Okay so, I've had this idea for awhile but I've always found myself too stuck on a review or between ideas to actually get to working on it, but now is the time. "Signatures" is very simple: It's an album-style (meaning somewhere in the range of 12-16 tracks) list of my absolute favourite songs from a particular artist. The idea originally came from noticing that, despite the fact that he has... I don't even feel like counting now... DOZENS of albums to his credit, no one has ever put together a 'greatest hits' type of compilation for the great Vaughn Benjamin that I know of and it's understandable why, actually. In general, it would probably require tons of work (and quite a bit of money) to put together, given all the various producers/labels he spent his majestic career working alongside but also... how do we register "hits" when it comes to someone like Benjamin. The only charts you're likely to have ever found his work on would have been very specific album sales and it doesn't appear that he's stacked what we typically regard as 'popular' releases, despite just how oddly passionate and LOYAL his fans are and have been from very early on during the days of Midnite. So, it's my thought that compiling such a list would be most interesting if you individualize it. The work he left, unlike almost anyone else, is SO personal. I've had conversations with people about songs that I barely even recall, but they literally changed their entire way of thinking or became THAT moment where that light bulb came on in their head and led them to inheriting the KINGDOM of this wonderful music.
And "Signatures" was born. Here is my own personal list of favourite songs from one of the greatests to ever do it. Signatures Vol. 1: Akae Beka.
{Note: The only basis for songs being on this list is how much I enjoy them. That is all}
{Note 2: Songs are listed in absolutely no particular order, although I will say which is my single favourite, as I typically do. I also intentionally did not write them in the order they appear. I jumped around purposefully}
{Note 3: This was VERY difficult and I may do a second disc at some point, but Vol. 2 of this series will be Lutan Fyah}
1. 'Enter'
......for now and forever. The aptly named 'Enter', in retrospect, was probably one of the songs that made everything begin to 'click' for me when came to Vaughn Benjamin's music. Set as one of the gems from the "Jah Grid" album (which was outstanding and also included the truly MAMMOTH 'Before I Lose My Strength'), 'Enter' just had a VIBE about. There was something.... almost mysterious to it with its very focused sound but Benjamin went ALL OVER THE PLACE atop the I Grade produced riddim. For me, 'Enter' is both an emotional ["If you plan fi live good, open Jah door and enter"] and a knowledge ["Dem ah listen and dem ah search the entire universe fi hear Jah voice echo chamber"] offering with the artist saying that if you choose to accept The Almighty, alllllllll of this is available to you. Symbolically, it said that for me in regards to his music. I did accept it and, looking back, it was one of the greatest decisions I ever made... for now and foreverrrrrr ('Enter', EASILY, has one of THE coolest endings to a song that I have ever heard).
2. 'Just Decided'
Perspectives will have to realign. The first of a pair of ganja tunes on this list (and, now that I think about it, the other is fairly similar in terms of how it's written), I've held 'Just Decided' in increasing standing throughout the years because of a pair of very simple and basic reasons: It is extremely well written (DUH!) and it SOUNDS GREAT! Ignore the first of those for a second (because you know who wrote it) and focus on the latter. 'Just Decided' is DYNAMIC! A quality seldom associated with the music of Benjamin, that Fifth Son Records licked riddim was downright blissful! It hits a plane and just SITS DOWN right there for such a wonderful musical moment. Probably THE most dynamic tune you'll find here and one which has always stuck with me.
3. 'Black Mamba'
True nature. This list is compiled of tunes which are signature moments for me, personally. Because of that and in the name of pure standouts in terms of recognizability, 'Black Mamba' may just be the single biggest 'hit' you'll see here. The Andrew 'Bassie' Campbell produced drop was the loudest of chimes found on "King's Bell" (which released a truly disturbing thirteen years ago) (time does not "fly". It SOARS) and from the very second I laid ears on it, 'Black Mamba' has stuck with me. Another selection finding a powerful blend of deep and penetrating messages with an overall extremely difficult to shake sound, AT ANY GIVEN TIME IF I AM SINGING AN AKAE BEKA SONG IN MY HEAD.... it's probably 'Black Mamba'.
4. 'In Awe'
....IN AWE. I used to be quite fond of using the term "skeletal" to describe some of the music of Vaughn Benjamin. When I did (and still occasionally do) use it, it was in reference to a song where he didn't.... seem to pay much attention to the riddim going on behind him. Maybe there wasn't a great (or ANY AT ALL) connection between the vocals and the music and it, of course, had some type of an impact on the overall sound of the tune. 'In Awe', the title track of an album from the aforementioned Fifth Son Records from a dozen years ago was definitely SKELETAL. It was also pretty much without flaw and, even to this day, a tune which has this certain vibe about it which I find FLOORING. It is an absolutely DEVASTATING track within a certain simplicity and one where the artist explains his observance of The Almighty and also, coincidentally, explains my observance of the song he is singing.
5. 'Grapes Of Wrath'
Magma lava.While not new to my ears (and probably the single oldest tune you'll find here) I have to say that it wasn't until fairly recently -- maybe the last... two or three years or so -- when I REALLY became a fan of a tune which might just have one of the biggest supporting groups of any of Akae Beka's the CLASSIC 'Grapes Of Wrath'. Prevously, my interaction with this tune was as a live tune where it, apparently, was a favourite of Benjamin's to perform and you'll find countless instances of him doing renditions of the tune all over the world during his travels. Given the kind of spontaneous and organic nature of the live performances (and of this specific song, in general), I've come to regard 'Grapes Of Wrath' as, EASILY, one of the greatest freestyles ever. That's only in respect to the rest of Benjamin's work, I most certainly could be wrong, but I don't feel like he spent a lot of time actually writing it and what ERUPTED from him when it was created was a cauldron of genius, leaving no stone unturned and covering an endless story of themes in an exceptionally emotional and fiery way from the chanter.
"Dem lack di counsel of di elder
Lost di reference of di daughta
I man a Rasta, living amongst di people like a waiting disaster
Love dem order
Dem seh dem love di sun, but di sun dry up dem water"
6. 'Sha-tee'
Dilly dally. Buried on an album which wasn't the greatest and has largely gone forgotten -- 2008's "Maschaana" from Natural Vibes -- you will find the TORRENTIAL 'Sha-tee'. You will find a somewhat similar and far more popular tune later on here but, for my opinion, the very clever social commentary with a spiritual core that was 'Sha-tee' will always have a place amongst my favourites as well. Benjamin gives his listeners absolutely nothing in the way of relief (and you deserve none!) in geting his point across and though it may take even more effort than it typically does with his music (and it always does take at least some), the idea behind 'Sha-tee' and the LYRICS are in the stars!
"Jah is the Cab, the taxi driver is the cabbie
Jah is The Ruler over already -
Over twister and tsunami
Over faith and destiny
Over tranquility and without no partiality"
7. 'Same Boat We'
Magnificent edifice. My absolute favourite Akae Beka album ever??? That would require some thought but an album DEFINITELY in the conversation would be the MAMMOTH "Beauty For Ashes" and 'Same Boat We' has become that album's signature offering for me. It's almost difficult for me to slice "Beauty For Ashes" now because it sits so succinctly as a completed unit with Benjamin absolutely DISSECTING the idea of unity... grinding it down to a fine, powdery substance. For its part, in particular, 'Same Boat We' was simple and didn't try to do much with its sound but when you got into its lyrical direction - IT ASCENDED! It grew wings and soared to the heavens. From an incredibly local level, to a continental one, to a one of the highest degree ["MILK WAY GALAXY"], Benjamin would bring everyone EVERYWHERE together and do so in an entirely unforgettable way.
8. 'Hemp Scroll'
Awareness & alertness. 'Hemp Scroll' was kinda mesmerizing. It was. There was a very... 'light' sonic feel to it with the artist adopting an almost robotic delivery and somewhere in the midst of it all, the listener gets LOST and I mean that in the best way possible. All of these years later, 'Hemp Scroll' which featured on the "Free Indeed" set (an album which didn't have a very big release but was delightfully very well regarded in its day if I recall correctly) has only grown in stature, despite starting somewhere amongst the stars. Ever the proponent of the herb, Benjamin (as I alluded to in regards to 'Just Decided') weaves an all-encompassing which climbs so many different mountains. You'll hear ganja tunes and, if you think about, they're either really specific -- as far as maybe covering a single incident than someone went through -- or very broad. 'Just Decided' and 'Hemp Scroll', oddly, were both. They both dealt with a variety of different aspects but did so with incredible detail and both are utter joys to listen to.
9. 'Negus I Rastafari'
Jah deliver I. As the kids say today, 'Negus I Rastafari' was "built different". This tune had a sense of drama and a seriously high level (by comparison to Benjamin's catalogue) of emotion to it which catches you initially. What keeps your interest along with the vibes (as it always does) are the words you hear spoken. 'Negus I Rastafari' is another track that comes off as a vibe. It is very organic and has the feeling that parts of it are spontaneous and came as much from the heart as from one of the most brilliant minds Reggae (or any other kind of) music has ever encountered. A praising tune to the bone, 'Negus I Rastafari' also touches a wider variety of topics during its time ultimately tying them back to the centralizing theme of bringing honour and praise to His Majesty. This is probably my second favourite song Benjamin has ever done and the only selection you'll find from the Rastar collaboration present here and, to my ears, IT IS MAGICAL!
10. 'New Race'
Content & satisfied. Of course the SHATTERING 'New Race' makes this list and, in terms of quality, it probably makes its top half. These days, I sometimes have ISSUES listening to this gem from Higher Bound's "Hail The King"... emotionally, FOR SOME STRANGE REASON, it does things to me! It makes me happy. It makes me melancholy. It energizes me! There is a very subtle but very powerful and downright ABNORMAL quality to "New Race", simply in terms of the sound of it. It is stunning! When you get into the meat of the matter it doesn't dull either as Benjamin takes the listener on a knowledge-crammed journey which centers around, of course, His Imperial Majesty. There's nothing dissimilar there from, literally, dozens (if not hundreds) of other tunes that Benjamin has done throughout the years, but what does separate 'New Race' was this gorgeous marriage of education & elegance ["Sound barrier bursting into new rays of life. Benevolence of Jah, invite"]. On a list of favourites, you will find nothing that hit the notes that 'New Race' does and does EFFORTLESSLY.
11.'Ever Was So'
Come down fast. 'Ever Was So' featured on the double disc opus-ish "Standing Ground" of Fifth Son Records. I won't waste too much of your time here, I'll be brief. 'EVER WAS SO' IS MY FAVOURITE AKAE BEKA SONG EVER. It's also one of the greatest songs of its kind that I have ever heard and do you know what "kind" it is? 'Ever Was So' is a praising tune. It's a song giving praise and honour to His Imperial Majesty. Have you heard a few of those type of songs? Maybe just one or two or so??? If you've listened to a Roots Reggae album, you've probably ran across at least three or four of them and if you're this interested in reading a post like this, you've probably heard HUNDREDS. The argument could be made (and I would be in support of it) that THE ENTIRE GENRE OF ROOTS REGGAE EXISTS (at least in part) TO PRAISE THE KING. Rare has anyone made praise sound like THIS! There's something exquisitely haunting about 'Ever Was So' (like that COOL and subtle backing singing) that likely gives further weight to the impact that it makes - an impact which will stay with me for the rest of my days.
12. 'Royal Tribe'
Excitement like a fever. 'Royal Tribe' makes this list as somewhat of a surprise to me. When I was planning it out and getting a big list together in my mind, I would have never thought that the tune would have been included in the final group but it belongs here and probably even more so than a few of these other tunes that I so love. 'Royal Tribe' was interesting for several reasons but the one standing tallest these days is the way in which it is written (shocking!). The song is one empowering women and speaking on their importance in society and, even more compelling, how women are THE CENTER of human interaction and PROGRESSION. To accomplish this, Benjamin uses the idea of a TRIBE.... and then, LITERALLY, a HIVE in showing just how nature regards its female figures and in how high of an esteem they are held in. It is a BEAUTIFUL selection and one that has stuck with me mightily in the three years since it was part of "Polarities" a, perhaps, underrated collection courtesy of IGR.
13. 'The Gad'
Longtime. Were several people to make a list like this one, I would think that the song from my list that you're most likely to see present several more times would be the infamous 'The Gad'. This tune was.... seemingly Benjamin opening his mind and just POURING out everything he could find at that particular moment. What resulted was a wholly overwhelming musical experience for anyone who has ever dared to undertake the task of deciphering what the artist is saying here. A large source of its lasting (and definitely original) interest generated came in the fact that, even more than most of Akae Beka's music, it was pretty hard to comprehend what is being said on 'The Gad'. Vaughn Benjamin has a tendency to mumble and when you combine mumbling with speed, what you get can be (and was).... puzzling. However, as I said, beneath the obvious sound, 'The Gad' had loads to offer and I would argue THAT has maybe not equaled the attraction to it for what is most immediately heard, but has become a significant reason why more familiar fans, like You and I, continue to return to the now nearly TWENTY YEAR OLD tune.
"It's a matter of human pride, how you treat the I
Who nah go hear ahgo surely die"
The song has a heart that is almost entirely spiritual (DUH) but 'The Gad' goes in a variety of deliciously varied directions. The one that's covered deepest, arguably, is just how people relate and interact with one another. He gets into things like family structure in the midst of it all and it is.... CANDY to the ears of someone like myself. I also have to mention something rarely talked about in regards to 'The Gad' - the riddim carrying it. The golden track was typical IGR produced magic and featured, amongst other beautiful moments, a spot where the masterful Achis Reggae favourite, Tuff Lion, is allowed to place his stamp on the tune as only he could. If by some chance you missed this one, even more than any other selection here, 'The Gad' demands patience. It is a trait that, should you have quite a bit of it, will literally hand you the keys to a very large kingdom.
14. 'Let Babylon Go' featuring Danny I
Searching within. Much like the aforementioned "Beauty For Ashes" set, this compilation would be incomplete without some sort of representation from "Portals" (another album in the conversation for being my absolute favourite from Akae Beka) and that question would be between three tunes. There's 'Ideals of The Emperor', 'Like Rhyme' -- both of whom were terribly difficult to cut out here -- and the track that I would ultimately settle on, the GORGEOUS transitional 'Let Babylon Go' featuring oft Vaughn Benjamin collaborator (if such a person exist) and OBVIOUS FAN, Danny I. I love Danny I's music and I always have (Danny I has an old song called 'Lion As A Rulah' which probably sits amongst the top 40 or so tunes that I have ever heard.... from like ANYONE, EVER) and his presence on 'Let Babylon Go' really gives it a very autobiographical texture as he outlines what, personally, brought him to Rastafari.
"Many years with natty dread - half the time a Rastaman
Cause man would be the first to admit: Man did ah do nuff wrong
Many years of search within, til I found The Higher Man
Til I overstood King David's words, with the Songs of Solomon
And I let babylon go
Outta mi heart
Outta mi soul"
BOOM! For his part, Benjamin's approach is broader in saying that, essentially, Rastafari is the way to overcome a variety of issues in one's life ["In war and in peace..."]. Combined, and with a beautifully nearly ever-present horn in the backdrop, the two produce an EPIC selection and one which has always been a standout for me on an album BRIMMING with such offerings.
15. 'Dem Kinda Heights'
A document. These days the "Be Strong" set has kind of become somewhat of a packaged deal with "In Awe". In my memory the two FSR produced sets share pot of tunes and I find myself generally and largely unsure of which of the two exactly contains big tunes such as 'Dandylion', 'Pscyh Ops', the MAMMOTH 'Music To Honour I King' and others appear on... but I do know that I love some of them. Along with both title tracks, definitely 'Dem Kinda Heights' has gone to garner my 'highest' of respect in the eleven years since its release. Though the song comes through with these giant and downright royal sounding horns (almost as if they are signaling the arrival of some type or royalty) (and you can make your own leaps from there) (as have I), 'Dem Kinda Heights' is somewhat ponderous. It's a grind and it takes a while to get where it is going, but it is also SHARP as a razor. What I've taken from it these days is that it stands as an inspirational piece. Benjamin presents the "Heights" as a variety of different things such as love and even knowledge. Though, as you would expect in his work, it doesn't have that stereotypical FEELING that such a vibed tune would normally come with. As I said, 'Dem Kinda Heights' ain't easy! It requires work and a whole heap of attention on behalf of the listener. Give it that and, as you can see with its presence here, it's good enough to literally become one of the best songs you've ever heard.
Overall, the challenge of doing something like this is infectious. I'm already working on the next installment (will likely be Lutan Fyah) but in this particular case, the unusual nature of the journey I've had to BEGIN my comprehension of this man's amazing work (and I consider myself to STILL be at the beginning of that journey), is reflected here which was my main goal from doing this list. I would expect and HOPE that most people would have drastically different lists as the music of Akae Beka is received in so many ways. These are mine. Agree. Disagree. Flame on (biggup Machel). Do whatever! But when you do think of your own favourites, ENJOY that beautiful trip back through your memory. It is a SWEET time.
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