Showing posts with label Mykal Rose. Show all posts
Showing posts with label Mykal Rose. Show all posts

Friday, August 18, 2023

"Glory" by Akae Beka

"Glory" by Akae Beka [Zion High Productions]

I have long developed a certain level of excitement and anticipation when it comes the music of one Vaughn Benjamin over the years which is unlike the feeling I get when looking forward to the works of anyone else. This is a vibe which is very much of the rare type of feeling that you used to get (or maybe still get) as a student who is actually eager to go to class on a certain day. Whatever the subject is, you're looking forward to learning more (I actually recall that happening far more at university than prior to that, when you had no control over what you learned and from whom) and you are also so very much looking forward to the METHOD of teaching. Will he be ever so slightly more direct? Will he meet you halfway or will Benjamin ultimately leave it up to the student ENTIRELY.

Another question you tend to have is who will he bring with him in order to get the message across. A group of his greatest and most fruitful of associates can be found within Zion High Productions and the Zion I Kings who... we've covered extensively over the years in regards to working alongside Akae Beka and many other extremely talented artists (I was about to go into that more and then I realized that I've probably done that DOZENS of times by now) (and did it not too long ago in a still forthcoming review, actually), so when I saw that the link had been once again behind yet another project, I got EVEN MORE excited to hear it and then when we talk about the actual artists involved - that took "Glory" to an even greater stage 'I REALLY, REALLY, REALLY, REALLY need to hear this'. Well, I've heard it and if you have about half an hour or so, I'd like to tell you about what I think of "Glory", the latest release of the legendary Akae Beka.

'Aqueduct' featuring Micah Shemaiah & 'Aqueduct Dub'

Each of the four vocal selections on "Glory" features Vaughn Benjamin working alongside another vocalist and the first of the quartet is the very gifted Jamaican chanter Micah Shemaiah who (has an album of his own this year, "Jamaica Jamaica") displays his ample abilities all over the GORGEOUS 'Aqueduct'. I have had SO MUCH fun with 'Aqueduct' and it actually helped me take this write-up in the direction that I chose to in the end because what I took from the opener is that it is about the CONVEYANCE OF KNOWLEDGE and how important it is to give something to someone in a way that they can comprehend it and be able to have more of a chance to actually apply it and retain it after the lesson. When I arrived at that 'conclusion' (and I use that word only because it sounds like where it would fit in, but it is most certainly NOT a "conclusion". If you ask me what I think of 'Aqueduct' a year from now (or in twenty minutes) my "conclusion" may've shifted), I got this wonderfully loose image of knowledge transferring seamlessly from place to place and never actually settling at one final destination - like an aqueduct.

"OVERSTANDING COME, INNA DEGREES DIFFERENT FOR SOME"

Musically speaking, 'Aqueduct' comes through on one of those ZIK riddims that you listen to and enjoy, casually, but when you REALLY dig into them, you hear such a wide array of sounds and mechanisms that don't stand out unless you spend that extra time working with them. Unsurprisingly, it makes for a lovely dub and one which can lay a large claim to being the single best "Glory" has to offer altogether.

'Glory' featuring Kabaka Pyramid & 'Glory Dub'

Our title track here features Akae Beka alongside the genius and current holder of the Best Reggae Album Grammy, Kabaka Pyramid and the two deliver a lesson which is downright HUMBLING! This song is a potato chip - you CANNOT listen to it just once. No chance! Along with the message being delivered, 'Glory' is delightful to HEAR. Benjamin will never be the most melodic of chanters (you will find dozens of tunes by him which will have you wondering if he can even hear the riddim at all), but he is in a fine form on that front on this tune (coincidentally, if you'd like to hear another good example of a more musically aware Vaughn Benjamin, check a tune called 'Daughtaz And Sunz' from the "Livicated" album, another ZHP set) (I wouldn't be too surprised if those tunes were recorded around the same time, actually) and when the vocals are removed, 'Glory Dub' continues to SHINE! Something which does really stand out on the original track that is wonderfully interspersed (that actually is a word) (...unlike "subjectry" which I made up and LOVE to use) is a horn (and later a saxophone, I believe) and it's little things like that which really make for a LUSH sound on these type of tracks. 'Glory Dub' is BEAUTIFUL!

HOWEVER, it's just pretty damn impossible to ignore and not be impressed when someone erupts like THIS:

"Luminous beings in dis yah physical manifestation 
All working together, participating inna creation
Guided by The King, the highest idea of initiation
Balancing di material and esoteric in the equation
STEPPING OUT OF ATLANTIS, WHO CREAT DI THE FIRST CIVILIZATION?
IT WAS A BLACK AFRIKAN INNA ITHIOPIAN MOUTAINOUS REGION
Stretching forth from Kemet to the Indus-Kush Valley through
THE EVIDENCE OF THE CULTURAL CONNECTION BEAR DI RELATION"

I mean... what... what do you do with THAT! That Kabaka Pyramid - he's a wise one. 

'Son' featuring Mykal Rose & 'Son Dub'

I was pleasantly surprised to see the venerable Mykal Rose join Akae Beka for 'Son' and I don't know why exactly; it just didn't seem like a likely combination to come at any point, but after listening to it - I am damn happy whoever chose to attempt to bring these two together actually made it happen. 'Son' features such a powerful and almost addictive simplicity that I found myself listening to it not just because I enjoyed it or because I was trying to root out its meaning, but also because I just found it so comforting. For his part, Rose (who has been gifted with one of the most distinct voices that we've had in Reggae music) also thrives in the straight-forwardness of the moment and what you have hear is a nearly divine piece of music for the senses. LISTENING TO 'SON' MAKES YOU FEEL GOOD! That is a trait which well extends to 'Son Dub' as well as, although the its beginnings have more of a flare (I think that's a flute at the head of the tune), it settles into this ultra COOL vibe which dominates throughout its duration (you listen to it at ~2:10 or so, 'Son Dub' is in the STARS! It is so nice!).

'Still Small Voice' featuring Reemah & 'Still Small Voice Dub'

.....and then.... and then there's this.... thing. Were you to actually ask me WHO I would most love to hear make a song with Vaughn Benjamin, I'd come up with quite a few names. I'd name people like Luciano, Determine might be somewhere on that list and maybe even a wildcard like an Aidonia (because, why not!) (CAPLETON would also be there as well). Somewhere near the very top of my list would also be the brilliant Reemah and LOOK WHAT THIS IS! The downright SHATTERING 'Still Small Voice' brings together two of the greatest lyrical minds modern Reggae music has ever produced AND THEY DO NOT DISAPPOINT! I'm still working on this one (and that process will only end when I do), but where I am is that 'Still Small Voice' is about conscience.

"A still small voice, with principle speaking
OF WHY LOVE IS NEEDED
WHY LOVE IS NEEDED"

It's about that present tiny thought that we all have in the back of our heads that (hopefully) helps to steer us in the right direction when we have those moments of doubt. It is far too often overlooked (it comes with being flawed, which is what we all are), but IT IS THERE! Reemah puts 'Still Small Voice' to the sword and absolutely destroys everything everywhere with her contributions and, I have to say, virtually each and every time I hear her work at her absolute best, I have this feeling that we are listening to someone TRULY powerful and special. Musically, 'Still Small Voice' is interesting because it is so complex, to the point where you notice it even behind the vocals. The dub seems to be more streamlined at times, which is more of what you would have thought it would be and the mix ultimately does work.... as you knew it would for a dub of, easily, one of the best tunes of 2023.

You don't need a closing paragraph, don't act like you do! It's Akae Beka, it's Zion High it's the ZIK. That's all you need to know (.... along with all that other stuff I just wrote up there^) (that stuff is important as well). "Glory" is available now.

Monday, July 10, 2023

Coming Soon: Glory by Akae Beka & Zion High Productions

"Glory" by Akae Beka [Zion High Productions]

1. 'Aqueduct' featuring Micah Sherman
2. 'Aqueduct Dub' featuring Micah Sherman
3. 'Glory' featuring Kabaka Pyramid
4. 'Glory Dub' featuring Kabaka Pyramid
5. 'Son' featuring Mykal Rose
6. 'Son Dub' featuring Mykal Rose
7. 'Still Small Voice' featuring Reemah
8. 'Still Small Voice Dub' featuring Reemah

Okay so, wanted to quickly tell you about something which, I THINK, may've gotten delayed because I believe I recall seeing a couple of months or so ago being set to release (and either it did actually get delayed or the actual release date was just that far out). In any case, now set to release in just a few weeks from now is the latest project from the immortal Akae Beka alongside the flaming Zion High Productions and the Zion I Kings, an EP by the name of "Glory", featuring four original tunes with their dubs. Similar (identical) works have come from both Glen Washington ("JAH Children") and Little Roy ("Woke Up") and now, WONDERFULLY, Vaughn Benjamin is up next.

The four tracks feature the accompanying work of four big artists including current Reggae Grammy holder, Kabaka Pyramid, Micah Sherman, Mykal Rose and..... someone.... someone named Reemah... on a song named 'Still Small Voice'.... hmmm.

Yep! 'Glory" has a combination between Vaughn Benjamin & Reemah! DAMN! I've actually heard quite a bit of this already (because JunoDownload puts up damn near entire songs as 'samples' and they always have) and it appears the be the heights of genius that you would imagine on such a pairing. Still, I'm well looking forward to hearing the full project as I'm sure you are and you can join me in listening as Akae Beka, Zion High Productions and the Zion I Kings bring forth "Glory" on on the 11th of August. 

Sunday, July 24, 2016

What I'm Listening To: Forever, Forever, Never!

"Lightning" [Greensleeves Records - 2000]

Don't ask me why (pleeeaaaaase don't ask me why) (... well, you can if you want, I don't know) a nearly two-decade riddim has found its way back on my radar, but it has and has done so almost totally because I am simply not strong enough to stop listening to one of its tunes. As the subtitle here alludes to, of course it is 'High Grade Forever' by Bounty Killer. I can suddenly listen to this song continuously on replay for... hours. For no reason at all, but there you go. To its credit, the riddim itself was exquisite. Built by Jeremy Harding for his 2 Hard imprint, the Lightning was pounding and unforgiving and along with playing a perfect backdrop to an indefatigable Killer, it also served well in the capable hands of the likes of General Degree, Spragga Benz & Sugar Slick, Ward 21, of course Sean Paul and Sean Paul's friends, Nadine Sutherland and even Gabriel (remember Gabriel/Levardes???). Still, despite my current state (I'm listening to it right now and will continue to do so, there's nothing anyone, including (especially) me can do to stop me), the best song on the Lightning was 'Bun Friend Enemy' by TOK. "... a nuh bush weed neva!"

CD + Digital

"Up & About" by UT Ras [CD Run - 2016]

Unsurprisingly, this drop from earlier this year (2016 is just flying by) got virtually no attention from anyone, but it was an album I had been looking forward to for nearly a decade. Wayyyyy back in 2008 Grillaras Productions delivered an exciting Roots set by the name of "Tha Bitter Stretch" from the just as exhilarating UT Ras ["Man a ancient warrior!"]. It was an outstanding and infectious debut album and I was well looking forward to the sequel. Well, we've all stuck around (if you're reading this, I can assure you that you are still alive) long enough to see it and here it is. "Up & About" is UT Ras' sophomore offering, this one coming courtesy of CD Run and while I can't at all put it the quality stratosphere of its predecessor, "Up & About" is still a tough, tough release. What it lacks for in the spectacular, it makes up for with a consistent and somewhat surprising 90's style Dancehall sound - highlighted by solid efforts such as 'Sprut', 'Safe Travel', 'Yap Yap', 'Auling Key', personal favourite 'Can't Tired' and the title track. Again, it isn't the best album you'll hear and it sounds like something straight out of the year 2000 or so, but definitely check out "Up & About" by UT Ras, if for no other reason than because you've been waiting on it for 8 years... biggup Elijah Prophet.

Digital

"Rasta State" by Mykal Rose [VP Records - 2016]

Inside of the same month or so VP Records deliver very strong albums from immortal veterans Freddie McGregor and now Mykal Rose who steps forth with another album I've been looking forward to getting my paws on (although not quite for eight years), the King Jammy produced "Rasta State". On paper this album couldn't be bad even if it tried to be and, thankfully, it did not as the two legends team up to offer a piece which shows the occasional flash of absolute brilliance in its fifteen tracks. To my opinion (albeit an early one, I'm still working on this one), "Rasta State" is an album whose real power comes in its subtleties. There are some REALLY big tunes here which may be destined to go overlooked by the masses but are wholly DOMINANT material. Example? There is a WONDERFUL tune on this album by the name of 'Hungryness' which I don't think will attract much attention but will reward anyone mindful enough to give it a bit of extra attention. The same can be said for pieces such as 'Free Education', 'Unity' and others still. Rose is someone who definitely does NOT have a kind of subtle style, but it is very interesting to hear it play out on what is turning out to be a very DETAILED project.

CD + Digital

The Daily Devotion Riddim [Pure Music Productions - 2016]

Biggup Delly Ranx and co. at Pure Music Productions for this golden composition from earlier this year, the Daily Devotion Riddim. The actual track here is so compelling because it sounds like a Reggae/Jazz type of a fusion (biggup Sara Lugo) which, in most cases, works excellently for the vocalists. Speaking of vocalists, it is Delly himself who makes a case for the biggest tune on his own riddim (as it should be) with 'Ganja Devotion', and he is joined near the quality head of the release by the likes of Sizzla Kalonji with the damn familiar 'Babylon Judgment', Norris Man [BOOM!], and UK duo Gappy Ranks and Chukki Starr who both shine on their solo efforts, 'Pool of Lava' and 'The Knowledge', respectively [--for his actual talent, what he is capable of, Chukki Starr may just be one of the most underrated Reggae artists that we've ever seen, the man can effortlessly pour out winners and the appropriately titled 'The Knowlede' is a glowing display of just that--].

Digital

"Crucial Duets Volume One" by Yami Bolo [Yam Euphony - 2007]

And finally, give a MAMMOTH thanks to an old friend of mine, Clark, who dropped his suit and glasses and picked up his cape when he passed on this difficult to find gem about a month ago (I have known clark since I was about seven years old, almost thirty years) (biggup yourself Clark). "Crucial Duets Volume One" was a compilation of some of the strongest combination tracks featuring one of my truly favourite vocalist throughout all of modern Reggae music, the incomparable Yami Bolo. Today we see these well-conceived "... and friends" projects (biggup Mark Wonder) (biggup Sara Lugo) and this drop was very much of the same type and, like the new ones, it too was very strong. "Crucial Duets" featured a strong mix of tunes with which you were likely familiar such as 'Liberation' alongside Capleton and 'Curly Locks' with Merciless; blended with lesser known lights featuring contributions from such artists as Qshan Deya, Jack Radics and even Bounty Killer. The album also carries the weight of legends in the form of Dennis Brown, Lee Perry, Sugar Minott and others still. And as a bonus (for me), also included was 'Spread The Love' with Lutan Fyah, the duo's cut of the WICKED Talking Drum Riddim courtesy of Lustre Kings Productions. We've seen this one available at the odd online retailer and it is well worth tracking down for fans in my opinion. Check it out.

CD