still, in this day and age continue to make themselves relevant and do so, not only to the now older (and potentially MUCH older) crowds who grew up with their music but, to some degree, with the younger crowds as well. I look at someone like Junior Reid and Mykal Rose who have so ingratiated themselves in the vibes of today within the last few years and am downright AMAZED by what they’ve accomplished and continue to accomplish. Both of those singers started recording before I was even on the planet and although they didn’t hit their primes until Miss Lee had her second boy (moi), they have catalogues at this point which are amongst the greatest of all time, despite still not being that old. To take a step even further back we’d look at artists like Burning Spear and Freddie McGregor and Marcia Griffiths. Between them, who knows how many years (or centuries) they have in the game, with careers stretching back more than FORTY years which is absolutely ridiculous. Even more ‘hilarious’ is the fact that on any given night in any remote corner of the world, you might be able to catch a show from any one of them. Why? Because all of these years later, they’re all still recording, still touring and still finding other ways to contribute to the overall landscape of Reggae today, be it with recording with younger artists or producing or just representing Reggae music almost completely without reproach, worldwide. Truly amazing.
Recently, we’ve seen some very nice contributions from the elder artists in terms of new(er) projects also, specifically on the album side. It was quite a big deal a few months back when Bunny Wailer seemingly digitized, re-mastered and re-released quite a bit of his legendary catalogue, making them widely available to the masses (FINALLY). And, far more fittingly in this case was the legendary Linval Thompson whose album, the EPIC Ghetto Living definitely cemented his standing as an artist still very much relevant in today’s day and age and that same album also featured the tune Bad Boys, a stirring combination with chanter Warrior King, which blended the line between the eras. You’ve also seen somewhat steady contributions from the aforementioned Reid and Rose, as well as McGregor who reportedly is set to release a HUGE album sometime next year (if not before the end of 2009) and given his successes, as well the successes of his progeny as of late, that album, whenever it reaches may very well be one of the most anticipated of its time. Also, gliding ever so quietly beneath the radar has been the prodigious Itals who may not be as well known by casual Reggae fans or even Reggae heads of a younger age (myself included, to an extent) as some of the other names I’ve mentioned thus far (especially McGregor, Ried and Rose) as they haven’t REALLY been pushing themselves in that crowd as of late but obviously they haven’t been exactly absent either. For me personally, however, I have always held the Itals in a VERY high esteem as a tune they made when I was a very young child, Rasta Philosophy (they also had an album by the same name), is one of my favourites of all time and at such a very hard time in my life was definitely one of several which helped get through and literally helped to change my life at the time, so, although I may not as actively pursue their material or their ‘whereabouts’ (musically speaking, of course), I do hold them in a bit more personal regard than maybe even every other artist that I’ve mentioned thus far. So, I wasn’t too shocked but I was quite happy when I learned that lead singer/songwriter/producer Keith Porter and company would be releasing a brand new album for 2009, Let Dem Talk. The album is (by my count) the third on their very own imprint, Itals Music and is brought to you worldwide by the increasingly necessary Zojak. Almost by habit or maybe even ‘lowered expectations, I think tend to look at albums from older artists with less of a critical eye (which is COMPLETELY my fault and is probably one of the reasons why I don’t write about them as much, outside of the obvious) but judging by Thompson’s Ghetto Living and now Let Dem Talk perhaps that is a silent rule of thumb that I may need to revise at this point. Let Dem Talk while, by certainly any means the BEST album I’ve heard this year or from The Itals altogether, is SWEET music. It is exactly, as you might imagine, very very focused and meditative and sometimes jovial and sometimes sullen: Its just a very warm album and even with the tunes which aren’t exactly of the “rah rah” variety, the vibes here are just SWEET. I liken Let Dem Talk to an opposite comparison that I always make as posing the question of who of today’s age would have been good in past eras: Now if you were to reverse that and ask ‘who from yesteryear would sound just as good today as in their primes, x-amount of years ago?’. Well, The Itals, for one, as evidenced by Let Dem Talk.
Keith Porter’s voice and overall vocal approach has never, in my opinion, been all that remarkable. Its nothing at all that would shock you by listening. HOWEVER, it was and, evidentially, is still absolutely PERFECT for the type of heavy Roots Reggae he and The Itals make. There’s something almost perfectly imperfect about it (if that makes any sense) (and it doesn’t) with its kind of earthly and rugged tones which make you just understand that definitely this man has, indeed, been through some hard times but just as definitively, has come through and is a better man because of it. The first tune on The Itals latest release, Let Dem Talk is a very nice display of those hard times and good times alike, the clever ‘ska-ified’ It’s Not Easy. This song will have feet tapping, finger popping, shoulders rolling and heads bobbing and is simply one of the most impressive pieces on the album. I’ve never been too much of the Ska-head but, at such right times, it definitely hits the spot and I suppose It’s Not Easy was the right time as the tune just simply makes you feel good and breaking away from the vibes themselves, it gives a very strong message as well to hang in there because, although it’s not easy, times can change and change for the better. BIG TUNE and I’m smiling when I type that. The opener makes way for what is, in my opinion, the only CLEAR step up from it in terms of quality on Let Dem Talk because it’s the best song on the album, the laid back WONDER which is Who Reign. I’m grown and I’m “in touch with my feelings” which is why I can tell you that Who Reign made me cry! Porter sounds like he’s half asleep singing the tune which kind of cleverly makes “Who Reign” sound like “Hooray” at times, both, however, are extremely appropriate in this case, giving praise to His Imperial Majesty. The song is just SIMPLE brilliance and rather easily becomes one of my favourite Itals tunes of all time and the shining star of Let Dem Talk. Although that’s not to say that I can’t see why they named the album Let Dem Talk and not Who Reign because the title track is a big tune in its own right. It strums in to close the opening. The song, for me, is almost double entendré as, at times it appears as if Porter is speaking of himself, while at others, it seems as if he is speaking about His Majesty. Regardless the subject, however, the song is very very well done and ends a big opening on a big note.
Perhaps given my ‘history’ with the Itals, I find that I’m more inclined to enjoy their more spiritual material on the album. Thankfully most of the songs here are spiritual to some degree or another. There’s a potent stretch of three such tunes in the middle of Let Dem Talk which really make up a great deal of the best material on the album for me. The first tune of the bunch is the very nice No Mercy, which comes through across the well traveled Hard Drugs riddim and urges PATIENCE and UNITY in a very interesting way (Porter also kind of sounds like both a less agitated version of Buju Banton and a more agitated version of Gregory Isaacs at times). Next is the BIG So Many Times tune which is one of the best written tunes on the album and definitely pushes an ADDICTIVE vibe. I’ve listened to this tune SO MANY damn TIMES in about ten days’ time that I feel like I wrote it myself (I WISH). it’s a very heavy vibes and it struck me as a song speaking of personal redemption and, by extension, FREEDOM, in the tangible sense. The best of the three, however, in my opinion, is the downright dynamic There For Me. This song is DIVINE (literally) and one of the best songs on Let Dem Talk. It speaks of relying on His Majesty through times, good and bad and it also happens to feature THE line of the album when Porter says, “. . .was lost, was down, but now dat I’m found, HE picked me up, FILLED MY MOUTH WITH WORD SOUND”, very very casually in the stirring second verse. EPIC! And of course, as the title suggests, there’s the later tune, All Is Vanity which has such a nice BOUNCE to it that you can’t ignore the sound. Upon further inspection, however, it proves to be a very nice song on its own merits (with one nice piece of riddim) as it tells all to focus on things of more SUBSTANCE and not those which are fleeting and sometimes not even that. That is not to say that the rest of the tunes on The Itals’ Let Dem Talk is rubbish because its ‘s definitely not. Check the very conscious and anti-violence piece, Chill Out. This tune, although clearly very well done, took a few spins to grow on me and when it finally did synch with my tastes I saw its strength (it’s a SOLID tune and I think I had initially left it as being too cliché for me). The song is kind of unintentionally funny as well as you would seemingly tell someone to “chill out” to stop doing something which is annoying or just in a playful manner but Porter uses it on the grand scale of telling those running around and keeping violence’s place in Jamaica and worldwide to simply chill out. And you know that he’s right. Anything gets VERY close to being a big tune that I may even give it the last few places or so as it begins a nice string of love/relationship tunes. The HUGE sounding Because Of You is a step up in that category, however, as it has a hell of a nice slow dance with the wife written all over it and it was one of my favourite tracks here. True Love, sappy as hell and all, is even pretty doable also, largely to the very nature of Keith Porter’s voice and PERSONALITY which shines through as you would a expect from a gentleman of his standing in the music. I’ll also mention the fact that the song, My Way High Way, Let Dem Talk’s first single, is probably my LEAST favourite of the bunch, although not even that one is a bad tune. Wonderfully, completing the album is something that was very unnecessary but very NICE, horn heavy, ska’d up riddim for the opener, It’s Not Easy. This track might even be one of the best here also and I also love and appreciate when an artist or a label or whoever, decides to do such a thing as an add on to the album (and it helps me make my point about the tune because, apparently, I’m not the only one who thought it was so nice). I walked in the door dancing and I’m walking out the same way! Well done Itals.
Overall, I’m slapping a rather open ended seal of approval on Let Dem Talk from The Itals. The first is to, of course, Itals fans, who probably already have it and I’m sure are definitely enjoying it right now but the second is a bit more ’curious’. If you are a fan of Reggae music who is older but not still quite young (someone in the 24-35 age range) and you don’t typically find yourself either not enjoying or just not even listening to some of the older artists for one reason or another, Let Dem Talk is an EXCELLENT opportunity for you to get on board (just as Ghetto Living was). I’d use the standard and tired ass cliché of “and see what all the fuss is about” but I won’t. Instead, maybe its time we created a new fuss of our own because after more than thirty years in the business, The Itals are still going very strong. Let Dem Talk proves that CLEARLY and turns back the clock for some of us who may have missed the vibes the first time around.
Rated 4.25/5 stars
Itals Music/Zojak Worldwide
2009
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