Friday, October 7, 2011

Strictly The Best 2011

"Strictly The Best 44"
1. 'Shaka Zulu Pickney' by Tarrus Riley
2. 'Pot Still Haffi Bubble' by Queen Ifrica
3. 'People Talk' by Etana
4. 'Number One' by Gyptian
5. 'Still In Love' by Alaine & Christopher Martin
6. 'Pure As The Nile' by I Wayne
7. 'Firework' by Tessanne Chin
8. 'Driving Me Insane' by Chino featuing Denyque
9. 'Summer Love' by Denyque
10. 'If I Could Fly' by Tifa
11. 'This Time' by Jamelody
12. 'I Am Missing You' by Beres Hammond
13. 'A House Is Not A Home' by Freddie McGregor
14. 'Never Leave I' by Tarrus Riley
15. 'The Sytem' by Romain Virgo
16. 'Yap Yap' by Richie Spice

"Strictly The Best 45"
1. 'One By One' by Laza Morgan featuring Mavado
2. 'Love My Life' by Demarco
3, 'Summertime' by Vybz Kartel
4. 'Ravin' by Popcaan
5. 'Let's Go' by Beenie Man
6. 'Final Destination' by Mavado
7. 'Every Gyal' by Chipmunk featuring Mavado
8. 'Hot Gyal' by Gyptian
9. 'Got 2 Luv Ya' by Sean Paul featuring Alexis Jordan
10. 'Swaggin [Too Bad For You]' by Tifa, Future Fambo & Wayne Marshall
11. 'Dancehall Duppy' by Tony Matterhorn
12. Cigarette Murder' by Twins of Twins
13. 'Ready Fi Dem' by Bounty Killer
14. 'God Nah Sleep' by Chino
15. 'Wanted [Just Ain't The Same]' by Damian Marley

So! We're getting down to the point where we're wrapping up the year and what remains is (a lot of stuff) a few very regular and scheduled album releases. Of course first on my mind is the next release from UK Reggae great, Lloyd Brown, which will apparently not be arriving until February (which is fine!), but probably getting a bit more in the way of attention from others will be the latest edition(s) of one of the signature series from VP Records, "Strictly The Best".


'Shaka Zulu Pickney' by Tarrus Riley [#44]

This year we deal with #'s 44 & 45 and (obviously) they maintain the trend of the series to offer a double-release. As usual, the even-numbered installment is the more 'mature' of the two, featuring a mix of Lover's Rock and Roots Reggae. It's odd-numbered counterpart is for the Dancehall heads (that's wrong - It's for the casual Dancehall crowd). One of the main attractions is always the cover art in this series and while, technically, it doesn't appear as good as other years (and this is coming from someone who couldn't draw a semi-straight line with a ruler) I like it! It's kind of cartoonish. As for the music (see note) - It's pretty much what you would expect. The series, generally more DEEP fan friendly than it's 'sibling', "Reggae Gold", features a mix of well known (i.e. WORN) tunes alongside more recent/hard to find on CD tracks.

What stands out for me is the return of Jamelody as well as Beres Hammond and Freddie McGregor on #44 (hopefully they both lift us all up albums in 2012). And I'm loving seeing Beenie Man and Jr. Gong on #45.


'Let's Go' by Beenie Man [#45]

Most tentatively, "Strictly The Best" #'s 45 & 45 are set to arrive in stores on November 22.

{Note: Not only are tracklists and release dates tentatively scheduled - They may actually be COMPLETELY incorrect}

Wednesday, October 5, 2011

Modern Classics Vol. XXXI: "Virtuous Woman" by Warrior King

"Virtuous Woman" by Warrior King [VP Records - 2002]

'Roots Reggae Music' doesn't always fit into some 'neatly' category. Sometimes, however, it does and it does so to a degree which is just SO powerful that you have a very difficult time ignoring it. Here's an example! Back in 2002 there were two projects which dominated the attentions of Reggae fans and the Reggae listening world, both of which we have already covered in this series - Sizzla's "Da Real Thing" and "Still Blazin" from Capleton. Also in that same pack, for more of the hardcore fans (and from the same label) which would, seemingly, bring to full display one of the genre's future champions, Warrior King. At the time, one of the most talked about and lauded up and comers, Warrior King displayed a talent which captivated much of the Reggae community because of its very BRIGHT sound. He made a brand of Reggae which was, besides being packed with upful and far reaching messages, absolutely sonically captivating! He didn't push the boundaries of the music; he did push its levels and pushed himself right into spotlight of the genre along with the help of one of the most underrated producers in the music, Calibud. Eventually the album would arrived so named after his most powerful moment to date - "Virtuous Woman".


The Music

1. 'Power To Chant'



To open things up on "Virtuous Woman", Warrior King and company chose not only one of the finest tunes that the album would produce, but also unarguably the most fitting tune to get things started. Instead of IMMEDIATELY swatting the listener over the head with the main attraction/title track, WK chooses to announce his presence via the divine (literally) 'Power To Chant'. This HUGE song is as much of a 'mission statement' as it is a song giving thanks as he declares "mi come fi give the people what they need and not what they want" on behalf of His Majesty.

Best Lyric: "Jah works are spiritual food. Sweet for the soul, it gives a positive mood. Uplifting the people with the right attitude. Oh Jah give I the powers to lead the multitude"

2. 'Never Go Where Pagans Go'

In Reggae we (meaning everyone) (EVERYONE) use the "righteous" entirely too much and thus, it has very much become a tired Reggae-cliché of sorts. But I'm going to use it here again anyway. 'Never Go Where Pagans Go' is a RIGHTEOUS song between two other righteous songs on a big righteous album. Throw in that COOL Tune In track and here you have, again, one of the biggest moments to be found on this album and almost any other.

Best Lyric: "Hail The King of Kings, for he giveth all the powers. Born in Ethiopia, look, it's written in the scriptures. Who are the righteous? Hey, the are the truth seekers. Woe be onto you false leaders"

3. 'Jah Is Always There'



It's easier to go through troubling times when you know that someone is behind you helping to keep you secure and that is, essentially, the message to be found on 'Jah Is Always There'. What I really like about this one, all these years on, is just how strong the song is lyrically. Simultaneously Warrior King gives the vibe to continue persevering and trying in life, but he's also sure to make sure everyone knows that within the cover of His Majesty, security is ALWAYS present.

Best Lyric: "Wicked heart ah fight mi down. Try fi push I around. I KNOW, Jah is always there. Would rejoice if I drown or get crush by the pound. I KNOW, Jah is always there.

4. 'Africa Shall Be Free'

Warrior King does a bit of channeling of the legendary Hugh Mundell on 'Africa Shall Be Free' and after listening to this song, you're just as inspired as you were after going through Mundell's timeless track of a similar name. This tune just had a ROYAL (another overused word, I'll stop now) (no I won't) vibes to it and despite the kind of superficial take on the second verse, which I have heard before, for me this one was looking at a worldwide unification, but one ultimately observing that HOME is really HOME.

Best Lyric: "Put away the guns and those evil device. Waan hurt your sister? Why take your brother's life? Have some tolerance, you should learn to socialize, for I'm a warrior of truths and rights"

5. 'Breath of Fresh Air'



A 'Breath of Fresh Air' in almost any sense is a pretty good thing and hear, not only did the song wrap itself around the title in terms of the message; the VIBES of the tune also did the same thing. Take this one out for a casual spin and it's just an upful song. It makes you smile. It makes you feel good. Everything you would expect from someone as talented as Warrior King observing the greatest music in the world.

Best Lyric: "A BREATH OF FRESH AIR! A BREATH OF FRESH AIR! ANYWHERE THAT'S LIFE YOU KNOW MY MUSIC WILL BE THERE!" [BOOM!]

6. 'Boast Not Myself'

The somewhat dark 'Boast Not Myself' was the first changeup on the album and one which has definitely gotten more of respect through the years. On the song WK has almost a straight deejaying delivery at times and it works for him. Of course, he never waivers on the message (can you imagine one day hearing Warrior King doing a dirty, violent song???) (biggup Norris Man) while giving the listener a slightly different look on his abilities.

Best Lyric: "What is to be done never leave it for later. Just do the work and never be a time-waster. For Rasta know seh yow, seh time ah di master. And work along and you forever ever prosper"

7. 'Love Jah & Live'

While the opener wasn't quite a straight forward praising tune, 'Love Jah & Live' is that EXACTLY and I'm going to say that it's probably become the second most underrated tune on this album. There is just something about this song that taps into a very LARGE scale of quality, at least for me. I listen to it and I FEEL rumbling. It sounds like something BIG is about to happen and by its end you realize that something BIG just did.

Best Lyric: "You know I am an optimist. I look at the brighter side of life. I'm not a pessimist. I'm not a racist, nor neither am I prejudice. I show love to all the people. Now listen to the words from my lips"

8. 'Rough Road'

Much like the tune preceding it, 'Rough Road' just has a kind of a deeper feel to it. In this case, however, I think that because of the riddim and the backup singers and just how well the song is 'dressed', it's more of an immediately appreciable quality. On its message, the song is close to 'Jah Is Always There', speaking on maintaining one's course and holding firm, but this one, like that sizable track has nothing in the way of problems distinguishing itself. It is LOVELY!

Best Lyric: "From you fail the others - Try again. And if you fail once more, you better try again. Jah say once there is life, there is a way my friend. Rastafari a di head, so wi haffi set di trend"

9. 'Education is the Key'

Put some brains in your head to follow along with 'Education Is The Key' which was, quietly, probably amongst the second tier of songs which would go on to damage from the "Virtuous Woman" album. What I'm left with here, besides the obvious (and this definitely isn't a rare subject) is WK's approach to the tune and I'll go into this more in synopsis, but "EDUCATION" in his mind isn't simply something that you learn.

Best Lyric: "'To gain more knowledge yow, you have to spread your wings', says the Minister of Education - The King of Kings"

10. 'Baby Don't Worry'

'Baby Don't Worry' was one of a few second-half love songs on the album and one which ultimately leads to the forth coming BOOM on "Virtuous Woman". Here's another tune which has gone forgotten over the years and this is just so COOL that that is really unfortunate. The Calibud produced track was an old school vibed piece done in a very modern way and proved to be a lovely addition to this album.

Best Lyric: "I'll be your lover, a friend and a brother. Jah made us one, so no one put asunder. Always remember, we're here for each other"

11. 'Empress So Divine'

Another "lovely addition" to the album and one of its best remembered songs has become 'Empress So Divine' and a most simple run through reveals exactly why, even nearly a decade later. This song was MAGIC! You may find others here that you enjoy more (and you're about to find one very shortly), but this one had a downright magnetic quality to it - Like all of WK's work at its best.

Best Lyric: "Black Woman so divine, ever looking fine. Woman you shoulda know you mek my love light shine. You're humble and so meek. Righteousness you fi seek. Want you by my side, seven days of the week"

12. 'Virtuous Woman'



I speak a great deal of 'modern classics' and how artists, songs and album will become the "classics" of the future, but here's a case where that has already happened and in a time not so far away as well. 'Virtuous Woman' the song is an undisputed classic tune. Along with being THE song which would introduce us all to such an impressing talent as Warrior King, this was just a SENSATIONAL song. It showed a level of progression which wasn't of a 'one-hit-wonder' level. The album named after it would subsequently prove that to be the case - Coming in after its absolutely HALTINGLY BEAUTIFUL (it just makes you pause a bit and smile when you hear it, don't?) headliner.

Best Lyric: "Woman to keep I strong, which is part of Jah plan. I leave my Mom & Dad - find a woman and be one. With a woman I make my bond: Perfect combination. I am a Black Man, so mi love mi Black Woman"

13. 'Oh Mama' featuring DYCR

The always interesting (and somewhat chaotic) DYCR was tapped for 'Oh Mama', the obligatory Mama tune for the album. The very colourful Dub poet pretty much changes EVERYTHING he reaches (I've grown to enjoy DYCR to an extent through the years) and, as we see on the album's closer, that was evident here. He dominates large stretches of the tune (his 'verses' were half-minutes longer than those of most people - The album's most ROUSING moment.

Best Lyric: "Mama - your love, I will recommend, to nurture and guide your grandchildren. Mama, to me, you're more than a friend. My love for you will never end. For you, Zion gates, will be opening. You've taught me true beauty lies within. Mama you're one of a kind! You're always on my mind. Mama you're one of a kind! And you are so divine"

14. 'Health & Strength'

TEARS! 'Virtuous Woman' is the tune which gave this album so much more along with 'just' its title, but as far as its actual BEST composition - Here it is! 'Health & Strength' was MASSIVE! It was just a beautiful vibes and a strong message (and one which goes along with WK's always prevailing sentiment which we'll deal with in closing) was present as well. Lyrically it was an underrated song and it has pretty much gone forgotten and overlooked since its release which is really terrible. The best song on one of the best albums you'll ever hear - TRULY a big deal.

Best Lyric: "From health and strength is there - I have to do my Father's work, my Father's work. From health and strength is there - I have to till the earth, till the earth"

15. 'What's Going On' featuring JahMali

Sweet singing JahMali joined in for what is definitely the album's recognizable track (in the 'mainstream' sense) - A remake of Marvin Gaye's classic track, 'What's Going On'. I've well grown to appreciate this one more and more over time and while I'm not sure exactly why, I'm happy that it is the case. What I'm hearing now, tangibly, is the very exciting ending to the song which I don't know if I just didn't notice before, but the stirring stretch is a big highlight on the track.

Best Lyric: "Let's bring back the love and harmony. Me for you and you for me. Let's bring back the love and harmony. We are obligated to The Almighty"

16. 'It's Been Awhile'



Absolutely delightful is this quietly very well regarded track, 'It's Been Awhile'. Yes, it's buried down here on the album, but it's probably one of the best songs on it and it also carries a vibes which is virtually guaranteed to make a listener smile. The song is just so straight forward and SIMPLE that, although the riddim is very nice, it pretty much allowed WK to do whatever he liked on the love vibes and it really comes through that he had a great deal of fun doing the song (probably most memorable is the fact that he slips in the name of his producer on the chorus).

Best Lyric: "I am an upful and I ah deal with progress. Now tell mi now woman if I ah have your interest. For I love the words you speak and I love the way you dress. I am of royal lineage, so won't you be my lioness"

17. 'Make Me Feel'

This song is another which has gone largely neglected and overlooked and another which I've grown in appreciation of as well. 'Make Me Feel' is a love song and it is one on an R&B vibes, but what happens on the song, at least to my opinion, is that WK actually manages to 'overcome' the vibes of the song. He literally gets into a portion of the song (and if you've heard it, you know what I'm talking about) where he OVERPOWERS the vibes of the song. WK's voice is one which, even today, is probably still largely untapped as far as its ceiling, but here we got a very interesting demonstration of its, perhaps, greater than expected heights.

Best Lyric: "She will always love the Rastaman. She loves I for who I am. She will always love the Boboman. Trodding with his broom in his hand. And always love the Binghiman, because I'm firm and strong"

18. 'Mama' [Remix]



And lastly is the version of the previously mentioned 'Oh Mama' (now, curiously, just called 'Mama'). I'm now fond of the 'other' version, but this tune which features WK alone is an entirely stronger one in my opinion. It's more melodic and large stretches of the song aren't turned over to a most determined DYCR (whose appeal, partially, comes from the fact that he delivers in a way which suggests that he might be in a rush!). On that one, while nice, the appeal is an INTERESTING and FASCINATING one. Here? However you want to look at it, it's just a damn good song and one giving a big praise to where it belongs. Hey Mama! Hi Mama!

Best Lyric: "The ancient way you have grown me. The beautiful things you have shown me. You taught I the power of humility. Love and affection you have given me. The bond we share will always be. Mama you know you mean the world to me"

Synopsis

There are now two things which dominate my perception of "Virtuous Woman". The first is the one which I alluded to in opening. The SOUND of the album is really, by comparison, so much more than you would come to expect from many albums of the Roots Reggae variety - even today. Warrior King, at his best, makes really CATCHY music - Attention grabbing music. This, of course, makes it very easy to listen to his music and as opposed to someone like the aforementioned Capleton who also makes very infectious music, WK does it in a way which isn't really going to get more mainstream heads interested, but it takes more established fans of the genre who are used to hearing to recognize just how much of a deviation that he is to a degree. And for a subgenre often regarded as being somewhat of the 'template' or 'cookie-cutter' variety, he manages to stand out without standing out too far (if that makes ANY sense whatsoever).

Secondly is the message of the album (DUH). Here, again, Warrior King makes a very small deviation, but one which is most glaring to big fans of the music. The music is all about UNITY and how it is attained and the benefits of maintaining it and approaching it. This is never more easily comprehended than on 'Africa Shall Be Free'.

"I look towards the future with lots of confidence
Good over evil - No waan no violence
The righteous will be rejoicing
Rejoicing!
And I know
And I KNOW
All Africa shall be free

Put away the guns and those evil device
Waan hurt your sister?
Why take your brother's life?
Have some tolerance, you should learn to socialize
For I'm a warrior for truths and rights
Listen to my words, you can even analyze
Words of wisdom will surley open up your eyes
Unity is strength - Why are we living so wide?
Division is weakness so we need not fight"

That's pretty straight forward and just well done, but WK's consistent take on the topic comes in a very refreshing way. From the most well known tune on the album named after it, to my choice as its finest moment, his idea of bringing people together starts with strengthening the FAMILY and then branching out. He does this superbly and glaringly on 'Education is the Key'.

"Knowledge makes me whole, it makes me stronger
Developing intellect, it makes me wiser
More precious than the gold and the silver
Oh! I'm appealing to the youngsters
Children, never you waste your time and fall fool
Go ahead and learn the golden rule
Mama always say 'never be stubborn like a mule'
For education does not stop inna di schools"

However, it is a concept prevalent throughout "Virtuous Woman" and really, throughout WK's entire catalog when you're dealing with the best of it. This isn't a rare concept (see 'Black Woman & Child' and hundreds of other tunes), but it is quite unusual for an artist to have this as the MAIN basis for their music. And further more, I think it's also pretty rare to have someone who has any dominant message for their ENTIRE body of work, outside of the 'fire bun' concept that is.

At the head of WK's ideal structure of unity is the 'Virtuous Woman'. Thus empowering the Woman and empowering the perception of her is very critical.

"No real man can live without a woman
Like night to day is a woman to her man
She's essential to his purpose and his mention
A good woman is a glory to her man"

The first line of this passage, taken from the title track, has always struck me as being extremely significant because what it seems to do is to essentially make a stand and a very important point and one which may be somewhat complex in actuality, but is compoundly attenuated by WK here. It reaches to the core pride of a man and very blandly and bluntly says (in a good way):

"No real man can live without a woman"

I take this to mean so many different things and I've come to add to it my own line of thinking ('no real man can live without respecting a woman') and he well shows that on other tunes such as 'Empress So Divine' and definitely 'Oh Mama' and its remix. You can even hear it present on the somewhat 'loose' 'It's Been Awhile' - Where it is about romance, but it isn't ONLY about romance.

Finally I would like to touch on 'Health & Strength' very briefly. This is another tune which follows in the concept of strengthening the family and showing (and giving birth to) unity. In this instance the method is incredibly significant and it IMMEDIATELY makes itself known on the most beautiful moment on this album.

This wonderful wonderful album, "Virtuous Woman" by Warrior King, A Bona fide Modern Reggae Classic!

Review #323

Tuesday, October 4, 2011

Cali P Is Unstoppable

"Unstoppable" by Cali P [Hemp Higher Music]

1. Jah Rule The World
2. Dreadfull
3. D' Sunne Schiint featuring Phenomden
4. Sweet Greens
5. Wine Up
6. As One featuring Stress
7. Unstoppable
8. Mek She Feel It
9. No Way
10. Dat A Wah Mi Prefer
11. African Queen
12. Tell Me Why [REMIX] featuring Lowkey
13. As Long As U There
14. Nobody Better
15. Don't Give Up
**DELUXE EDITION**
16. Strong As I Can Be
17. Love & Understanding

Well! As it turns out we've suddenly caught a significant stretch of releases in 2011 as, following big and much anticipated projects from Warrior King and J-Boog and just ahead of another, from I Wayne (and maybe Macka Diamond also), the impressive Gwada/Swiss chanter, Cali P, is set to deliver his own album, his second, later this week - "Unstoppable".

Besides having a title which is absolutely MAD (!), the album follows Cali's very well received debut set, "Lyrical Faya", from 2008 and arrives at what may just be the perfect time in regards to the artist's current popularity. The first album was done for Pow Pow from out of Germany and, if you know anything about that label, they stick predominately to modern Roots Reggae music. However, in recent times Cali P has been mostly associated with the Switzerland based Hemp Higher label, ran by one "Riga". They most certainly DO NOT do Roots Reggae, thus, what we've seen in regards to Cali P over the past year or so has been quite the change in styles going from the solid one-drop of Pow Pow to what HH (from PP, to HH???) does.


'D'Sunne Schiint' w/Phenomden

What do they do? Riga makes a kind of Dancehall (with a bit of Hip-Hop colour) which is more than a little intensified. It sounds like FWI Dancehall from a few years back. And this is what Cali has been doing for quite some time now which has obviously endeared him to the skiing/snowboarding community (everyone, EVERYONE, likes Reggae music) who're likely to go mad over this project with its more colourful approach. It does very much help that he's good at it, however, I would imagine that some fans (perhaps myself included) will go through the set longing for at least one solid Roots track. While that may not come (and it won't), what will is a technical advancement in Cali as a lyricist. Already well talented, "Unstoppable", for all of its many attractions, presumes to feature Cali P at the height of his wordly powers and really tuned in for a very important moment in his career.


'Wine Up'

The album does feature a few familiar moments such as 'As One' with Stress, 'Wine Up', 'Dat A Wah Mi Prefer' (over HH's most recent release, the Moonlight Riddim, which I think we told you about yesterday) and 'D'Sunne Schiint' which features Phenomden. Curiously absent, however, is the BIG 'Wine Now', a tune on which Cali P was joined by the monstrously talented Achis Reggae favourite, Sara Lugo.


'As One' w/Stress

I was really impressed by the first album and well looking forward to the followup and while I would have preferred a more Reggae-centric spin, I will definitely be sinking my claws into this one.
"Unstoppable" by Cali P is in stores Friday, October 7.

Monday, October 3, 2011

Coming Soon Vol. 39: Riddim!

The No Doubt Riddim [Dub Inc/Diversité]


No Doubt Riddim Mix

First this week (not really - I wrote the entire "In Stores Now" section first) is a riddim, the No Doubt, whose press release has been sitting in our email for about a month and I never really expected to get to it (because Bredz didn't say anything about it) (biggup Bredz), but I chose to have a listen and I'm going to tell you that this is the best RIDDIM on this entire list, There may be better full albums/releases, but as far as the riddim, itself, it's all downhill from here! This is a LUSH modern Roots set from Dub Inc from out of France which features a star studded roster featuring TARRUS RILEY, PRESSURE BUSSPIPE, CAPLETON, BUSY SIGNAL, NAPTALI (!) and others. It isn't THE best riddim of the year for me (that's still the Show Version), but it is right up there. BIG!

Releases on October 10
Digital

The Powerinfection Riddim [Weedy G Soundforce]


Powerinfection Riddim Mix

I feel like I know these people so well because I've probably written about four or five news stories for their releases for United Reggae (no worries of that here with this thing) - So I thought that I'd tell you people with the incredibly low standards (which is obvious, look at what you spend your time reading) about the latest piece from Weedy G Soundforce from out of Switzerland - the Powerinfection Riddim. This riddim sounds like something out of an action movie or maybe FWI Dancehall circa 2007-'08. It's just really really angry and more than lives up to its title. Somewhere both Krys and Aidonia (and probably Kalash, too) are mad that they didn't get a chance here. In their absence is a FLAMING Capleton with 'Buss My Own', a more than agitated version of Junior Kelly (always interesting when Kelly gets a bit of petrol), Skarra Mucci, Shocking Murray and others.

Reelases on October 7
Digital

The Yu Go! Riddim [GERMAICA]

Not much to say here at all. The Yu Go! riddim is the latest from Germaica. Their previous piece (whatever it was called) was damn good, I rememeber and they're back with another nice set. I don't know some of these people, but Million Stylez is on it and that means . . . Good stuff yeah.

Releases on October 18
Digital


"The Know Myself Chronicles" [Heartical]

And lastly (this is the actual last, ignore that other one) Heartical Records and Basque Dub Foundation team up to deliver an album featuring a cut of the timeless I Know Myself Riddim with a great mix of vocalists and participants. Ernest Wilson is here with the original track as is Papa Kojak and even Sly Dunbar (who may've originated the music) and also on board are General Levy, Mykal Rose, Zareb, Dawn Penn and even Achis Reggae favourite, Tiwony! This one is definitely going to grab more of the Dub crowd and probably in a big way.

Releases on October 14
MAYBE CD + Digital

The Deep Cover Riddim [2 Hard Music]

First up this week we have the latest digital release from Jeremy Harding and co. at 2 Hard Music, the Deep Cover Riddim, from a few months back. I can remember hearing this one for the first time and not rating it patricularly high, but it - meaning the riddim itself, is one which is very subtly complex and really well done ("by Jeremy Harding" on anything generally is going to mean that it's strong). Of course the highlight for me was Agent Sasco, but he was joined in a big way I-Octane, Busy Signal, Konshens, Denyque and Natel on this cool and colourful set.

Digital

The Contra Riddim: The Digital Mixes [Cr203]

Here's another one from just a little while ago and another DAMN impressive piece as well. The Contra Riddim from Chrome certainly isn't the best riddim that I've heard and it's not even the best in this post, but it is authentic (somewhat flashy) Dancehall music and, unfortunately, it doesn't take much more than that these days to catch my ears. What the bouncy piece does have going for it is that backs some pretty strong material while resting in the more than capable hands of Assassin, Bramma, Mavado, Kartel, I-Octane, Bugle and even Capleton. If you missed this one when it reached definitely have a listen because in here is some really nice ACTUAL Dancehall.

Digital

The Moonlight Riddim [Hemp Higher & Inspired Music]

Speaking of real Dancehall music. The latest from Hemp Higher (along with Inspired Music), the Moonlight Riddim, is another composition which certainly qualifies and one which grabbed my ears as soon as I heard it (and on a Serani tune, no less). HH, to my knowledge, is known for pushing some really really energetic vibes on their riddims and this one is the same, definitely. A suddenly expected Bugle, an always expected Cali P (more on him in a day or two), Kibaki, Jagwa (big tune) and Rebellion The Recaller help to round on the roster of artists. Still, it is a PRECISE Gappy Ranks with BOOMING 'Fire From Di Lighta' who takes top honours on the riddim.

Digital

The Move Up Riddim [Stingray Records/Zojak Worldwide]

If ever you want to do some shopping strictly based on label, then I'd suggest you take into consideration one of the world's most underrated imprints, the WONDERFUL Stingray Records from out of the UK who now return with another GEM of a release - the Move Up Riddim. In typical Stingray fashion, this old school piece makes for an excellent riddim album and one of the nicest aspect of the release is just how varied the talents voicing it are. Freddie McGregor heads a group which also includes Gappy Ranks, Sugar Roy, Tenna Star, Glamma Kid, Sandra Cross, the big voiced Raymond Wright and even the morbidly under-utilized Avaran (big tune from Zagu Zar as well). Definitely check this one out - Guaranteed nice music.

Digital

The Christine Riddim & The Lead Di Way Riddim [Irie Sounds International/Zojak Worldwide]

This interesting and very well done double set release which features the Christine Riddim as well as the Lead Di Way comes via Achis Reggae favourite, Irie Sounds International. Two-riddim albums are always pretty nice (our Compilation of The Year 2010 was such a release) and particularly when they feature such a healthy mix as this one. The former is a 'redo' of an older riddim - the Hold On To What You Got - which was best known for backing a big Dennis Brown tune of the same name and it features efforts from the 'Sugar Princess' and another Achis Reggae favourite, Pashon Minott, General Smiley, MasSicker and a really nice song from Mikey Browne. While the Lead Di Way serves up tunes from (" ") Ras Attitude, Rocker T and Steve Steppa. Also present, not surprisingly, is 'Mek It Inna Life', the big single from Pashon Minott which, potentially, may just find itself present on EVERY Irie Sounds release from now until the end of time. Very nice vibes here and between the two sets, there's likely to be something for any fan of the music.

Digital

The Steel Strings Riddim [Chimney Records]


'Bubblin' by Alaine

The BRIGHT Steel Strings Riddim comes courtesy of the mighty Chimney Records and it well lives up the level of quality set by the label throughout its lifetime. This thing is just GORGEOUS and is easily made even more attractive as it lines itself up for some of the genre's biggest and most talented lights. Tarrus Riley, Alaine, Bugle (again), I-Octane, Konshens, Zamunda, Chris Martin and a very impressive Jah Vinci all do a major damage on the Steel Strings - Which may be, all around, one of the best release on this post.

Digital

The Sweet Stick Riddim [Afrikan Bump Muzik/Zojak Worldwide]

This one is pretty thin with only a few tracks, but I wanted to steer your attention to it because the Sweet Stick Riddim from Afrikan Bump Muzik, which reached years back features a couple of REALLY nice tracks, 'Life Change' and 'Fairplay', from Mark Wonder and Lutan Fyah, respectively. Also present is a combination featuring Gyptian alongside Norris Man and a decent tune from Muscle Emmanuel as well (he has two, but you want the second, 'Inna Dem Time Yah'), but check the two aforementioned pieces especially.

Digital

Jam2 Productions [Jam2 Productions/Zojak Worldwide]


'U Get Everything' by Vybz Kartel & Voicemail [Ariba Riddim]

And 'finally' (before I go back and add the 'coming soon' portion of this post because I just changed my mind about what it was going to be) - We have a case of 'like Father, like Son'. Back . . . several hundred years ago, I told you about King Jammy's emptying the vault to the digital world and apparently (yes) his son is following suit. Jam2 Productions (Hey Susan!) recently unloaded a few (probably more than I know about actualy) pieces from its own vast catalog, including the Pull Up, New Moment and Ariba Riddims. All of these are from the earlier 2000's and they sound like that (which is a good thing). The main thing about them all is that you'll find near(er) prime level Vybz Kartel deejaying at a masterclass level. To my opinion, the Ariba is the best of them all, but you'll find interesting things on all three and I'm sure there's much more on the way - If it hasn't already arrived.

Digital

Lyrics!: Pressure

When we talk about talent and talented artists, there are quite a few different ways in which we can register that. On one hand would be someone like a Lutan Fyah or Buju Banton who, when at their respective bests, come across as individuals so precise, so well read and so well studied that it almost seems like a plus to the world of Reggae while a complete loss to the Academia world. On the other hand would be someone like Pressure. The Virgin Islands chanter, in a very rough and, at times, unpolished style has become one of the greatest current lyricists around today. Remarkably, it is often his inaccuracy which marks his greatness. Pressure's major lyrical point is that he isn't afraid to subtly fit in everything that is on his mind at the time. He follows absolutely no rules when at the height of his powers and creates these POWERFUL and very varied compositions which have, in turn, also turned him into one of the most popular artists of his era and one who will, potentially, inspire an entire generation of young VI talents still to come. Today, we look at ten lyrical diamonds in the rough from one of Reggae's most naturally gifted lights - Pressure Busspipe.


"My people be free, cause the world is yours and take control of your life, of course
Can't be held down by no evil force
Who The Most High Bless no wizard can curse

False rulers of the earth make war for power and domain
And the cost of living get so high, the poor and needy can't sustain
Let righteousness and exhalt and harmony flow through every heart
With love and blessings flowing through -
Your reward, can't come up short"
-'Be Free'

"Jah Bless I
HIS work impress I
Nevertheless, I reply when HE address I
No nyam no flesh I
Burn (!) ungodliness
Empress cover your breast and gwan go wear yuh tall dress
I no like di rest
I no run contest
I confess, whatever the situation -
I express I
Jah love caress I
Jah interest I"
-'Ever-living King'


"Respect and love wi show from one to another
Say you love di woman and then you must love your Mother
A love wi use fi help di ghetto youth dem up di ladder
Di bag of violence no mek no sense!
Why bother?
Stop judge your bredda through him clothes ragga ragga
Stop bow to vanities and remember Jah Jah
According to your works you'll get your blessings and honour
A just di humbleness and manners

When you got Jah love
Then nothing is greater -
Than The Most High Creator!"
-'Jah Love'

"The body is only temporary, you see
Black History Month is only February, you see
Repatriation is very mandatory, you see
Some only want fi go a Zion when dem dead and bury!
Dem neva, reach Mount Zion Spiritually!
You betta, rehearse and practice love physically!
Or else the pressure pot a boil over literally
You see, Rasta nah indulge in no folly
Naturally me say"
-'I See Rastafari'


"Jah Jah you're the Master!
HE set di speed, so don't go faster
We're like the sheep of HIS pasture
Anything weh oppose will cause a disaster

Lock off dem, illusion and bring reality
Dem no got no heart, discipline nor morality
Only the righteous defend humanity
Woe unto those who teach di children profanity
Light like feather, yet heavy like anchor
Babylon so ungrateful - Nothing, they give thanks fa
Talk bout yuh fit and can't run 100 meters
Living pura vida down in Costa Rica"
-'Pure Life'

"Babylon yah city gwan burn!
When wicked man ah melt, dat is not my concern!
Work so hard yet still nothing to earn
Murderer ya judgment dun confirm!
Time is of the essence just before the table turn
Battlefield warrior, so solid and firm
Locks man ah grow, we no plat up nah perm
Babylon I jump and crush up like worm"
-'When Your Time Is Up' w/Norris Man

"Dem no love fi si di poor man strive
Dem no waan fi si di children survive
Well as far as I can see with my eyes -
Babylon ahgo bun!
Mi no care who catch fright
That's why, mi haffi Emperor Selassie I
Who give I di strength fi spread di music worldwide
All dem ah gwan like everything deh pon file
But dem caan keep count di words of every Black child!
Mi know dem ah fight over oil!
Yow! Everyone know, dem ah cold-blooded reptile!
That's why di ghetto youths dem nah pop no style!
Sight dem from far!
No come within a mile
Mi no smile!
It ah buss dem brain!"
-'Buss Dem Brain'

"Take your time and free your mind
Meditate and flow as far as the wind
You'll be fine if your heart is divine
Don't you know death is the wages of sin
Do your part and I'll do mine
Let's do away with war and crime
Just stay focused, you'll see the sign
Look what happen when love and righteousness combine
Praise King Selassie, HIM a The Almighty King
David slew Goliath with a stone and a sling
Mi love Black people from up inna di beginning
More thanks giving
All hail The King
Teach di ghetto youths dem fi have some discipline
Mi smoke di marijuana and put away di gin
Right over wrong, mi slew di enemy
Victoriously - Wi have to win"
-'Wicked World' w/Batch & Ras Attitude

"Jah Jah bless di children of today
Most High Jah Jah bless di youths, mek dem nah stray
There is so much going on within this world of hate
Jah Jah bless di youths and keep dem safe
Oh yeah!

Bless dem, protect dem
Keep dem safe and secure
Correct them - They know not what they've got in store
They're facing tribulations without knowing what for
Go before us and thy see to it my heart remains pure
Some people betray and keep forsaking you
But I just hold a meds and keep the faith in you
Whatever they say I know I ain't got no hate in you
The chosen is very few"
-'Bless The Children'


"Living yah life and give praises
Whatever the case is never -
You ever judge and compare
Africa is where my birthplace is -
Where my lineage traces
'Member: Only love can take you there
Reaching out to sunburnt faces
Singing amazing graces
More than words - Pressure love you dear
Hey, red, gold and green laces
We're a nation, not races
IN OUR HEART IS WHERE THE WORD OF JAH APPEARS"
-'Zion Is Home'
[MAD!]