Saturday, May 22, 2010

Coming Soon Vol. 17.5

Coming Soon
Nice Vibes Riddim [Burton Records]

Just saw this one pop up and thought that I'd run it through as well. You may not know Burton Records too well, I believe it's a Danish company and I recognize them for the simple fact that I can remember hauling through Amazon and pages last year and seeing their very simple covers (which were just different colours of what you see here) for a couple of releases and those pieces (the Strike Back and Uprising riddims, respectively) were pretty nice. They both were just a few songs or so on the riddim, but they featured very nice artists and the same is going to be said for the Nice Vibes Riddim as well. This piece features Zareb, Chezidek and Lutan Fyah as well as an artist I first heard of on the Uprising Riddim (I THINK), the very solid Mystic MC also from out of Denmark. Of course with names like that I'm interested and you might be as well so definitely give this one a listen when it drops.

Potential Rating: 4.25/5
Releases on June 11 (digital)


In Stores Now
Smiley - Lively Road [Love & Unity Music]





And of course, I had to reiterate this release which I mentioned a few weeks back, because it's now been released. The burgeoning young Smiley from out of The Netherlands by way of Aruba brings forth his debut EP, Lively Road. We were, of course, hoping to get a full album and we're definitely still keeping an eye out for that, but this SOLID piece figures to keep the interests in this WICKED young artist very high. So, definitely if you're looking for something nice and cool, but powerful as well, pick up Lively Road from Smiley who is about to be a REALLY big deal in my opinion.

Coming Soon Vol. 17

Coming Soon
NiyoRah - Feel Your Presence [Denkenesh Records/I Grade Records/Zojak Worldwide]

Uh ohhhhhhh! It had to be sometime in the early part of last year when I caught wind of the fact that the ridiculously talented singer/chanter from out of the Star Lion Family from St. Thomas by way of Dominica, NiyoRah, was back in the studio working on bringing forth his third official album to date (there was also Stolen Scrolls, a very strong and official mixtape). Well, we had to just about half of the next year to get it, but now it’s well loaded and Feel Your Presence is on its way and I CANNOT WAIT to get my hands on it. Reportedly, the album was largely produced in Jamaica and it just so happens to feature two potentially HUGE combinations - One alongside the legendary Sugar Minott and the other featuring none other than Jah Mason. I Grade is also back on board (and they helmed both of Niyo’s first two releases) so you know there is going to be some BIG ‘vintage’ NiyoRah as well. Hate to put on so much pressure, but I definitely have to say that I’m expecting the world from this thing (particularly following his last release, Purification Session, which will probably be declared a ‘modern classic’ before the end of 2010) and if it isn’t absolutely spectacular in every way, I’ll be THOROUGHLY disappointed. But I’m thinking it’ll come through.

Potential Rating: 10/5
Releases on June 15 (Digital, CD coming soon)
{note: Full review coming next week}

Romain Virgo [VP Records]



Romain Virgo. I don’t think I caught on very early in terms of Virgo’s talents. I think that, coming from his background (I.e. winning a recording contract on a television program, “Digicel Rising Stars”, back in 2007), I may’ve unfairly written him off as just a ‘TV artist’. But it was a year or two ago that you take a listen to what he was doing and . . . The youth (from out of ST. ANN!) CLEARLY has a MAJOR talent. Apparently I wasn’t the only one who thought so as VP Records (I believe his contract was originally with Greensleeves, which is now VP) caught on and began to push the youth towards his own debut long player which they’re now bringing forth. The album features tunes that Virgo made his name on the strength of such as (of course) ‘Mi Caan Sleep’, the HUGE ‘Who Feels It Knows It‘, ‘Love Doctor’ and ‘Wanna Go Home’ (biggup Penthouse) as well as new tunes that you should well pay attention to such as a big tune with Virgo going DJ on the riddim, ‘Customer Care’. Having extensively vibed this album, if you’re kind of leery about picking up, I should definitely tell you that to even my critical ear, it’s better than you think as VP has apparently just found ‘the new Sanchez’ in outstanding young singer, Romain Virgo (and I may even slap a review on it).

Potential Rating: 4.25/5
Releases on June 8 (CD & Digital)


Chezidek Singles [Kinyama Sounds]

Man of the moment right now, the BLAZING Chezidek (from out of ST. ANN!) is back with another pair of tunes to continue the hype following his MASSIVE new album Judgement Time. The two tracks, ‘Right Track’ and ‘Free Up The Music’ come via solid Swiss label Kinyama Sounds and are simply two more very strong pieces from the artist. The ROLLING ‘Free Up The Music’, in particular’ has caught my attention and I can’t wait to take the full song for a spin and hopefully we’ll see more releases like this from Kinyama, they’ve been around for a minute now and although I haven’t paid them the greatest of mind, hereto forth, I’ll definitely be watching (and listening).

Potential Rating (in full): 4.25/5
Both Release on June 14 (Digital)

Digital Acoustics [Necessary Mayhem/Zojak Worldwide]


Curtis Lynch Jr. and his Necessary Mayhem imprint continue to carve their path of destruction in the UK with crazy artists, crazy riddims, crazy remakes and just big tunes in general as one of the hottest labels in the world today regardless of regions. Having packed up with quite a few riddim releases, they now bring forth a hot general compilation in Digital Acoustics. Don’t let the title fool you into thinking that this is a stripped down compilation of some of their previous releases (although that would be cool as hell), what you’re getting here are the versions you’re certain to know. Making appearances are the usual ’who’s who’ from Necessary Mayhem, such as Mr. Williamz (and you’re going to get the MASSIVE ’Real General’ tune from him which may be a first I believe, the tune is HUGE), YT (who checks in with the delightfully old school ’Write Some Lyrics’, Million Stylez and of course Ziggi. And you’ll also grab up different artists like veteran Little John, the blazing Maikal X and even Brinsley Forde from Aswad. This thing is EXCELLENT (I already have it) (biggup Zojak) and I’d be surprised to see it not ranking amongst the compilations of the year come December.

Rated: 4.75/5
Releases Soon (Digital)

Corner Boy Riddim [Red Rose/Zojak Worldwide]

You just HAVE TO love this ‘whole digital thing’ which can just resurrect just . . . Just like anything at any time. The latest thing to have to caught my ears comes courtesy of Anthony Red Rose (and the beautiful people at Zojak Worldwide), the old Corner Boy Riddim. This thing wasn’t amazing and if I recall correctly it didn’t birth tunes which exactly lit up the charts, but it was BIG to my ears. None was bigger than the riddim’s title track which comes courtesy of Tanya Stephens, but joining Vivienne were the likes of Anthony B, Harry Toddler (alongside Red Rose), Mega Banton with Tanto Metro and Devonte, Zebra & Anthony Malvo, Kippo and Lexxus (big tune, ’Real Age’) and even Frisco Kid. Again, you probably won’t find anything here that’s going to necessary ‘blow your mind’, but what you will find over this crazy ‘dramatic’ riddim is straight forward dazzling Dancehall deejaying and that’s something which is becoming rarer and rarer these days unfortunately.

Rated: 4/5
Releases Soon (Digital)

In Stores Now
Jah Cure - Unconditional Love featuring Phyllisia [Danger Zone/Sobe Entertainment/Zojak Worldwide]


‘Unconditional Love’ is a song which made its rounds earlier this year and now finally hit’s the digital side (courtesy of Zojak Worldwide). The song took quite awhile to grow on me quite honestly and I’d just put it down after awhile only to pick it back up when I saw that it’d ran out digitally. It’s a VERY nice song. The Cure is joined by his label mate (I THINK), the increasingly cute Phyllisia (whose name is hard as hell to remember how to spell) who adds to the vibes and . . . I like it!

Lutan Fyah - Jail [Very Huge Records/Zojak Worldwide]


This one, Lutan Fyah’s ‘Jail’ from Very Huge Records, is a very similar situation to the one I just told you about from Jah Cure. The first (few) time I heard this tune, I honestly didn’t care for it very much and it really hasn’t been until the last couple of DAYS or so (before I actually got the tune, however) (thankfully) that the piece began to really hit me. I still don’t think that it’s one of his finer efforts, but apparently I’m not in the majority with that because it’s doing a big damage. Well, you can now pick it up digitally as well (again, from Zojak) (the similarities are endless) and decide for yourself. Even not at his best, the Fyah at 75-80% is better than what you’re going to get from most artists and judged in that manner, ‘Jail’ is a big tune.

Brighter Day Riddim [149 Records/IkaRoots Muzik]


I actually wrote about this one last one a week or two ago for UnitedReggae.com and have kept my eyes on it ever since, due largely to the fact that the Brighter Day Riddim potentially contained a FUCKING LETHAL tune from Achis Reggae favourite, Queen Omega. Having now successfully gotten my paws on the tune, ‘Last Days’, it is HUGE! This is one of the strongest songs that I’ve heard thus far in 2010 and it is spectacular. The Queen isn’t the only star on the riddim (although she would have more than sufficed), she’s joined by Ras Mac Bean from out of Guyana and his tune, which is the title track for the riddim, is another big one as well. And you can also forward to big pieces from Jah Rain, Jah Reuben Mystic and a mysterious guest in the form of Mary Lou with the ‘special’, ‘Good Bye’.

Vitamin & Highlight Riddims [Akom Records/Zojak Worldwide]


This piece is another lovely one as French label Akom essentially sticks both of its most well known projects, the Vitamin & Highlight Riddims together for one digital release. What they’ve also done is to manage to catch a crazy amount of attention with it from me (and now, if you’re smart, you also). Why? You push one project that has names Lutan Fyah, Natty King (more than once), Pressure Busspipe, Jah Mason (more than once), Black Dillinger, JAH MARNYAH (more than once) (“unda dem blouse and skirt, claim seh dem a big man, find out dem ah big pervert!), Anthony John and Lorenzo? I’m on it! Not only that, but the riddims, when they were originally released (at least digitally), were done basically in EP form, particularly the Vitamin, which just had four tracks. This packed piece checks in at 21 tracks, so there’s definitely something for everyone, so if you don’t like something on this release . . . Yep.

Zabiki - Bless My Soul [Henfield Records/Zojak Worldwide]

There was an album last year from Free Willy (also distributed digitally by Zojak, incidentally), from an artist by the name of Zahair, which was called Jah Instrument and for some reason this very kind of random and largely unknown piece from veteran Zabiki, Bless My Soul, reminds me of that piece so much. And it’s better. This album is by no means spectacular, but I should mention that when I got it in a batch, for some reason it caught my eyes immediately and I spun COMPLETELY through it before I listened to anything else in the lot. You may not be familiar with the nice singing Zabiki, but he’s been around from quite awhile and he’s been voicing a great deal of the old Henfield riddims as well. The result is this album which features him with tunes familiar to me like ‘None Shall Escape’, ‘Go Before Us Jah’ and ‘Zion Gate’ which are all very strong. Again, while it may not be a life changing experience for you, Zaibiki’s Bless My Soul is just a very strong and solid album.

Home Sweet Home Riddim [Swallowbird Productions]


I don’t know a thing about this piece and I haven’t even gotten my hands on it yet, so know that before you read this. You can look at the picture there and see every one who’s voicing on the riddim and you can read the names and everything, but I thought that I’d direct your attention to the center of the pictures to the gentleman in the black shirt. That, of course, Achis Reggae favourite, Prince Theo who voices the Home Sweet Home Riddim from Swallowbird Productions (incidentally, the man in front of him, with the blue shirt and white hat, is Jah Swallow, the producer of the riddim, who also has a tune). I’m always so happy when Prince Theo brings forth a new tune and I’ll definitely be grabbing this one up. Of course if you aren’t as high on the singer as I am . . . Well then just look at the other names, I hear that guy in red is a big artist . . .

Sylem - Soldjah [Disques Durs]

And lastly, consider this one a bonus because I’m still definitely playing with it. Sylem is another artist from out of Martinique and he definitely is well talented as is proven on (I THINK) his debut album Soldjah. To put it simply, everything I’ve heard from this release thus far (and again, I’m still working on it), is VERY impressive. So take a chance on it and who knows you may tune in here one day and see a review for it, because I’m thinking this one is EXCELLENT.

Friday, May 21, 2010

The Vault Reviews: Meaningfulmuzic by Formulla

Reggae Music? With a meaning? The concept may not seem as foreign to fans as what we listen to here is thought to be one of the, if not THE, most meaningful and powerful genres of music to be found in the world, but I think there are various levels of meaning and power. You can go through history and look at some of our finest lyricists and wordsmiths and, even in their case; you can find instances where their output while worded delicately and beautifully may not elicit the greatest response. I use the example of Vaughn Benjamin from Midnite because he may just be the most complicated lyricist we know of and I wonder just how many times has a song of his been received in the way that he’s intended it because we, the listeners haven’t been able to fully comprehend it. And I’ll most certainly throw in some of my own favourites like Sizzla and even Lutan Fyah earlier in his career, both of whom are certainly making meaningful music (obviously), but sometimes the music can become blurred and thus the meaning as well. Also, in Reggae we tend to have to deal with the overabundance and just downright staleness of certain topics and forgive me if I’m past the point where an artist named Jah ____ has a tune called ‘Jah ____’ which just doesn’t hit me in any sort of way in particular. I do, however, see a certain connection between ‘meaningful’ music and PASSION. First of all, passion can make just about anything better. You can listen to someone who has a strong passion about something for which you have none talk about it and it can be very interesting simply because of what they put into it and the levels that they’re able to go to as well. The same thing applies in music, so in my opinion some of the most meaningful artists and artists who consistently make the most meaningful and powerful vibes are people like Capleton, Jah Cure, Queen Ifrica and Etana as of late because you can really feel that they FEEL what they’re singing about. And it’s not a matter of just seeing who can make the most noise (otherwise I would’ve just listed a hundred Soca artists) or whose voice is the strongest or whose lyrics and delivery altogether is the strongest. It’s about artists who give what they give with so much PASSION and intensity (be it aggressively or more tactfully (like Ifrica)) that it becomes something that even the most casual and remote fan of the music feels compelled to take an interest in. I could also go on to list people like the Lutan Fyah of today and Pressure Busspipe and even Beres Hammond who do their absolute best to convey the TRUE messages behind their songs and thus creating lasting and truly MEANINGFUL MUSIC.

So, to that end, should I look up one day and someone in a most unavoidable way should proclaim their music to be meaningful, well then it’s time to take a look and a listen. Meet Formulla. Out of the blue I received a message from his manager (I THINK) asking me to have a listen to his album for a possible review and I’d either never heard of him or I had just recently. The name ‘Formula’ one which probably wouldn’t have stuck with me very much at all, but you look at how it’s spelled and it becomes attention-grabbing and I think I may’ve just seen it not too long ago. In either case, Formulla is apparently a quite experienced young singer from out of St. Thomas parish (Jamaica). If my research is accurate he’s currently based in the States (Connecticut, which apparently has quite the West Indian population) where he’s done a great deal of his work and has amassed a nice following as well. Again, with a virtual unknown (to me) on my hands, I generally don’t know what to expect and I’m also not really hoping for or expecting anything too special, but Formulla ultimately proved to be quite the surprise. The very first surprise came in getting accustomed to the artist which I did initially by using what is apparently his debut album from 2008 - Lo and behold, a project called Meaningfulmuzic for a label named . . . Meaningfulmuzic Records. That alone was interesting, but when I dug into the actual music, I heard something VERY familiar and something which is always so nice to hear - PASSION. The singer’s voice didn’t strike me as being particularly amazing (it’s very good, don’t get me wrong, but it didn’t leave me jaw dropped dazzled) and actually his greatest tangible musical gift appears to be his writing (which is actually somewhat rare for a singer in my opinion) (biggup Peter Broggs), but Formulla had passion and he had it in abundance and it’s something which leapt off at me IMMEDIATELY from the very first tune that I spun. He had a very strong commitment to the messages he sang and when I began to do even further research and discovered that part of Formulla’s ultimate goal is to use his music as a catalyst and a method to fund what he hopes will be a center for children in Jamaica. If his dedication to that task is as great as it seems to be to his music (and one might even argue that said dedication is one in the same), then you may just see the ‘Meaningfulmuzic Learning Center’ opening someday soon in St. Thomas (and as you might imagine, should you choose to pick up a copy of this album (and you should), it would go to help the eventuality of building Formulla‘s center). Now, of course all of that begins to take on a life of his own, but we’re here to discuss music and having already, in a sense, discussed the quality of Meaningfulmuzic, the question now becomes - How good is it? It’s very good. The word which came to mind after the third spin through or so was ‘SOLID‘. There is absolutely nothing amongst the fourteen tracks on this album which I’d describe as “filler”. It’s just all very well done. The result is a very PASSIONATE album and one which, although most certainly geared towards the sensibilities and tastes of a certain type of fan (more on that at the end of this review, of course), amongst that type of fan Meaningfulmuzic rather easily lives up to its lofty title.

Although Formulla sounds like one artist or another at various times throughout the album, besides a very slight ‘airy’ type of tone he has in common with Garnet Silk (and Ras Shiloh), I can’t say exactly who his voice reminds me of. I would say that, however, something about his style, in terms of just his commitment is very similar to Mikey General in my opinion for some reason, another artist who routinely makes very meaningful music. Formulla makes his case and his attempts to live up to the title of his album, Meaningfulmuzic beginning with a very strong crop of tunes, the first of which, ‘Righteous State Of Mind’, may just be the best of that bunch. “Yes, I’m in a righteous state of mind, a way of thinking words cannot define”, became my own personal punch line from the tune and it is just one of a number of powerful statements Formulla makes on the stirring tune which essentially tries to help people stay on a righteous track and path in life. This song should DIRECTLY help a lot of people, given the opportunity; it’s very strong and entertaining at the same time and definitely one of the finest tunes on the album. Formulla goes a bit more ‘pedestrian’ on his next offering (and I mean that in the best way possible), the social commentary ‘Local, State & Federal’. The song primarily deals with dishonest politicians and public figures (“You said you were gonna fix the road and fix the light - Just wait until after election night. And then you took our votes and ran, you’re an awful man, we’re right back where we first began”), but as the ‘spreading’ title would seem to allude to, I don’t think taking this one on even a global level is completely out of order. Again, besides being a tune which makes a powerful statement, it’s also very easy on the ears and it’s another highlight for Meaningfulmuzic. ‘Shoulder To Shoulder’ is my least favourite of the opening three, but that’s not even its ‘fault’, it’s following two very large songs. This one is also very nice with its acoustic guitar helmed backing and yet another powerful message (you should just go ahead and get used to me saying that here). This tune focuses more on unity as a concept and one which is to be put into actuality by EVERYONE (“this one goes out to you no matter where you are today; because I know it is the only way”). The album gets off to about as strong of a start as you could’ve imagined in total.

As strong as the opening for the album is, however, it’s just the beginning as the balance of the album maintains the quality and even steps it up in some spots. To my ever discerning ears, the biggest ‘step-up’ and the most meaningful of Meaningfulmuzic checks in at tune #5, ‘Seek A Friend’. While there’re are ostensibly stronger tunes on the album, this tune is just so SMART and CRUCIAL that for me it rose to the head of the class as, taken a lesson from his Grandmother, Formulla reminds all so wonderfully to “seek a friend before you need a friend“, and in my opinion, even further, to just keep a bigger joy and allow good meaning people in your life (“see progress goes where unity lingers. You need your friends just like your hands need your fingers”). HUGE HUGE tune! And while most certainly that tune is the biggest vibe that I found on the album, there is absolutely no shortage on strong messages to be found here. Check the tune which just precedes ‘Seek A Friend’, the very strong ‘Money Can’t Buy You Love’. This tune features Formulla going a little bit of Sanchez (and I think on the Far East Riddim) on the pitch and in doing an excellent tune. The title basically speaks for itself, but of course it goes a bit deeper than that with Formulla dealing with and just PROMOTING humility amongst the masses. In that respect, the tune is quite original (especially the ‘road’ on which he travels to make his point) and another strong statement to Formulla’s lyrical prowess. That ability is also evident on the tune ‘Moving Forward’. The song is probably one of my least favourites on the album after just a single listen or so, but when you get into on a deeper level it really developed quite nicely. I’m hearing a few different messages of humility and being upful, but the prevailing sentiment, to my opinion is one of self improvement and determination and there’s certainly nothing wrong with that (particularly when Formulla takes the tune to a GLOBAL level). And I’ll also mention in that same vein, ‘Save For A Rainy Day’, another tune which I’m not crazy about, but one which is heightened and improved because the lyrics on the song are just so strong (and definitely it’ll take a few spins to truly appreciate, because with just one or two spins through it sounds VERY simple).

Formulla takes things old school and he did so in the most unexpected of ways with ‘Punchynello’. This song is pretty much just a straight forward love song and it’s just a very COOL song. For me, while the tune may not be paid much attention to, it shows a bit of versatility from the singer as if you are a Reggae vocalist you almost NEED to be able to turn a song such as this one and Formulla shows himself to be capable of just that (and that one-drop is SWEET).

And that is it! The remaining tunes on Formulla’s Meaningfulmuzic represent, either in full or nearly, examples of a master class. The strongest of them is probably ‘Journey To Jamaica’. This tune, with its very mellowed by ‘hulking’ vibes, isn’t very much of a surprise (given Formulla’s very socially conscious style, you could see it coming) because it finds him just espousing on the MANY beauties of Jamaica, but it still so warmly impresses. It’s that good (it also potentially features one of the best lines of the entire album when he says, “You should come take a walk on the other side, where tradition, music and culture collide”). Not too far behind that one (literally and in terms of quality), is the BLARING ‘Looting & Shooting’ which goes to show the not so beautiful aspects of Jamaica and ghettos around the world. Formulla doesn’t just leave it there; instead he takes the opportunity to make a very strong social connection with the state of the world. I really thought that this one was one of the strongest tunes on the album in so many aspects. With the LOUD nature of its riddim, Formulla seemingly goes out of his way to sing over the it (thankfully) and thus delivers what is probably his single greatest vocal performance on Meaningfulmuzic altogether and it’s also very strongly written and of course on this album, that is saying a great deal that it sticks out to such a degree. The very familiar ‘Muzic Is In My Body’ took awhile to get going, but it’s another very strong one as well. This one features Formulla making the connection between the actual music itself and The Almighty, almost like it’s a vehicle for His JOY. That concept and the way in which he presents it is very nice and while I’m certain that it’s a point likely to be lost on the masses for the most part (because they’ll be too busy dancing to stop and listen), for people like me (and probably you at this point) who tune in on every single word, it is absolute GOLD. And as things wind down on the album, the quality doesn’t take a dip at all. ‘Waste Of Precious Time’ is a song about life and learning to let things go which are weighing down your conscience and to just try to enjoy things more. It’s a very relatable song for many people I’m sure (yours truly included) and hopefully it gets to the ears that need to hear it. The HEAVY ‘A New Direction’ is actually the name of Formulla’s second album, so consider it a sign of things to come perhaps and now I’m REALLY looking forward to digging into that album as well. And fittingly, the final tune on Formulla’s Meaningfulmuzic album is ‘End Of The Show’. He definitely sends things out on a high note as the tune finds the star simply saying thanks for listening and hoping that the listeners take what they’ve heard forward and to use it in their lives. I really like the way it’s presented like a live show and Formulla even says, “. . . and when you leave share what you’ve seen and be careful ‘til I see you again”. Well, I’ve just shared what I’ve received and hopefully you’ll do the same and spread the word about this wonderful artist.

Overall, this one is a very easy recommendation in my mind, but only for the right type of listener. If you’ve just kind of found your way here and are a very loose fan of Reggae then even though I’d still suggest you pick it up (it is for a great cause, after all), it may be quite some time before you’re FULLY able to actually appreciate it. Meaningfulmuzic is for a very experienced and mature Reggae fan. Ostensibly, I think many would latch on to Formulla’s voice and perhaps expect a Lover’s Rock singer and album, but Formulla (at least going by what is here) is much more of a full on Roots singer and he’s an OUTSTANDING one and I’m even more surprised after scrutinizing this album that I haven’t heard more about him previously. He is probably one of the best WRITING singers that I’ve heard in some time (assuming that he writes all/most of the lyrics here) and such a quality is one which could mean longevity for a career. Hopefully that’s the case here as Formulla’s music is DEFINITELY full of MEANING and provided that you’re to the point where you can receive that meaning, picking this one up may just add a sleeping GIANT to your collection.

Rated 4.75/5
Meaningfulmuzic Records
2008
CD/Digital



Thursday, May 20, 2010

Reggae Gold 2010 Update

Reggae Gold 2010
  1. 'Hold You' by Gyptian
  2. 'Holiday' by Ding Dong featuring Chevaughn Clayton
  3. 'Clarks' by Vybz Kartel featuring Popcaan & Gaza Slim
  4. 'As We Enter' by Damian Marley & Nas
  5. 'Skip To Ma Lu' by Serani featuring Ding Dong
  6. 'Slow Motion' by Vybz Kartel
  7. 'Never Let Me Go' by Shaggy & Tessane Chin
  8. 'Sweet Love [Night Shift]' by Busy Signal
  9. 'Love's Contagious' by Tarrus Riley
  10. 'Happy Heart' by Etana
  11. 'Hold My Hand' by Sean Paul
  12. 'The Realest Song' by Konshens
  13. 'Cry Fi Dem' by Wasp
  14. 'Say He, I Love You' by Michael Frant & Spearhead featuring Cherine Anderson
  15. 'Hold The Line' by Major Lazer featuring Mr. Lex & Santigold
  16. 'House Cleaning' by Mavado
  17. 'Live Mi Life' by Romain Virgo
  18. 'No Apology' by Beres Hammond
Thoughts?

I'm never really high on the RG album because it's more aimed at the newer crowd and as you can tell by looking around here, I ain't a newer fan. But I'm pretty pleased by this year's edition actually. I was sure of two tunes being here, one was, of course, 'Hold You' from Gyptian and the next was Kartel with his 'Clarks', but I most certainly wasn't expecting what is probably the best tune I've heard from Kartel in 2-3 years 'Slow Motion' (biggup Ce'Cile) (biggup Shaggy). Nas and Gong's 'As We Enter' was less of a surprise, but a very powerful addition as VP goes and flexes the biggest muscles in the industry by adding the tune. Busy, Tarrus, Etana, Mavado, Sean Paul and Romain Virgo were also expected to some degree, but I don't really have too many complaints there. I saw Tessanne Chin and thought they had dropped 'Loving You', but 'Never Let Me Go' is very nice as well.

Was very happy to see both Konshens and Wasp and also, not that I was surprised, but Beres Hammond's 'No Apologies' from the Classic Riddim.

Reggae Gold 2010 drops on June 22nd.

Wednesday, May 19, 2010

Soca Gold Trailer



Trailer actually looks very good, don't?

Modern Classics Vol. XX: The Strong One by Etana

Etana - The Strong One [VP Records, 2008]

Somewhere right now is an artist that I’ve never heard of and you’ve never heard of and they’re recording their first album. Sometime later this year or next year maybe we’re going to get that album and hear it and it’s going to be very strong. We’ll be impressed almost to no end and you and I will talk about it with words like “great” and “fantastic” and deservedly so. But there is no pressure on that artist, whoever she/he is. Even if that album is not up to par, you and I, not knowing who they are, won’t be so vehement in discussing its low points as we would be in discussing its high points were it great. In fact, we may still talk about how good bits and pieces of it is, that artist is literally in a no lose situation of sorts. Things are not always that way however, sometimes the pressure is VERY high. Such was the case when just two years ago August Town Princess, Etana, had captivated the Reggae listening world (and just a bit beyond as well) and had done so to the tune of scoring an album contract with VP Records, the biggest label in the business and almost immediately grabbing up fans worldwide. Perhaps it was due to her overall FRESHNESS and her genuine appeal (she can sing her ass off and she’s very easy on the eyes) or whatever the case, Etana became a big deal. And with such a big deal comes big expectations and sometime even when the expectations are the greatest and the lights are the brightest, the artist PERFORMS, which is exactly what Etana did with her debut album. The Strong One.

The Music

1. Don’t Forget



Equal parts groovy and ballad-ish was the opener for The Strong One, ‘Don’t Forget’ and, as that mix might suggest, it was one of the ‘hardest working’ tunes on the entire album. This song has always (and by “always’ I mean 2 years) struck me as one which seemed to try as hard as it possibly could to inspire people. It seems to tell everyone to seek inspiration from almost ANY source and any little thing, but at the same time it doesn’t flow in the line of being sappy as hell by telling the listener ‘everything is going to be alright’, it actually does acknowledge a problem and potential problem.

Best Lyric: “Don’t forget! Just fi know yourself’s a blessing. Don’t forget! Second-guessing is regressing”

2. Roots



This song along with tune #14 on the album were probably the first two that most people had ever heard from Etana and, in my opinion, it’s a song that it still very important in overstanding her as an artist and in particular the ultimate direction of this album. Ostensibly, what the tune simply does is to warn the older people of the coming generation who is wising up to what is happening in the world and specifically through the light of His Imperial Majesty. More than that, however (as if that weren’t enough) (and it was), the song also speaks to a far more general sense of DETERMINATION and PERSEVERANCE which is so so instrumental in taking in the album in totality.

Best Lyric: “You caan water down and dilute. You caan hide the truth from the youths”

3. Jah Chariot

If ‘Roots’ didn’t get you up and motivated (something is wrong with you), then certainly ‘Jah Chariot’ will finish things off. The first vibes here are very moody, very subtle but once it gets ‘rolling’ (which doesn’t take a very long time at all), it’s definitely one of the finest tunes on the entire album in my opinion. It really goes through a wide array of emotions and there is such a POWERFUL . . . It’s so hard to explain, but there’re points in this album when you feel like an EXPLOSION about to occur, almost as if Etana is driving the chariot herself.

Best Lyric: “You don’t need a passport, you don’t need a visa. All you need is a clean hand and pure heart. Forget all your vanities, drop your emotional baggage. With those things, you will have to part. When you see Jah Chariot rolling . . .”

4. I Am Not Afraid



Etana’s ‘I Am Not Afraid’, her cut of the best riddim of 2008, the Rub-A-Dub from Flava, was one of about a billion or so hits on that seamless track and it stood out for various reasons in my opinion. First of all, not only was hers the only female’s voice on the entire riddim, but hers was also, arguably, the single most inspirational and COMFORTABLE as well. Despite the fact that Etana does indeed stretch her vocals just a bit on the tune and her overall proclamation is ultimately one of POWER, I can’t help but think the tune is one of the COOLEST on the riddim. And of course you’re not afraid Etana, you are the strong one.

Best Lyric: “If dem ah come, let dem come, cuz I’m protected by The Most High One”

5. Nothing But Love

For some reason, after ‘I Am Not Afraid’, this one comes as somewhat of a jolt in terms of the vibes, because at first it slows things down even further before ascending into this angelic composition. This one is simply about ENJOYING life and enjoying things in general in my opinion. It’s a song to brighten things up just a bit and while it doesn’t go to ‘full sunny’ mode (thankfully) it rather easily accomplishes its purpose lyrically (“say we owe nobody nothing but love”).

Best Lyric: “AS I TAKE A LITTLE WALK DOWN THE STREET, I NOD MY HEAD TO EVERY SINGLE ONE I MEET”

6. Caltariba System



Be honest - When you saw this title the first thing that most certainly went through your mind was - ‘ The what system???’ The Caltariba system is the oppressive global system which Etana takes aim at on this absolute gem of a tune. Firstly, the tune itself is ENTERTAINING, it’s a very colourful and just interesting song to listen to, very pleasing to the ears and on top of that, it isn’t just some type of gimmicky piece she throws in. You could very well make the case that this is the best written tune on the album altogether. The video was also spectacular (forgive me, but DAMN, she looked good!) and showed Etana as this kind of space aged angel, seemingly making observations of the world with the most clear of heads and she’s disgusted.

Best Lyric: “We are living in a crazy, lazy world. Most people fight for power, not peace. We are living in a crazy, lazy world. Only Jah can save us from the belly of the beast”

7. More & More

Etana apparently has been ‘smitten’ over a special someone and she’s ready to (cut the bullshit) take things to the ‘next level’ and uses this wonderful tune to express exactly how she’s feeling. At first, it’s kind of a very straight forward tune, but Etana so tactfully finds a way to draw it back to ‘center’ in terms of the running subjectry of the album. Apparently this wanting of “more and more” is something she finds herself dealing with quite often, it bothers her to a degree and it’s something which requires work and attention. And of course she’ll work it and stay the course, like I said, she is the strong one (and listen to that riddim VERY carefully, it’s GORGEOUS!).

Best Lyric: “How many times do I have to cry? Why can’t you see me? I’m right in front of your eyes”

8. Blessing featuring Alborosie



Of course I’m not the biggest Alborosie fan in the world and his voice isn’t exactly wowing me on this tune, so you know it has to be something serious when I’m giving some of his work a big credit (and I am). This tune was LOVELY and it was kind of different from this string of love songs that we’re in, because it went back and TANGIBLY connected it to The Almighty and in doing so, it almost seemed to squeeze the “love” even tighter. You have a love blessed by Jah, you have something even more than just special (maybe Albo should use Etana on ALL of his songs).

Best Lyric: Etana “. . . but that is just a waste of time. Dem su su su caan break down love divine”

9. I’ll Be The One

Having apparently successfully wooed the object of her affections two songs earlier, on ‘I’ll Be The One’, we find Etana ‘outlining’ exactly what she’s willing to do for you now that she has you. What struck me most here is that Etana (and I don’t know if this was by design or by happenstance) covers ALL of the basis. Besides being a ‘good woman’, of course, she also says that she’ll make her man . . . LOOK GOOD in front of his friends. She’ll just be a very strong addition to his life in any way she can and that’s definitely a powerful bit of dedication and perseverance.

Best Lyric: “I’ll be the girl they talk about - All of your friends when they come around. ‘She’s so respectful, she’s so nice’. Girl of my dreams, she should be my wife”

10. Warrior Love



Here it is. The single best moment on the album and so easily one of the most BEAUTIFUL tunes that I’ve ever heard in my entire life. I remember listening to this one (and more vividly my Wife listening to it) and just LITERALLY taking a step back from the vibe because you just KNEW that the woman had hit it almost perfectly and she had. The song is about persevering and progressing OUTWARDLY in a relationship. With the inside (meaning between the two people) clicking on all cylinders, it’s strong enough so that not only does everyone know it, because they can see it, but should anyone fall foolishly under the notion that they can ruin it, “dem caan stop di way I feel for you, my love has no boundary”.

Best Lyric: TIE “Behind every strong man, there is a good woman, that’s who I live to be. You seem to be pleased with who I am, cause you’re the strongest man I’ve ever seen. I’m a whole lot of woman, who love everything that love is worth. For you to have me on your mind always, you must be carrying the weight of the earth!”

&

“The love inna wi heart it will LEAD US TO JAH. Mek HIM bun down di wicked wid di LIVING FYAH”

11. Wasting My Time

This SPECTACULAR tune goes hand in hand with the magic which precedes it. ‘Wasting My Time’ is absolutely KNOCKING and even though it kind of, sort of addresses a negative moment or a negative mood - Again Etana manages to speak of thoroughly progressing and overcoming and perseverance. And should this tune not get your head nodding and shaking up a bit . . . No. The song is a dynamic example of exactly what Etana is capable of when she gets a bit of spice in her, a spice with which she continues to thrill.

Best Lyric: “Mama seh ‘never put your trust in flesh, cuz they will leave a pain in your chest‘. Even when you give them your best, they will always put you through stress”

12. Closer

The crystal clear opening to ‘Closer’ sounds a bit like ‘Caltariba System’, but don’t get it confused, this one definitely has an identity of its own as one SWEET love song from Etana. The song is pretty straight forward and it actually got me to thinking that it might just be SO straight forward that it could be a rarity for Etana and while I’m still thinking about that, I can definitely say that this tune was nearly outstanding. It’s a very SENSUAL (sexy and mature = “sensual”) vibes from the tune and although I haven’t gotten the opportunity to just yet (although when I get home, I’m going to give it a shot), I’d imagine that on a slow dance floor or . . . Yep, this one might just be spectacular.

Best Lyric: “You take me places far away. You are my love song. YOU MAKE ME WANT TO HAVE YOUR CHILD. Little angels running all around”

13. Overcome

This genre bending tune (kind of country, kind of poppish) has essentially fallen beneath the radar of this album in my opinion and given the way it was vibed, that’s not very surprising. However, it falls in a line of tunes which immediately grab the attention of the listener as being one which supports the title and by extension, the purpose of the album (or my idea of the purpose of the album). It also has a bit of a ‘twist’ to it as well, because it’s somewhat of a love song, although as you should well notice by this point of the album, Etana’s idea of ‘overcoming’ and LOVE is pretty much one in the same.

Best Lyric: “Never too late for us to try - We can overcome. Though the obstacles are in our way - We can overcome”

14. Live & Love Life

As if the title of this one was evident enough, this ballad of a tune (at least to my ears) borders into the realm of traditional gospel music and that’s probably how I’d classify it (as I sit here listening to it with the church choir like backing singers now joining in over the organ). Insofar as this one needs explaining (and it doesn’t), what you can take away from it is Etana bringing church to your speakers, because if at now thirteen tracks deep into this album, you don’t know to “live and love life”, then you might want to grab up an Aidonia album (and good luck with that!).

Best Lyric: Pick one.

15. Wrong Address



It seems like so much has happened since this rather folksy (WICKED) sounding tune first dropped. Yet, just like ‘Roots’, the message on ’Wrong Address’ (both the surface and deeper ones) is still just as pertinent. Here, you have the story of a young woman searching for employment, but every time she fills out an application for work, where she wants to work, she’s denied because she lives on the ‘wrong side of town’. That alone is a very unexplored topic, but if you look deeper into it (as Etana does on the tune’s bridge), the tune is about self empowerment and perseverance and just an overall self-belief. And again, given the circumstances of the song, you’re going to have a very difficult (I,e, IMPOSSIBLE) time calling this 5th Element produced piece sappy or unoriginal.

Best Lyric: “It’s easier to give into the pressures of life. It’s harder to get over when you try to do right”

16. Nuclear



DAMAGE! Although most certainly the first 1:10 isn’t at all bad (it’s actually very good), you should at all let that part stop you from listening to the rest of the tune (if you do, you’re an idiot), because this one EXPLODES into a bright and big vibed social commentary speaking to the greedy people of the world focusing on their . . . Greediness. And of course you almost HAVE TO pay attention to what she does with the title because it exists in the song as “news clear” and when you take the actual title and substitute it in, the lyrical pieces (again, speaking of greed in the world, particularly amongst those in power), the tune so BRILLIANTLY still makes sense and probably it makes even more. Something to think about as she sends us on our way.

Best Lyric: “News clear, every power junkie has to be there”


Synopsis

If you haven’t figured out by now that (at least in my opinion) the overall prevailing topic of Etana’s The Strong One is overcoming and perseverance, then you haven’t been paying a good attention, have you? In nearly every aspect of the album, within the subjectry of nearly every song and even on the album’s cover (more on that in a minute), what you take from it is the notion that there is WORK to be done. And not only that, but you also come to think that if that “work” is not done, then the joy and the happiness which Etana believes exists, is either completely unattainable or it’s attainable in far less measures (as the old saying goes, ‘it’s greater later’) than if you worked to achieve it. This is evident and clear (in my opinion), from the very beginning and, as I said, if you look back at what’re probably the two earliest recordings on the album, you’ll see it there as well - ‘Roots’ and ‘Wrong Address’.

“So you beat them
So you mistreat them
So you lock them down and you think that you’ve won
But dem ah hold a meditation
Out inna Iration
Dem ah follow Rastafari and ah live, ah live upright”

This passage, taken from very early on in ‘Roots’, for me is a very significant stretch because it kind of sets the tone for the entire album and the song as well (duh). Later Etana gets more specifically into things speaking about the youths not only overcoming, but actually REJECTING certain aspects of corrupt society, but this bit here ‘simply’ goes through and sets the tone that such conquering and rejection actually exist and exist so in the will of His Imperial Majesty. Also, I think it’s definitely worth mentioning here - The line “dem ah hold a meditation”, which to me, goes into the actual process of planning to begin to overcome, which if you think about is CRAZY detailing in lyrics from Etana and absolutely brilliant if she spanned it out in such a way intentionally.

“Been through school, passed every test
Graduated above the rest
On her society still looks down
They do this why?
They don’t want us to try”

I grabbed this portion from ‘Wrong Address’, but really you can stop anywhere in that song and take a snippet of lyrics or just take the premise of the song, in general. This song speaks DIRECTLY (and uniquely) on an actual instance of having a struggle and what I like about this one (like many of the tunes on the album), is that it doesn’t seem to try to get so sappy or peachy (or preachy), by painting everything as being so nice. Quite the contrary, Etana presents an example of a young lady who is well along in the process of bettering herself, but STILL can’t get a break and a job. It’s almost sad if you think about it, but again, it’s part of the struggle to be won over. Doing so can result in the RIDICULOUSLY lovely smile adorning Etana’s face on the cover of the album.

I’d also like to look at two songs which go into detail about the actual system of corruption as well. Of course you know that one of them is going to be ‘Caltariba System’, which so intrinsically and tactfully goes after said system of corruption and the other is the closer on The Strong One, the nearly brilliant ‘Nuclear’.

“Say there’s no more chains
Round their feet or round their necks
But the track is its all in the brain
Fighting everyday, that’s the price you have to pay
For The birthright that you have away”

Okay, you’re getting into some downright Willy Lynch type of language here as Etana goes DEEP with the tune in that bit in particular. And the song in general really has a very ‘SPICY’ kind of tone to it as well as a certain kind of ‘absentness’ to it where it comes off as Etana is just telling the listener what is going on and there is this quiet air of CONTEMPT and DAMN DISGUST by it. It’s hard to get to that point, of course, because the song sounds damn smooth, but well pay attention in the case of ‘Caltariba System’. On ‘Nuclear’, while she sounds more directly involved (as she does on newer works such as ‘Free’ and ‘August Town’) in terms of the subjectry (and in both case, I should say, I do think the moods are intentional), I think largely the same vibes of disgust are intact, but this one is a bit more upful (or ‘powerful’) ostensibly and this one is bent on making its point and making it NOW:

“Children are dying and people are suffering
Give us what’s due so we can make it through”

She’s in the process of painting a very torrid picture lyrically and she accentuates in a variety of ways (including calling down “WAR” over and over again), so you really catch just how intense it is for Etana herself, but maybe it’s just me - I don’t get the feeling that she’s ready to lie down and just accept that what is going to be is going to be in this case (maybe it’s that GORGEOUS smile on the cover).

And I simply do feel compelled the magic that is ‘I Am Not Afraid’ as well, because it also speaks (rather matter-of-factly) to the struggle and more specifically to the overcoming portion of the struggle after painting another very bleak picture:

“They don’t mind!
When you fall behind and can’t pay your bills on time
Prostituting and standing inna them government line, no
And they don’t mind!
When you waste your time coming up with some stupid line
Influencing the youths dem fi snort a line or take a life
And they don’t mind!
When you locked up in jail, can’t get no bail
Sentence fi life
You can’t see yuh youth dem strive
But they don’t mind”

Of course it doesn’t stay all too bleak, however, as the tune is easily one of the most inspirational on the album. Etana quickly outlines the limits of her nonexistent compliance:

“But I,
I’m not afraid
No I,
I’m not afraid
No I,
I’m not afraid
If dem ah come, let dem come, cuz I’m protected by The Most High one”

Lastly, I’d like to look at the love songs and you know EXACTLY where I’m headed. ‘Warrior Love’. First of all, just look at the title - ‘WARRIOR LOVE’. The word “warrior”, definitely denotes that there is some fighting to be done. You don’t call on a warrior when everything is peaceful, warriors do not keep peace. So the title definitely is thrown in there as well. And then there’s the song itself and there is a line in the tune which, for me, REALLY makes a point about what type of overcoming Etana is talking about, just as she offered another side of it on ‘Roots’ (when she said “dem ah follow Rastafari . . .”):

“. . . Wanna be your warrior
Break down every barrier
WITH MY LOVE AS MY WEAPON
I can walk the world without a fear
I can hold my head high without a care
And I can fight the world -
Every grudgeful boy and every badmind girl
WITH YOUR LOVE AS MY WEAPON”

The key point here, of course, is LOVE. In terms of fighting against corruption, Etana lyrically (and probably literally) uses LOVE as a WEAPON! DEEP! And it really goes to the point where, although I do call the tune a ‘love song’, it’s not really just a love song in the stereotypical sense, but it’s not very much about achieving the love. That’s already been taken care of. She’s talking about the steps it took to achieve it and the steps that it’s going to take to DEFEND it (“dem caan stop di way, dem wish and dem hope and em fight and dem pray)! And I also take the tune to have a greater significance in terms of being a metaphor for life in general and you could very well argue that the subjectry of the tune, the relationship, is the most significant aspect of life and society as well. So definitely ‘Warrior Love’ has so much importance within it and within overstanding the concept of The Strong One, which is the persistence and perseverance of life. It’s about overcoming a struggle which so many people haven’t and so many others have and have had no interest in even taking up in the first place. You can do so, as she says I ‘Roots’, with the light of His Majesty or you can do so with LOVE, as she says on ‘Warrior Love’, however, I’d most certainly be willing to bet that in the eyes of Etana and rightly so, those two are the exact same thing as well. I’d also be willing to bet that you won’t find too many a better album than The Strong One, A BONAFIDE MODERN REGGAE CLASSIC!