Check It #36: Back Up

"Where I Lead" by Toussaint (EP) [I Dwell Records/Gatorwood Records] 

That didn't take very long. First up this week is something which legitimately SHOCKED me when Bredz first told me about it - it's a brand new album from Achis Reggae favourite, Toussaint. Of course, you know him from having dropped one of the most impressive sets from 2012, the magical "Black Gold" and it really doesn't seem like that occurred too long ago, perhaps because we've basically been talking about the album from ever since. So you know if he were to do something like . . . Do another album, that would interest me a lot and that's where "Where I Lead" comes in. I Grade Records, who did the first album, isn't here and instead, Toussaint links with I Dwell Records and Gatorwood. So much here is interesting, not the least of which is the fact that Toussaint chose to continue to do his brand of 'Soul Roots', which means that people like you and I get to continue to enjoy his output and he stays in the Reggae 'loop', instead of returning to his more soulful origins. ALSO really standing out is 'I Blaze', a track which links the singer with the mighty Mikey General - a song I cannot wait to hear. So expect a full and devastatingly long review when we get our digital paws on it. BOOM!

Digital

"Don't Mislead The Youths" by Sizzla Kalonji (EP) [Locksmith Records] 

Moments like these remind me that . . . I have two Sizzla reviews to write. I'd noticed this release some time ago and I think that I thought it was a single which, although definitely still worthy of some attention, I snot as crucial. But I was wrong and the legendary chanter has linked up with Locksmith Records from out of New York to push "Don't Mislead The Youths" which is one of the two first BIG EP releases of 2010 [look up down for the other] [I hope you didn't just physically turn your head down and look towards the floor] [please leave a comment if you did] [I think people like you are amazing]. It's kind of Hip-Hoppish, but not too much so in this case and, it's Sizzla so check it out. Big title track and another piece on the same riddim, 'Ganja'. 

Digital

"Cookies" by Gappy Ranks (EP) [Hot Coffee Music] 

'Maddest Ting'

With "The Best Is" and "Rising Out Of The Ghetto", Gappy Ranks has always minded to keep his name current on the digital circuit via releasing excellent EP's and he did that again for 2012 back in February with probably his best drop yet, the  ganja personified "Cookies". Six tracks with a similar driving force, this piece has gotten quite a bit of attention and justly so - It's excellent! Two major highlights in particular to my ears, 'Maddest Ting' and the EAR CRACK that is 'Da Herbs Deh', but the entire set is very well done. Pick it up today if you haven't already. 

Digital

"Do Thy Work" by Prezident Brown (EP) [Soundkillaz] 

While I've never been the biggest fan of Prezident Brown's, I do love to give credit where it is due and it's well due in the case of his own latest EP set, "Do Thy Work" for the Soundkillaz. This piece is essentially a three set project with different mixes stretching it out to seven (including Nyahbinghi cuts of all three songs). I'd heard a song by the name of 'Do Thy Work' a while back and while I didn't know anything else about it (I assumed it was Prezident Brown), it was very good and here's the work behind it. A very solid set from the always dependable and capable veteran. 

Digital 

"Dancin' Shoes" by Malijah [ReggaeLand] 

Next in is what may just turn out to be a real sleeper for 2012, it's the extremely talented vocalist, Malijah with his debut album (I THINK), "Dancin' Shoes". For the project, the energetic and colourful singer has linked with ReggaeLand from out of Spain and what you end up having is a piece which, although it won't get an 'album of the year' type of consideration, it definitely is going to have quite a nice following (if it hasn't already), because it's just SOLID from beginning to end. In its thirteen tracks, it also gives a nice mix of the artist who has been demonstrating a vast amount of subtle versatility for his entire career. Nice album. 

CD [I THINK] + Digital 

"Catch Me If You Can" by Sophia Brown [Music Mecka Records/Zojak Worldwide] 

'Catch Me If You Can'

Cool singer Sophia Brown is up next with her much about talked brand new release, "Catch Me If You Can". Over the past couple of years or so Brown has gotten a great deal of attention and it's been well deserved as she's already carved out a very impressive career for herself which now culminates in a big album. This is definitely one for the fans of the modern Lover's Rock, for the most part and Brown has been adding to the subgenre some of its biggest pieces as of late. None get bigger than the title track for this album and several other selections here, including 'Relationships', which features Hezron. Intent on showing some diversity and versatility, Brown also offers tunes such as 'Mamma Africa' and 'Poverty'. The latter features her alongside the legendary Luciano. 

Digital 

 "You Don't Care" [Joe Frasier Records/VP Records]

We always keep an eye out for the wonderful works of the people at Joe Frasier Records and they recently jumped up with yet another stellar old school/Lover's Rock compilation set. This one is a remake of the old You Don't Care riddim and, as usual, it's fine material. Big names are all around this release as the remake features the likes of Terry Linen, Stevie Face, Courtney John, Lady G, Lovindeer, Gappy Ranks, Ed Robinson and Lloyd Brown (who we also have to deal with pretty soon). More big material from the big women and men at Joe Frasier Records. 

CD + Digital 

"Forever In Love: The Best of Soumia" [Sushiraw] 

I'm always trying to find something new and interesting going on in the satiny world of Zouk and particularly in the absence of some of my favourites doing work (although Kénédy does have a new big tune with a video where she's without clothing, laying in the back of a truck) (I digress). And while what we have here may not qualify as "NEW" it's definitely interesting as French singer, Soumia, chimes in with a big 'Best of' set, "Forever In Love". The release comes via Sushiraw, the label of famed singer, Kaysha, who also joins on the album and reportedly marks the lovely singer's first decade of music. Guestspots from the still fire-breathing Kalash (who recently enjoyed yet another re-releasing of his ultra successful debut album) and also Daddy Mory round out twenty of the most well known pieces of Soumia's extremely photogenic career. A DVD featuring videos is also included in the physical set.

CD/DVD + Digital

"Rewine" by Rudy [Dreams Media Entertainment] 

VI Soca just doesn't get its fair share of attention, despite the fact that there're more than a few big names on the scene and while we continue to wait for the latest release from my personal favourite from out of the BVI, the USVI's finest, Rudy, is standing up with her own big creation, "Rewine". This is a good album! Rudy's a name which certainly isn't new to me, but I don't really listen to her a great deal, so most of it is new to me and there's a HILARIOUS tune here, with typical old school Soca/Calypso humour that you need to hear, 'Dung Deh'. Soca stars Machel Montano and Jamesy P also feature on separate tunes as well. 

CD + Digital 

 

"The Global Selection" [House of Riddim]

Anytime the big boys at House of Riddim from out of Austria jump up, you really have to pay attention to their work because when they do, they're oft to do things like what we have in the case of their absolutely LOADED new release for their Global Riddim. First of all, the piece itself is a glowing brand of powerful (but smooth) modern Roots Reggae as you can, thankfully, tell via the clean version of the set attached to the end of the album. And on the preceding eighteen vocal tracks, HOR have assembled one of the nicest roster of vocalists in recent memory. Jah Mason, Chuck Fenda, Natty King, Zareb, Papa Michigan, Smiley, Ras Mac Bean and Bryan Art are just some of the big names on the project which is definitely already in the running for Riddim album of the year. 

Digital 

The Sandman Riddim [Weedy G Soundforce]

Riddim Mix

Also impressing with a big new riddim as of late is Weedy G Soundforce from out of Switzerland who bring forth their own wicked creation, the Sandman Riddim. While it may not bring in the heavy hitters like the global, the Sandman does manage to more than hold its own. Surely that has a lot to do with a HUGE combination, 'What A World', which features two of my personal favourites, Lutan Fyah and Natty King. Perfect also joins as do Shocking Murray, Skarra Mucci, a returning Grindsman and others. 

Digital  

 Di System Riddim [Chiney K Productions/Zojak Worldwide] 

Another large cache of big names can be found touching down on the official album release for Chiney K's pounding riddim, Di System, oh and the riddim itself is pretty good also. Sizzla, Anthony B, Turbulence, Fantan Mojah, Jimmy Riley, Lutan Fyah, Ginjah, Tyrical, MILITARY MAN and even Cutty Ranks and Jigsy King are only a few of the names to take Di System for a run and the riddim itself also maintains the pace. Perfect for the digital set - you can pick and choose - but to my opinion, it's Tyrical, Sizzla and one or two others who set the course. Enjoy. 

Digital 

The Africana Riddim [YAL/Digital Vibez Entertainment/Zojak Worldwide]

Teflon's Yard A Love links up with Digital Vibez Entertainment (and the fine people at Zojak Worldwide) to push the cool Africana Riddim. Although you won't find it stuffed with the biggest names, what you will find are tunes from Capleton and the producer book-ending an impressive group of new and up and comers. Of that lot, definitely most impressive are Potenkle I and the wicked I Rolla, a name to keep an eye on right now.

Digital

The Summer Rave Riddim [DJ Frass]

People like Agent Sasco, Spice, Capleton, Vegas and even Bunji Garlin highlight the Summer Rave Riddim from DJ Frass. I'm not thrilled with this one, however, but I thought the cover was cool so we threw it in. Check it out for yourself.

Digital 

 'Vampire Slayer' featuring Batch by Ras Attitude (single) [West Coast Studios]

And lastly this week is a new single which I'm really looking forward to getting my hands on, 'Vampire Slayer', which links one of the greatest duos in Reggae music today, Ras Attitude and Batch. I can't say much about this one, because I've yet to hear the entire piece, but is there anyway that this one CANNOT be a winner?

Digital 

Lyrics!: Gappy Ranks

As an artist there are so many different things you can do to kind of 'distract' your listeners for better or for worse. Be it your delivery, the company you keep or literally thousands of other bits and pieces, you can always get the crowd to look in the direction that you want them to - and sometimes when you don't want them to. I don't quite know what it is about this guy, but he NEVER seems to get a real credit for being exactly what he is: One of the most lyrically talented artists in Reggae music today. Maybe it's the persona, maybe it's the deliver or is it something else? Regardless, I thought that I'd help things along just a little. Here are ten completely and totally random instances of wordy wizardry from the UK's finest - Gappy Ranks. 

Gappy Ranks

 -'Heavy Load'-

"Mount Zion I don't feel so high no more

And the rivers weh mi feel don't feel so deep

And mi carry dis - 

Heavy Load

Heavy Load

Jah Jah guide mi when mi touch di street 

So if you got a dream and you got a vision

And you living in di scheme, wid di dutty politician

There's knowledge inna book, you've gotta have some ambition

Nuff still ah look, but dem no know di definition

You've got to believe, don't give up for a second

You know what I mean

Just tell mi what I reckon

Nuff ghetto youths waan kick ball like Beckham

From New York, to Kingston, to Austin, to Peckham"

-'Why'- 

"Most High keep mi far from wrong

Mi no fear di bear, di eagle or di dragon

Mi nah jump pon babylon bandwagon

Every ghetto youth haffi reach Mount Zion

Mi name a mi name and mi nah change

Everyday it hard and di world get strange

Nah sell out mi soul and mi nah go exchange

Mi nah sell out nobody fi go drive out di range"

-'Coulda Runaway' w/Delly Ranx-

"I was born as a Ranks

Grow up as a Ranks

Lak di great Delly Ranks

So mi haffi give thanks

Mi ah shine lak a star, dem si mi from a distance

When badmind ah chat mi, mi no response" 

-'Maddest Ting'-

"Every community supposed to have an herbalist

To supply di people dem wid all strain of cannabis

You can ask di doctors and di nurses and di scientists

Herbs neva kill nobody yet, I hope you hear dis - Video

Put it pon di board an watch mi chop it up

Next thing mi put it inna rizzla an mi wrap it up

Mek di serious sellers a road dem know wi have it up

Even if a quarter, if a half or if ounce you haffa bag it up

Which herbalist have di maddest ting a road?

Mi waan fi know cah mi chalice haffi load

Which herbalist have di maddest ting ah sell?

Real high grade wid a high grade smell

As mi wake up a juss one of di first thing mi does

Go fi light up di herbs and get di morning buzz

Weed buss inna mi head and announce mi righteous

High grade mek mi feel marvelous

And mi no waan no white powder, mi no waan no needle

Weed weh seh, so a good over evil

Mi no waan no friend from no cokehead people

High grade alone mek mi fly like eagle"

-'Nah Ready Fi Die'-

"May he rest in peace to di ones dem weh gone already

Some die naturally, some no ordinary

You si yah friend?

Him ah drink an drive.

Tek out di keys from di car already

Badmind ah work a juss ah wait fi yuh give it up

One life you have, juss live it up

Nuff a dem seh crime pay

But same way, crime tek yah life away

Mi waan fi live till mi gray and old

Mi nah ready fi die right now

Mi nah ready fi die right now"

-'Stinkin Rich'-

"Cah mi si mi parents suffah, wid mi and mi sibling

Go to bed widout no suppah, not even a dumpling

Used to have whole heap a dream wid di money counting

Used to think about today and what tomorrow will bring

Searching-

Biggup all di ghetto youths weh hustlin

If you into 9-5 unuh just, keep working

Mi waan money inna bank, everyday turning

Cash card inna wallet, money stack up and a pon it

Mi haffi stinkin rich this year

Paper money or copper kind, mi no care

Haffi mek di money any time, anywhere

Mi no tek check, but mi mek check clear"

-'Life Goes On'-

Dem seh di good die young

Then if di good die young, then mi time soon come

Mi juss ah live and have fun

Mi juss ah hustle up di money till di money caan dun

It's so hard to think bout afta

Even through laughter-

And disaster"

-'I Was There'-

"I was there with the people, Japanese people

Who nah lose dem life, lose house and lose vehicle

Everybody calm, everybody equal

Nobody nuh fight, nobody nuh move evil

Dats why mi shed a tear, a million tears

Si di people weh die that day

Because I seen it and I know it

Mi ah remember till mi old and grey" 

-'Ragga Ragga'-

"Mi luv fi si when Bounty vs Beenie

Mi luv fi si when Shabba gone wid di Grammy

Mi luv fi si when Supercat clash Ninja

Mi luv music, a coulda Gaza or Gully

Mi luv fi hear Bass Odyssey and Stonelove

Mi luv fi hear Killamanjaro and Addies

Mi luv fi hear Bob Marley, Dennis Brown,  Sugar Minot, Gregory Isaacs, Alton Ellis

Biggup di Ranks dem -

Cutty! Delly and Louie!

Mi dun biggup Shabba Ranks already

Biggup Capleton weh bun dung dreddie

Biggup Mr. Wacky, him start Weddy Weddy

Who have the energy?

Somebody seh Ele

Luv fi si Sean Paul and Shaggy pon tele

Crowd start fi cheer when dem announce  Kalonji

Fans all around from all town and country

Mi luv how di Killa bring Vybz Kartel

Busy!

And Mavado start well

Step pon di stage, di whole place start shell

Alright, mek mi talk bout Gargamel

Biggup every banton -

Buju Banton, Mega Banton

Wayne Wonder, Sanchez and Lukie D fi sing di anthem

Singing Melody and Tony Curtis sing di harmony

Hail up Alborosie, Gentleman from outta Germany

My name is Gappy Ranks, I come from England, have you heard of me?"

-'Peace & Joy'-

No food fi di poor and di hungry

Shootout pon di boundary

Clothes dutty and mi caah go a laundry

If mi get a white shirt, dat a luxury

Big boss have you any work in di factory?

Cah mi caah buy flour, saltfish and ackee

Time pass till all mi hair get natty, mi no waan tun inna no John Gotti

So mi juss-

Hold up mi head high

High to di sky

Yuh caan stop a man weh a try

Mi nah stoop fi di M-O-N-E-Y

Cah mi doh want a piece of di babylon pie

Jah Jah know it's a ocean of tears I cry-

Fi di youth dem weh missin and di ones dat die

I si how dem bring drugs and boom bye bye

So mi nah stop bun dem till di day I die!

It's like dem waan mi kill mi bredrin fi loaf of bread

But I shall not live on bread alone

Mi nah sell out mi bredda dem fi loaf of bread

Dem waan mi dead, dem waan di John Crow fly ova head

Tell dem my heart still beats lak di Afrikan Drum

Just words and power from an Afrikan son

You doh have to rich to be happy

Mi si smiles pon poor people face and dem don't even have it

I'm searching for peace and joy

Food and water mi seh fi every girl and boy

I'm fighting fi equal rights, Jah Jah light shine bright

Keep mi through di darkest night

Mi waan fi mek di world feel love

Every ghetto youth haffi fly inna di sky like a dove

Cuz no one man is an island

So mi two foot ah stand pon dry land"

I bet you can't guess who this is

'With Friends': A review of "Meditation" by The Nazarenes

The concept of unity and uniting are ones which are very often explored in Roots Reggae music and always have been, for the most part. Be it in the completely broad sense of 'bringing the people together' or uniting for some specific purpose or another, it's definitely become one of the foundational topics of discussion for the genre, no matter where it's gone. Now, with that being said, one of the most interesting aspects of unity in Reggae music, in the functioning sense, is just how the actual music, itself, tends to form quite unusual and unexpected bonds - giving us, as fans, not only great music and potentially great music, but also providing music makers with such a wonderful opportunity to musically trade ideas, cross cultures and cross talents - making the massive Reggae listening world much, much smaller. This is a type of unity which isn't spoken about, generally, in song, but it's also a type of coming together and for the purpose of the actual music and we've seen stellar results over the years. A very, very fitting example would be one from just last year when well respected Guinean born chanter, Takana Zion, reached Jamaican soil to vibe his most recent set, the very well received "Rasta Government" album. For that project, Zion would also collaborate with the legendary Capleton and, that would become a very large tune, 'Glory', and just an excellently conceived situation and he wasn't the first one either. Also in the not too distant past several other African born artists such as Tiken Jah Fakoly, Lyricson, Black Dillinger (biggup Black Dillinger) and who knows who else have done similar things and achieved big results over the process. So on the surface what we have here, in the form of the most itinerant brothers, the Nazarenes (born Noah & Medhane Tewolde). The duo was born in raised in Addis Ababa, Ethiopia (during the direct reign of His Imperial Majesty, Emperor Haile Selassie I) into a family of Eritrean roots (I've suddenly become really interested in geography and can now name all fifty-four African countries in about three minutes) (just thought you'd like to know that). They have, however, honed their musical skill via traveling throughout the world, particularly Europe - currently living in Sweden, I believe -, and now the Nazarenes are performing their own LARGE piece of unification with their brand new album, "Meditation". 

 Just a few years back, the brothers made an appearance on one of the finest Roots Reggae compilations you'll ever hear, "Joyful Noise", which brought together artists from all over the Caribbean and all over the world (obviously) for a project which would subsequently prove to be MAMMOTH. At the helm of it all was I Grade Records, the dominant label in Virgin Islands Reggae music and apparently Laurent 'Tippy' Alfred and company were so impressed with the Nazarenes that they decided to do a full length album to go with that first tune, 'Everlasting'. This is interesting alone, as over the past couple of years, if you want to talk about bringing people together, no one has done it better in Reggae music than I Grade. Last year they released "Kings Bell", which featured the finest of the Virgin Islands, Vaughn Benjamin/Midnite, working alongside the venerable Andrew Campbell in Jamaica. And back in 2010, they did the same with otherworldly gifted Virgin Island grown, Dominica born singing chanter, NiyoRah for "Feel Your Presence", and that same year the label also released "Black Gold", the solo album for US born 'Soul Roots' singer, Toussaint. So for them, it's pretty much 'business as usual', but this project does mark the very first occasion that I Grade has worked on a full-scale album release with an African act.

'Food' & 'On My Way' digital single EP [in stores now]

No time like the present. "Meditation" becomes the fourth album from the Nazarenes, following their 2001 debut, "Orit", "Songs of Life" from three years on and, most recently "Rock Firm" from 2008. I can remember first hearing of them and noticing just how well regarded they were. Certainly not too many people had actually heard of the Nazarenes, but it seemed as if many of their fans were almost instantly fervently passionate followers. For me, their music fit into something which was, quite honestly, just beyond me at the time, As I've gotten older (I was nineteen or twenty when they released their first album) my ability to appreciate more MATURE music has gone up (now, I'm just old) and my tastes have definitely changed because, listening back, I really missed out on some very big material with their best work to my opinion (at least for another week or so), is definitely "Songs of Life" which may even be worthy of 'modern classic' consideration. So for me, even on a very basic level, this album, although I wasn't expecting it before last year or waiting for it at all, was really a big deal because it prompted me to go back and now really have a vault in three albums of music to catch up on. Leave it to I Grade Records (along with the Zion I Kings) to do that, unifying me as well, and presenting the Nazarenes to the masses in 2012. Like I said, the group inherently makes a very mature and WISE form of Roots Reggae which may not be as flashy and immediately attention grabbing on the superficial level in terms of glowing melodies and things like that. But for the listener who takes his/her time and is patient and 'meditates' on what they're hearing, YOU are going to love what you hear on this one. The Nazarenes' style meshes so perfectly with the label's creations that it almost sounds like they grew up on them and by its end, "Meditation" reveals itself to be a HEARTY piece of Roots Reggae unity. How exactly does it do this? Press play. 

'Food'

One thing that stands out immediately when I got into this album is just how AMAZING it sounds. I'm not talking about the quality of what I hear, but really just in terms of HOW it sounds - it's going to be one of the best sonically 'gifted' albums that I've heard in a very long time (probably the single best from Chezidek's goldmine, "Judgement Time"). That's even a bit more unusual considering that some of the music here is already familiar, but I don't remember it sounding this clear and . . . Beautiful. That's definitely something which will take a good song and make it even better and when you pick up "Meditation",  the brand new album from The Nazarenes, you're going to get fourteen songs which are, at least, 'good' and made just a little better by virtue of being crystal clear. The first example you get is on the album's title track which gets us going on the album named after it. This tune is pretty much precisely what you'd expect it to be: It's a chant and a prayer giving thanks for the new day, asking for guidance and really outlining what is to come. The two things that standout on this one are, again, the fact that it sounds absolutely stunning and that's in spite of not being able to completely follow because part of the chanting is done in Ge'ez (biggup well written press releases!), an ancient Ethiopian language. There's a great deal going on musically here as well and just the intro for the album rather quickly becomes a favourite! Next we have another big tune in 'Food' which, with another by the name of 'On My Way', was actually featured on a digital EP release which reached back in late February (a nice and exceedingly often event in Reggae music). The song, as part of its charm I suppose, is very blunt in the way it's written because it's a message aimed at world leaders for the most part and what it so basically says is to not be distracted by so many different other things and to GIVE PEOPLE FOOD! That simple! It does go deeper than that, and "food" can really be taken as a variety of different things, but the prevailing sentiment is to stop creating this to hurt people and to help them. BOOM. As for the heavy 'On My Way', which comes in a bit later on "Meditation", that song has so many different things going on. From the really aggressive vocals (tapping into some Junior Kelly at times) to the really LARGE and urgent vibes of the tune, you really feel like something important is going on and although it really took me awhile to really grasp it, because it's somewhat broadly written, it is a beautiful song as well. 

“Now I can see

Now I can feel

I see crystal clear

Open up the gates of Zion!

Open up the gates of Zion!”

The first half of the album also features a couple of tunes which are sure to get your attention, 'It's Too Late' and 'The Lord Said'. The songs are the two combinations on "Meditation" and, not surprisingly, I Grade has managed to pull in two very large talents to work with the Nazarenes. On 'It's Too Late' the brothers team up with Spanish Town's lyrical wizard and an always favourite of ours, Lutan Fyah, who is his typically impressive self on his bits (and pieces). 

“Mi seh the hustling caan cease

No time to kick back, relax and get you mind at ease

Hey deh in this judgment time, mi know di meek shall be relieved

Di wicked ahgo stumble under Rastaman feet

Selassie I sit up in di mercy seat

Some destruction when dem check seh dat a safety and peace

Di beast!

Mi sight dem all no stop screech and eat

Yah wealth caah save you -

Signature nor receipt” 

For the biblical 'The Lord Said' ("my covenant is with thee"), which may be even better, things come full circle as the most ubiquitous Vaughn Benjamin from Midnite (had an album in January and it's April already! Anytime now Mr. Benjamin) makes his presence known in his signature style. The song is another one in which so many different things are going on and while I won't call it "chaotic" necessarily, with the different vibes mixed in, it certainly sets a stage for the characteristically unorthodox genius of Benjamin and it's easily one of the best moments on this album. Filling out the first half of the project are another couple of highlights including my single favourite song on "Meditation". First is 'Mother' which is borderline brilliant at time. The title word is one used in reference to the African continent and the way it's done is like an acknowledgement of/apology for wrongdoings of the world towards Her. The lyrics of the song can also be taken in the more terrestrial sense - meaning, She who gave birth to me - and I thought was such a nice thing to do because you can really here just how interchangeable they both are at times. And you may call me distracted for this, but the best song that I heard during this project is the related 'Mamy Blues'. If you can get through this one without singing "nobody knows what I did today . . . ", then you're a much better listener than I am (biggup Toussaint). Just as on 'Mother', this song also is one which is observing the many injustices done to Mama. In this case, however, where "Mother" was Africa, "Mamy" is actually the entire planet. 

“This is specially dedicated to our Mother Earth

Our universe -

Which is constantly abused by Her own children” 

The piece is a bit more skeletal, on the surface, than some of the other songs here, but what it really has well is a great deal of emotion which, for me at least, really takes it further than any of them. Oh and did I mention that I've fallen madly in love with that riddim and were it not for the fact that I'm already married to the most wonderful thing to ever walk this planet - I'd probably propose to it - and I'm not even joking ("Only me! Me and The Most High").

'Everlasting'

The concluding half of "Meditation" continues to build on the mighty foundation laid by the former. The tune which leaps off the paper, looking at the tracklist, is definitely 'Everlasting', the tune from the aforementioned big "Joyful Noise" set. It had been awhile from the last time I'd heard this tune and having another opportunity to enjoy it (and you know I had a great time going back through that entire album for 'research' for this one or whatever you want to call it) a little while on, it's still an excellent track. The riddim, the Flying High, is still as glowing as its ever been and the Nazarenes used it to show that despite the comings and goings of all of these things thought to be great, the only one who is eternal and everlasting is His Majesty and His work. 'Get Together' is another tune very likely to generate a big interest and it also fits nicely into the premise of this review. This is the changeup for the album, it's almost Poppish and I'm certain I recognize the melody from somewhere. The message is one of coming together and uniting people regardless of walks of life, religion, race or any other thing people look at as being differences between us. The Nazarenes a clever step forward in the typical way you hear songs like this going when they go into just how wonderful the day would be when we've taken these differences and made them celebrated commonalities amongst us. And speaking of "clever", you have to check out the almost overly simplistic tune, 'Alive'. Basically this song is about enjoying the experience of life and everything that comes with it and, like I said, it just doesn't get more up-front than that. 

“Every step that I took has its meaning

And every move that I move has its purpose

What is there for me is there for me

And what is not for me then its not meant to be

Here I am!

Here I am!

Here I am!

Alive!”

'Destiny' is a song I also really enjoyed even if took me about ten listens or so (and it did) to totally grasp full on. The sound is a complicated one, but if you take your time with it, it develops into probably one of the more lively pieces on "Meditation". What I REALLY like in this instance is how the song very much is a statement of a conclusion. The ultimate ending on the album is a good one, but for me this song does such a good job of directing the course of most of the music you’ll hear on the album to a common point or a common destiny. The dubbified 'Politrickcians', while not amongst my favourites here (although it is growing), is a decent piece and it benefits to a degree from the excellent acoustics present throughout the album that I mentioned. It sounds so nice that it's going to catch your ear and you'll probably like it as well (ask me about it again in a month or so). I do really enjoy 'Lonesome Lady' and it's kind of old school set. Although it's kind of a drearily vibes, I take this one more as an empowerment for women who might find themselves in terrible situations. It says to take responsibility for your part in your situation and to really aspire to change your own personal scenery as much as possible. And lastly is a tune which came down from glory (what!) the excellent 'Love JAH'. As I said, I think that 'Destiny' does really place a perfect bow on the package that is "Meditation", but that isn't to say that the closer is lacking in anyway - it's probably better than 'Destiny'. It's very straight forward as the title would indicate and maybe the MOOD of the song is what helps it also as does the sound because it is exquisite! 

The Nazarenes

Overall, while the condition is obvious, should you fall into the category of individuals most likely to appreciate this album, I can't see very well how you wouldn't. "Meditation", and the music of the Nazarenes in general (and music of I Grade Records, for that matter), is best appreciated by the more mature fan of Roots Reggae music. Not saying that a newer/younger fan won't get ANYTHING out of it, because the sound is so great, but I think that the more experienced fan is the one for this album. YOU, if you are such a listener, will get a lot here and, just like I did, presumably be able to enjoy that ultra crystal clear sound. On every album and every project when you have a producer[s] and an artist[s], you'll have a kind of a meeting of the minds and what comes from that is the magic (or the garbage in some instances), but it's an even more interesting arrangement when you bring together people from such different paths and experiences. That's what "Meditation" is - A genuine and well done product of tangible unity in Reggae music. 

Rated: 4.45/5

I Grade Records/Zojak Worldwide

2012

CD + Digital

Review #352