Of Note: A review of Heart Of One

Signatures. I'm currently working on the latest installment of our running series, 'Signatures', which is a feature we started to highlight some of my personal favourite songs from various artists. It's gotten a pretty solid response thus far and, after a break, we will continue it with the legendary Cocoa Tea, probably sometime later this month. I bring it up (because I absolutely love it) to lead into the fact that you can definitely take that same concept and apply it not only to a particular, individual artist but an entire label as well. It can be a little bit more difficult (and interesting to write) because you may not normally associate a certain piece of work with a label in terms of release and the choices you have to choose from may be incredibly vast but it can also be a very fruitful and satisfying experience as well. I'll bring up an example of a label that not only fits the concept of what we're doing today (they've worked with some of these artists) but one which has done PRECISELY what I think we're looking at here as well. Of course, I'm referring to I Grade Records and, by extension, the Zion I Kings. What're the signature releases of I Grade Records??? Were you to put together a list, surely it would be full of pieces from Akae Beka -- having the biggest Virgin Islands artist alongside the biggest VI label -- but I'd also include, off the top of my head, a pair of albums from Lutan Fyah and you might also come across works from the likes of Dezarie, Tuff Lion ["Ten Strings"], Pressure Busspipe and maybe even one or two others as well. Another set that I think would HAVE to be included (....and, of course, I'm now thinking about doing such a list) would be an album that we've well discusses around these parts so I won' take up too much of your time by beating it down again but, way back in 2009, IGR would release what is my opinion one of the greatest compilations of the modern era of Roots Reggae music, "Joyful Noise". Similarly, the other components of the Zion I Kings, Zion High Productions & Lustre Kings Productions, have also released compilations which are, easily, amongst some of their greatest productions. I could go on a more well known scale and start mentioning things such as "Reggae Gold" and "Strictly The Best" also - people who make Reggae music love making compilations and when they are very well done, the results can be some of the most memorable and most identifiable that they make, period. 

So, were one of my favourite labels going today to release a compilation which, at least on paper, looked like pure FLAMES, they're probably going to have my full attention. That brings us back to the wonderful people at Trinity Farm Music who, once again, are doing something well worthy of a look. While I could already point to a signature release from the label (they did launch our favourite album of 2024, Akae Beka's "Living Testament"), TFM have CONSISTENTLY delivered solid work in very recent times courtesy of a very interesting batch of names (biggup Batch) and have done so at a fantastic rate. Clearly, they have no intent on slowing down AT ALL. 

2018

So how do you take things even higher? Maybe [another] large compilation would do it. I can't go too far with this (well, I can (and I probably am eventually, but....), because Trinity Farm Music already has an outstanding compilation to their credit in 2018's LOVELY "Music Tree" which would have been one of their very first releases altogether. At least to my knowledge, there was never a second volume to "Music Tree" so, in its stead (kinda), 2025 now brings us "Heart Of One". The PACKED compilation checks in at nearly and hour and a half, spread over twenty-one tracks, featuring contributions by a VERY healthy variety of names. If you're following along with TFM's works, you'll see a number of their favourites building up the vocalist roster on "Heart Of One" and you'll also see some wonderful surprises as well (some of whom, I hope to see recording with the label more going forward) including some old personal favourites that we haven't seen much of it lately. For me, when it comes to compilations (especially on riddim albums which're far more rare these days than they used to be) one of the things that stand out most immediately is who is on board. I've actually made comments about that exact thing in the past and have had producers message me saying what happened or how certain things came about and it's all very fascinating (one was even apologetic) but when I laid eyes on what was happening here, even prior to hearing the actual music, I was mightily impressed, once again, by TFM. I failed to see how you could even put together such an array of talents and drop something subpar and "subpar" is not what I heard when I did get to hear "Heart Of One". Also, like pretty much everything that I've listened to from TFM, the music here is very heavily Roots Reggae, but I didn't find it very.... exclusive. While I don't see it being a very good starting point for listeners new to the genre entirely, if you've only recently come to know the greatest sound on the planet (congratulations), you're going to find something here entertaining and not just because there's so damn much of it. From beginning to end, "Heart Of One" shows itself to be stellar and a FINE potential introduction to one of the best labels going today. Let's get into it! 

Did I mention that this album had twenty-one songs on it?? It's been a minute since I've done a review on an album so damn long and I don't know how I'm going to break it down and segment it but let's just get to it anyway. Getting things up and going on Trinity Farm Music's BIG compilation is a very familiar name to our eyes and ears as the Arkaingelle puts both his and one of the album's best foot forward with the outstanding 'Yaddin by the Rivers'. By the slimmest of margins (with respect to maybe two or three others (but one in particular)) The album's opener is also my single favourite that it has to offer. Arkaingelle has a song called 'Manifess Joy' which is one of the top fifty or so best songs that I have EVER heard, so it's no surprise that he takes top honours here for me, as 'Yaddin by the Rivers' is simply flooring. 

"It is time now for repatriation 

Gather yourself, yow, let's get it together

We've got to organize, and centralize and mobilize

We haffi dispell all their falicies and all their lies

Do you know The King Of Kings was crowned, Haile Selassie I?

Rastafari, Head Creator over I & I

Lord Of Lords, Conquering Lion Of Judah

Prince Of Peace, I wonderful Counsellor 

Yes, He's the Alpha & Omega and with Menen, there's no other

The King & Queen, dem hold the ancient order

Mek I an ah yad a Mama land, lef outta babylon

No matta where you come from, Africa Fi Africans"

The Arkaingelle gives a MASSIVE grounded praise to The Almighty with this shot and it, instantly, became a favourite of mine (would have to think, but it COULD be the second finest tune that I've heard from him thus far) and were it at all possible, suddenly I was even more intrigued by "Heart Of One". Also want to give a quick credit to the music here: The impeccable aforementioned Tuff Lion is credited as being amongst the musicians on this album and I don't know if he plays on 'Yaddin by the Rivers', but I would not be surprise if it does feature his handiwork. This sound, as EASY as it is, is GORIOUS and I would well recommend that you pay a closer attention to the riddim as it develops because it does move ever so slightly and becomes even stronger to my opinion. Next up (spent all that time talking about one tune, time to get moving!) is someone whose name I have come across but, clearly, don't know as much about as I should because Dre Z Melodi DELIGHTS on his effort, 'Faith'. Just last year, Melodi dropped an album which I heard a bit of by the name of "Victory". Such release was damn difficult as it featured, amongst others, Akae Beka (twice) (and the first of the pair, 'Loving Jah' was fantastic), Fred Locks and Perfect Giddimani. It may be time to give "Victory" a closer listen because 'Faith' is damn impressive. DZM has somewhat of an unusual delivery. To my ears... he's almost sounds a bit like Ras Army but no matter a point of comparison you may want to come up with, check the golden 'Faith', another praiser but one which definitely finds its home with a VIBE. Listening to this song makes me feel good! Also, again, note the lovely musical conclusion here as well. Veteran Haile Maskel comes through for Trinity Farm Music with 'Wadada Today', which I'm going to allow my wonderful Wife to review:

"This song sounds like a cool old man singing a song"

There you go! From my point of view.... 'Wadada Today' is so DAMN BASIC but I don't mean that in a derogatory way. There is something compelling about it (beyond the great music, which I'm going to stop mentioning so much because it's the case on pretty much every song on this album, so I can save it for closing), especially in its latter stages as Maskel puts forth a very solid unification tune. Underrated and overlooked Belize born, Jah Myhrakle, has a new album out of his own by the name of "Worthy 2 B" (about six weeks old at the time of writing this), which is pretty good and I should probably review it at some point in the future. Until then, however, check his contribution to "Heart Of One", 'Take Frontline'. This GORGEOUS selection deals with ideas such as loyalty and the importance of surrounding yourself with positivity and positive, forward thinking people. EASILY one of the strongest pieces on "Heart Of One", Jah Myhrakle SHINES and does so in a very entertaining and melodic way as well. Hikari Zion, unfortunately, offers up the sole and solitary misstep on the whole of "Heart Of One". Try as I might, I could not get into his 'Luv Yu' at all. Both the pacing and what is are rather unusual and neither worked for me, ultimately (I, seriously, have no clue what is going on with that song). Righting the ship, the final two names from the opening third of the album came as total shocks and really helped to up my curiosity here. The first is Ickarus. Former (and maybe still) member of the famed Star Lion Family (which also produced both Pressure Busspipe & NiyoRah) from out of St. Thomas, Ickarus may not have had the road that some of his peers have enjoyed but OBVIOUSLY that isn't a matter of talent as he displays throughout his 'Everything Irie'.

"You've gotta nice smile, now put it on display

Do it real fast, arriba, andale

Wi no inna negative, wi no waan today

Tell dem mi serious and now mi no come to play

Put di knife down, youth, put di gun away

And hold a Bluetooth speaker from today 

UPLOAD SOME AKAE BEKA POSITIVE SONG TO PLAY

And watch di moon enlight di night and sun bright di day

When you walk with a positive, it's like a spiritual armor

Some people say bad deeds does return

Some people a just does ah call it a karma"

As you would expect, a song by the name of 'Everything Irie' goes in every possible direction and I'm thinking it was just something that he Ickarus vibed for that riddim. Regardless of its origins, however, it is a big winner for the album. Whether you realize it or not, THE most identifiable name on the whole of "Heart Of One" is that of Ras Elijah Tafari. Best known for his visual artwork in album covers -- such as this one, this one, that one over there, this one and that one too and even THIS ONE HERE -- (I HAVE NOTHING IN MIND WHILE I AM WRITING THAT. I'm going to go through and fill them in later. That shows you how prolific he's been and continues to be) but here, he turns his talents to actually inside the recording studio (as far as I can tell, he's been doing it for a decade or so at this point) and offers a pair of tunes for "Heart Of One"... along with the cover, of course. The first of them, 'Same Family' MIGHT be my favourite of the two but it's very, very close. Tafari's style is fairly straight forward chanting, for the most part, though he will press it and back off from time to time and he has a pretty good command of melody as well. That is well apparent here, 'Same Family' is pleasing to listen to and it makes sense. The same could be said when Tafari returns for 'Hot Hot Hot', later on. For its part, this song has more of a HEAVY vibes to it (there's something really cool about 'Hot Hot Hot'... despite its title) as the artiste turns up the heat on those in serious need of cleansing. I give a massive credit to Ras Elijah Tafari, in general. He's one of those people who'll likely not get his full credit for it but the man has made a MASSIVE contribution to this generation of Reggae music, again, whether you know it or not. 

The next third of "Heart Of One" keeps the wonderful surprises coming in the form of who's on board and the quality of their output is also high. We also get a couple of names back from the first batch with their second songs on the album: Jah Myhrakle & Dre Z Melodi. Myhrakle's song, the very catchy 'By  His Words' sits comfortably amongst the album's finest in my opinion, combining exactly what you're thinking of for a theme with a very clever method. DZM, on the other hand, takes a somewhat unique route on 'Keep My Health'. Although this one doesn't quite reach the heights of 'Faith' and (it's going to take a few spins to grow on you) it's fairly skeletal at times, 'Keep My Health' wins by virtue of a uniqueness and a VIBE. Staying away from it for now - musically, something very interesting happens on the tune and, again, if you have a little patience, 'Keep My Health' will glow for you. We also get a pair of CANNONS courtesy of two unexpected names for "Heart Of One" as both 'Rastafari Guide the Way' and 'Moralist' are EXCELLENT. The very simple former is by an Isayah, who I'm not entirely sure that I've come across at any point ahead of this album but it the big praising piece comes as a very welcomed introduction and, as usual, I'll immediately head off and find out what else Isayah has been up to (he'll come back and show us what he's been working on, later). The ULTRA impressive Kali Wale is the man behind 'Moralist' and though I thought I'd also have to do some background work for him, a name change actually saved me some time. Wale has a very nice singing voice (it's very LOUD and clear) and he's an even better writer.... somewhat reminiscent of an artist by the name of YahKali, with whom I am familiar, largely due to a review I wrote over a dozen years ago for an album by the name of "Powerlink" by the Amandla collective. I was impressed with YahKali's abilities back then and he and Kali Wale just so happen to be one of the same and, nothing has changed: 'Moralist' is downright MASSIVE and I could really go for a full album of this. 

"System of the serial 

Some win, some losers

Use language just to confuse us

Ripped from nature so dem can abuse us

Entertainment just to amuse us

And nation rise unlike no other

Giving honours to the child and the mother

Protect the innocent and respect each other

Equal rights, justice forever

System backward: Sit down - get reward

Identify the I as civally morbid

Reject your place of birth, inheritance forfeit

Another generation sorted

And nation rise, not bound to no colour

Just to pedigree, tradition and to culture

DECLARE your allegiance and start to unocover the true source of all your power

Moral, say we loyal and we noble

Royal cause we cup full, yet we joyful

Healthful, sipping sorrell, smelling floral

Inna the spiral, message viral, with we hearts full

Moral, say we loyal and we noble

Royal cause we cup full, yet we joyful

Healthful, sipping sorrell, smelling floral

Inna the spiral, message viral, with we hearts full"

Original Nine Fingers, Xkaliba, WONDERFULLY also makes an appearance here with a big piece of intelligence in 'Want More'. Though not to the same degree as the aforementioned (and soon to be mentioned again) Ickarus, we'd definitely like to hear more from Xkaliba. His style is SUPER SIMPLE. It is very basic and straight-forward but it works for him, far MORE often than not. I do enjoy 'Want More' (don't love the spelling but everything else is just fine) as the Cruzan chanter touches on the thin line between thriving and seeking the best for yourself ["Get good loving. You still want more"] versus just being DAMN GREEDY. The musically motivating 'You Can Be' comes from someone who I almost certainly have not mentioned for at least a decade, King Hopeton. Several hundreds of years ago, Hopeton released a FINE album by the name of "King Of Kings". It was a thundering introduction to the singer and although he didn't really follow up on it (he did, but none of Hopeton's subsequent work has been on the level of his debut, in my opinion), it made a fan out of me and I've at least made an attempt to keep an ear out for what King Hopeton's been up to. 'You Can Be' is another one which required some time to grow on me but it has greatly from the first time I heard it. King Hopeton also has a new collection out, "Time", which will probably be just about a week old by the time you read this. About a year ago, veteran Rob Symeonn pushed "Manners & Depression", an album, for Trinity Farm Music. He's also had other work on the label, including since the album, so it should come to no surprise - his presence on "Heart Of One", with 'Depression' (...probably would have been a surprise if he weren't on board). This song is what you're thinking it is as Symeonn warns all about the various stresses of everyday life and how to not get caught up in so many things piling up on you at once and losing your happiness. The topic is, obviously, quite crucial to him lately as the artist also pushed the similarly concentrated 'Sunshine', another single for TFM, earlier this year. 'Depression' is even stronger and a major attraction for "Heart Of One".... more on that later. 

Another kinda/sorta familiar name shines during the final chunk of "Heart Of One" as both of the songs that Noble Culture contributes are found here. About twenty years ago, a Black Culture launched the Bambu Station produced well-received "Lion's Den Adversity" and, like Kali Wale, he, too, has undergone a name change and is now Noble Culture. Between his 'Refugee' & 'Not in The Mood', it is former which REALLY stands out as BC puts forth a very nice and specific social commentary about how people can feel like outsiders in their very own homes. Apart from the sake of comparison, 'Refugee' is just really strong as well. Though it doesn't quite hit those levels, 'Not in The Mood' also goes well, especially lyrically. The shortest selection here by more than twenty seconds, you do wish it were lenthier but 'Not in The Mood' does manage to make an impact in its short time. It's also very simple and nice to the ears. Our old friend, Messenjah Selah also makes an appearance with this fun time, 'Natural'. In the early days of this blog, we did a kind of running project with one of Selah's albums, "Breaking Babylon Curse", so he's had a special place on my players even since. 'Natural' is EASILY the best song that I've heard from Selah in some time and it features him dealing with how he's come to be who he is, musically, a 'sufferer' of intense, infectious Reggaemylitis. 

"It's written in my blood

REGGAE YOU DO ME LIKE NOBODY DOES, NOBODY DOES"

It does all of us like that, Messenjah Selah. Take Haile Maskel, for example. He loves it so much that he comes back again to the album with 'Negust is Ruler', which is even stronger than his first effort here, 'Wadada'. I'm going to tell that though I don't feel the song needs any time to grow on you, it does take a bit to develop and, as the only over five minute piece here, 'Negust is Ruler' gets all the time it requires on that front. When it does get where it's going, it is a creepingly LOVELY praise which fits its creator (and THE Creator) perfectly as a vibe which is the best way I feel it is enjoyed. Ickarus also makes a return before ending things here with his second go on "Heart Of One" with the familiar 'To Africa'. This song actually taps the same riddim as 'Who Will Go For Us', the initial single from what turned out to be our favourite album of 2024, "Living Testament" by Akae Beka. Here, we find the chanter outlining some personal goals as he plans to visit the continent before the end of his days. This one is FUN and you can really here the passion coming through Ickarus and HOPEFULLY he makes it home! Lastly, check the ABSOLUTELY MAMMOTH 'StrucJah' from Isayah who returns to the project gloriously. Isayah beats us all down to the cellular level (the man literally talks about things like DNA and photosynthesis) (somewhere, Vaughn Benjamin approves) and you get to a place where, in its later stages, Isayah is SOARING all over 'StrucJah'.

"HIS Haile temple is the willingness of royalty

JAH GIVE US EVERYTHING WE NEED IN RIGHTEOUS ENERGY

The DNA, double helix, highest complexity

YOUR BODY IS A NATURAL ORGANISM, KEEP IT CLEAN"

DAMN! If you were, at all, unfamiliar with and unaware of Isayah's level of skill prior to "Heart Of One", you, like me, have just been placed on notice as he gives a giant word to honour the power of The Orchestrator. 

I've alluded to it (and flat out said it) a few times throughout this review, so I'll make this brief: The music all over "Heart Of One" is kinda SPECTACULAR. It's really, really strong. In particular, I'd point you in the direction of Haile Maskel's 'Negust is Ruler'. The guitar (which may or may not be played by Tuff Lion) on that thing is GORGEOUS and it truly levels up near its conclusion. Big credit goes to Trinity Farm for making an album which sounds like this because, even if you aren't as fond of the actual songs as I am, anyone even remotely a fan of Reggae music will thoroughly be impressed by what they hear by the players of instruments here. 

Overall, while I definitely set some mighty shoes for it to fill and a big path for it to follow, "Heart Of One" does just fine with it. It is excellent and it is such in a way that is very understated, for the most part. I don't think ANY vocalist on this album is going to leap out at a more casual fan. Again, THE most recognizable name here would be that of Ras Tafari Elijah and that's because of his visual art. Musically??? PROBABLY who stands out the most is Arkaingelle (Rob Symeonn and Messenjah Selah would also be in that conversation) but, as a collective, for someone like myself (and probably Yourself) this lineup is delicious and rarely is there a wrong direction taken. So, perhaps if you haven't been paying attention to the fine work Trinity Farm Music (and Go A Chant Productions) has been pushing over the past few years, "Heart Of One" represents a brilliant point to become acquainted, especially for more constant fans of the genre. One of the finest Reggae compilations of 2025 - and it ain't even close!

Rated 4.5/5

Trinity Farm Music

2025

Endless New and Newer from Trinity Farm Music

"Heart Of One" [Trinity Farm Music]

 1. 'Yadding By The Rivers' by Arkaingelle

2. 'Faith' by Dre Z Melodi

3. 'Wadada Today' by Haile Maskel

4. 'Luv Yu' by Hikari Zion

5. 'Take Frontline' by Jah Myhrakle

6. 'Everything Fine' by Ickarus

7. 'Same Family' by Ras Elijah Tafari

8. 'Rastafari Guide The Way' by Isayah

9. 'Moralist' by Kali Wale

10. 'By His Words' by Jah Myhrakle

11. 'Want More' by Xkaliba

12. 'You Can Be' by King Hopeton

13. 'Keep My Health' by Dre Z Melodi

14. 'Depression' by Rob Symeonn

15. 'Refugee' by Noble Culture

16. 'To Africa' by Ickarus

17. 'Hot Hot Hot' by Ras Elijah Tafari

18. 'StrucJah' by Isayah

19. 'Negust Is Ruler' by Haile Maskel

20. 'Natural' by Messenjah Selah

21. 'Not In The Mood' by Noble Culture

Okay so, when we last spoke to [about] the wonderfully prolific people at Trinity Farm Music, they were dealing with yet another release from the equally active Ancient King, following the [other] new album release from the determined chanter (biggup Determine), "Oath Of Akae". Next week, by the time you read this, the label is back with a BIG new compilation with a very interesting roster of vocalists that definitely caught my attention, "Heart Of One".

Who's here, exactly??? Well, there's Rob Symeonn, there's the Arkaingelle, Noble Culture, our old friend Messenjah Selah, RAS ELIJAH TAFARI [!], KING HOPETON, Jah Myhrakle, "Original Nine Fingers" Xkaliba, Star Lion Family veteran, Ickarus, and others! I mean.... that is BRUTAL and I mean that in a great way. TFM has been flaming as of late (and it continues. I'm writing this one Saturday, the 19th and, yesterday, they released 'Africa', a new tune from Abja) and a really big compilation like 'Heart Of One" presumably stacks up to be, is a damn strong addition to their catalogue in my opinion. The label... there's something about them that... I don't know.... There's something really strong about this lot. It almost comes off like their RAN by music fans - if that makes any sense at all. Trinity Farm is making moves and working with individuals that I would work with! 'Let's make an Ancient King album!', 'let's do something with.... Danny I'.

And if you think they're just kind of making cheap stuff and throwing it all against the wall to see what (if anything) sticks, I would point you in the direction of an album they did about a year and a half ago by the name of "Living Testament", by Akae Beka, which was subsequently named Album of The Year 2024 by this blog. They make REALLY good stuff as well. It isn't quantity over quality. 

You can check both quantity (twenty-one tracks in all) and, likely, quality in just a few days on the 23rd of July when Trinity Farm Music returns with "Heart Of One". I will be there and so will you.... it isn't like you have anything better to do. 

Rewind! - "Indigenous" by Rob Symeonn

"Indigenous" by Rob Symeonn [Goldheart Music/Jah Youth Productions - 2014]

While you won't see the name Rob Symeonn dominating these pages and you probably won't see his name prevalent in many Reggae circles, the veteran looked to change that in early 2014 with the release of his latest album… and he was successful. Along with providing himself with what will likely stand (for a substantial amount of  time and maybe even all time) as his greatest album, Symeonn would also give a big shot to the year in Reggae music, as a whole. Despite the fact, as far as albums, the first quarter of 2014 has been as memorable as any other in recent memory, what Symeonn did easily rivals the best of it thus far and I'm virtually certain that I'll be saying the same thing in December (and if I'm not, the year will be something truly special). Today we take a look at exactly what was so powerful about this release as Rob Symeonn teamed up with Goldheart Music and Jah Youth Productions, for a potential classic and we Rewind! "Indigenous" by Rob Symeonn

Original Review

1. 'Ithiopia'

TEARS! I can still recall the emotion of first hearing the opener from "Indigenous", 'Ithiopia'. It was this significant and eye-opening feeling of 'okay maybe this isn't just some decent album' and maybe it was something special. It would definitely live up to these standards subsequently, but where it started was just so high and so beautiful with this somewhat understated, but entirely ROYAL, selection. If you want to call it the best song on the album, that's fine, but even if I would disagree, I couldn't call it lesser than the album's second best offering altogether. And the riddim on this song was golden. 

2. 'Forgive Them'

"Forgive them what they're doing

And all the trespasses they've done

This, I ask of You

For they know not what they do

So many cry, so many die -

On the battlefield

So many whipped, so many shipped

What a fighting and ordeal

PROPHETS CUT DOWN LIKE WEEDS -

All because of their evil deed"

From a sonic point of view, 'Forgive Them' is SPECTACULAR. It is EASILY one of the best such moments on this album (and would also be on most others) and it is something which I'm now appreciating more. Just a casual listen to this tune brings forth this very compelling type of vibes and I would LOVE to hear an instrumental of this one. 

3. 'Day By Day'

I've kind of taken the reverse approach to 'Day By Day' than I have in regards to its predecessor. In the case of 'Forgive Them', I've backed up and listened to the tune not too intensely and it has well opened up and allowed me to appreciate the most cursory (but SHINING) quality of it. As for 'Day By Bay', on the other hand, I've tuned into it a bit deeper and it, too, has unwrapped just a bit. These days what stands out as most glaring is the fact that this is one of the best written songs on this album. It covers so much ground with the spoken word (ground which you would not have noticed with a more simple listen). It is a love song. It is a social commentary. It is a look at relationships, in general. And so many other things as well and I think that Symeonn uses the prevailing concept, of being in a relationship as a metaphor for so many different aspects of life because of just how broad and wholly relatable of a piece that it is. 

4. 'Mama Said' featuring Ragga Lox

Similar to its predecessor in terms of how deep it is, 'Mama Said' is another tune that I've paid a closer amount of attention to recently. This song is about having proper behaviour and straightening out one's life and I think that Symeonn and Ragga Lox use the figure of "MAMA" as this dominant figure of goodness - as if saying if you are going to listen to someone it would definitely be Her. Beneath that 'umbrelling' (when you begin to turn nouns into verbs without even thinking about it beforehand, something special is happening) concept you get others such as anti-violence, unity and perseverance. A LOVELY song, but one which is best appreciated with a closer look. 

5. 'Tired Of Work'

I was and remain of the opinion that, in 'Tired Of Work', Rob Symeonn and company may have a future hit on their hands if they ever decide to push it up just a bit. When you link a kind of simple maturity and intelligence and responsibility with a DELIGHTFUL display, you leave the listener with a giant impression, which I am STILL fully enjoying today and hopefully I'm not the only one. 

6. 'Night On The Town'

"Let me take you on an excursion

I give you loving with precision

And you're gonna feel shivers as I hold your hand

Its been a while since we've got the chance -

To spend the night on some late night romance

And this is the perfect opportunity to full joy yourself so lets go

NIGHT ON THE TOWN

WHEN NO ONE'S AROUND

WE NEED A - NIGHT ON THE TOWN

WHEN NO ONE'S AROUND

We can go down to Bermuda

Make an excursion to Aruba

Sit down and start to recline

Smell fresh air and feel the sunshine

A candle light, when it gets dark

A spliff it roll and it ready to spark

Underneath a nice palm tree

Feeling the breeze of Hawaii

A NIGHT ON THE TOWN

WHEN NO ONE'S AROUND

WE NEED A - NIGHT ON THE TOWN

WHEN NO ONE'S AROUND"

An unshakable and candy-like chorus dominates previous single, 'Night On The Town'. It was life-changing or mind-altering material, but just an excellent song which was one of the easiest to enjoy on "Indigenous". 

7. 'Jah Only'

'Jah Only' was a composition that was absolutely saturated in old school charms and, from a musical point of view, it helped to make this Ticklah produced set one of the most memorable here. At its core, this was a song about dependability. Symeonn said that no greater entity existed to be depended upon that The Almighty and he did in such a delightful way that it made getting his point across so much easier. We often talk about how the display of a song should match what is being said and, in this case, with something so nice -- having found someone who will never let you down -- it synced up perfectly.

8. 'Life Is Precious'

I've now come to the conclusion that, 'Life Is Precious', the best song on the whole of "Indigenous" to my opinion, is far too short! As the fourth shortest song on the album, it gives only a taste just how GIANT and INFECTIOUS it is in a time period considerably shorter than just three and half minutes. However, Symeonn does make the most of it by doing a composition on which he tells all to… make the most of it! Previously, I was of the idea that 'Life Is Precious' was of a stationary idea, but I now see it as a very evolving one. It isn't something where Symeonn says to be thankful for what you have and leaves it like that. He says to aspire to even greater, but the idea is to, before you go forward, make sure your foundation is solid. And how does Symeonn suggest you 'solidify'???

"STRIVE FOR YOUR BEST AND ACCOMPLISH YOUR GOAL

OPEN YOUR HEART AND LET HIS MAJESTY TAKE CONTROL"

BOOM! 

9. 'Monkey Wrench'

"Mr. Monkey Wrench, Mr. Monkey Wrench

Seh let the bad vibes go

Mr. Monkey Wrench, Mr. Monkey Wrench

What make you gallang so?

Dem wake up early, like a wolf when he search fi prey

The more you give dem, give dem -

THEY COME BACK RIGHT AWAY 

But I'm steady going in the way that I'm walking

With Rastafari and the things that I'm talking

Woe be on to the wicked on

Jah Jah show us under the sun"

Keep a filter on the people that you spend time around (biggup Ickarus) ["MIND WHO YOU LIME ROUND, SPEND TIME ROUND, THE COULD BE THE SAME ONE THAT'S PULLING YOU DOWN!"] [WHAT!] [BOOM!] is the message behind another of this album's numerous highlights, 'Monkey Wrench'. This composition was another with a highly visible (and pleasant) old school 'heart', but one which brought a very crucial message right along with it and is not to be missed.

10. 'Seems Like'

Although not my favourite song here, the Bluesy 'Seems Like' was not entirely devoid of quality. The tune was written, seemingly, on the dying edges of a relationship (which, of course, is the subject of every Blues song ever written) and Symeonn does well here. In retrospect, 'Seems Like' is THE changeup of "Indigenous" in terms of both sound and themes. It does fit in with the run of the most of the rest of the material here, but that isn't a bad thing as diversity and versatility reign on 'Seems Like'.

11. 'Never Too Late'

Following the line of a few songs on this album, 'Never Too Late' was a very nice piece about looking for help in any form in which it may appear and that is precisely what stands out for me now. Here, we find Rob Symeonn to appreciate and accept support wherever you can find it and that it will not always come from the expected sources. Also (as is the basis for the title of the song), no matter how bleak things may look, they can always get better and (and this is something that may go overlooked), that not only can things improve without warning, they can deteriorate just as quickly - so always be prepared. 

12. 'Live Upright'

"Throw away your evil conceptions, I want you to give Jah Ises

Throw away your wicked thinking and step in the realm of righteousness

I tell you love is what they needing in this time

I tell you love is what they needing in this time

So you live upright

You live upright"

The major attraction of another previous single from the "Indigenous" album, 'Live Upright', is definitely its presentation. You'll find more lyrically adroit compositions on this albums, but in this particular case, what happens with the word is more than appropriate because Symeonn is presenting something, a way of life here, that he wants you to take a notice of. And he places it within the 'package' of this sublime tune. And it isn't a bad song from a lyrical point of view either. What I'm taken these days from this tune, apart from the JOY it hands the listener, is how broad it is. The artist isn't directing it to anyone especially - it is a call for all to make better judgments and actions for the sake of all.

13. 'Because Of You'

'Because Of You' is a remake of an older song (which I should probably know by now) and there isn't much to be said in its case. However, it would be my guess that this tune was created to make a nice vibes and make the listener feel good and if that was the idea behind this one: Mission accomplished.

14. 'Grass Is Greener'

I have a different thought now about the meaning of 'Grass Is Greener' which has definitely become a personal favourite of mine from this album. Previously, I thought that it was about correcting past mistakes that one has made and setting a better course. These days, I'm under the impression that it is, instead, a piece about appreciating what you have and not going too far with bad ways and bad behaviour to chase down something which may seem to be better - because it's a waste of time. A song like this one, precisely, is why we do features like this one because things change and opinions change even more than "things" and I damn appreciate songs like this one which are great to listen to and are challenging as well. 

15. 'Respect Due'

You simply do not get more 'indigenous' than Mama who is the center of attention on the album closing 'Respect Due'. Here we find Rob Symeonn, with great cause, presenting MAMA as a royal-like figure, who is to be revered above all. Something has grown here for me as well and that is my appreciation/fascination with the track carrying this tune. It is slow and lumbering, but it's also VERY nice to listen to. It has Dub qualities all throughout it and they're highlighted now for me in listening back to this album.

"Cause in my garden, she's brought flowers

And I want to take care of her each and every hour

WHEN I'M SICK, SHE'S THE ANTIDOTE

And she gives me herbal tea just to soothe my throat

So respect due to the original Mother"

And respect is due to you if you have already picked up this album [shame! If you have not] which has already made a sizable impact on me, personally, and hopefully goes on to bring a new level of attention to its creator, the wonderful Rob Symeonn.

'You Need To Hear This': A review of "Indigenous" by Rob Symeonn

Sweet things. Behind each and every album we deal with here there is some type of story and development about how it came to our attention and, obviously, why I felt the way about it that I did. That kind of 'journey' to the record, in my opinion, definitely adds to the enjoyment of the music and when you place things into more of a historical context, at some point in the future, it becomes a large part of how I’m able to appreciate and process a record. It isn't just a matter of an album by an artist - it's something much more in respect to the circumstances around that particular release. For example, something which I'm well thinking back to in comparison to our subject today is the wonderful show that Anthony Que put on back in 2012 with the release of a pair of downright majestic albums, "Meditation Time" and "No Fear No Man". I don't know that there will ever exists a point in my lifetime where I think about one without the other. And that doesn't, at least not for the most part, happen in any other avenue of music, with the exception of live performances. As far as a particular artist, the story kind of continues to evolve (and devolve in some cases) and moments which seemed big and crucial at one point, become less and less so over time (think of, for example, the number of Reggae artists whose musical paths experienced spiritual conversions and just how interesting it was at that time and, basically, only at that time). An album, on the other hand, carries a far more finite set of interests which, when the final product is SO good are just as special. And certainly it is the same case, with a great deal more importance on the side of the artists for whom, when an album is done properly, can have an experience of that particular release really serving as a snapshot of their entire life for that period of time. And if that is the case, then Rob Symeonn is living the life of a king (biggup Lutan Fyah) (new album, "Life Of A King", in stores now). Symeonn is one of those names who I've been meaning to get around to really listening to one day but, for some reason, just never really got around to despite numerous opportunities. The Jamaican born and US based vocalist is a veteran and as far as my research shows, has been involved in music, in some capacity, for the better part of the last forty years or so and it was quite a few years ago now that he first came to my attention with an album which was very well received by the name of "The Chosen One". I'd always meant to go back and write for that album (and I still may), but just to be sure that I do, Symeonn has just done… something really, really good! 

Biggup Bredz! My wonderful Wife's Brother mainly deals with the messages we get these days and occasionally he'll let me know that someone was kind enough to send us something exceptional. He has very good taste and, more importantly, he knows what I'm likely to enjoy so when he tells me, from a few days ago now, that I can "reserve a top five place for Rob Symeonn's new album in December" he has my attention and as usual, he was right.  

"The Chosen One" [2006] & "Abso Root Ly Hot" [2008]

To my knowledge, Rob Symeonn's latest creation is his third album to date. The aforementioned "The Chosen One" was his initial release back in 2006 and between then and now was "Abso Rootly Hot" which arrived two years on from its predecessor. The first of those was, although somewhat quietly, well celebrated if I recall correctly and though I do not know what it did in the way of commercial success, it was a very well regarded set in its time. The second album didn't receive a similar buzz to my knowledge and I do actually recall listening to some of it and not being the biggest fan at the time, although as I've experienced in recent times, as I've matured my tastes have well changed and perhaps its time to give it another listen - six years later. And Symeonn definitely didn't fade away. His was a name which would pop up somewhat routinely attached to various projects, but over the last year or so he's been even more active with singles. I didn't know that it was leading to this end, but Rob Symeonn did a whole heap of work with a couple of different labels in particular. One was Goldheart Music from out of Sweden who we may not write about a great deal but will always be noteworthy to me for having orchestrated the MAMMOTH "Ghetto Skyline" by Daweh Congo back in 2009 (and they would also do a dubbed out version of that same album just last year). The other label who helped Rob Symeonn bring forth some of his more recent material was one from out of Hawaii by the name of Jah Youth Productions. Though I haven't had as much experience in dealing with this imprint, what I have heard has been impressive. And I think I believe that I recall hearing that Symeonn had achieved a rather sizable following in Hawaii from a few years ago, so it certainly doesn't surprise to see him working with Jah Youth. Apparently I should have paid more attention to those releases because they weren't single projects and, instead, were heading to what turns out to be a HUGE album release as, in association with both Goldheart Music and Jah Youth Productions, Rob Symeonn delivers "Indigenous" which, as I was told, will surely end up being one of the finest releases in all of 2014. Apparently I should have paid more attention to what they were up to because, from beginning to end, "Indigenous" is a FANTASTIC Roots Reggae album. And though I knew of Rob Symeonn and well respected his abilities, I didn't know he could do something like this. Let's discuss! 

Singles from "Indigenous"

Even before you get into the actual music on this album, a very nice omen comes in the form of the album's cover. A big credit goes on to artiste, Ras Elijah Tafari, who you may remember from having done much work for Midnite's efforts from Fifth Son Records, including our favourite album cover from 2013, "Be Strong". This time, however, he may have outdone himself because someone is going to have to do something (else) truly amazing to take that honour from Tafari and prevent him from repeating this year. It is gorgeous and the fact that he utilizes his monstrous gifts to help push along Reggae music is wonderful! And fortunately it doesn't go to waste as Rob Symeonn also rises to the occasion on his brand new album, "Indigenous". The album gets started with one of its finest selections, the homeward bound anthem 'Ithiopia'. TEARS!

"Ithiopia!

Stretch forth Its hands unto Jah

The Conquering Lion

The little, short Emperor

Ithiopia!

Where I want to be

Cause it was prophesized by Marcus Garvey"

The song is a stunning one and, musically speaking, it was at this exact moment when I noticed that maybe "Indigenous" was going to be something special and not just a decent album with one special song on it. There was something more behind it. What was behind it, literally, was the second tune in, 'Forgive Them'. This song was one of the previously alluded to tracks that Rob Symeonn had done with Goldheart and Jah Youth ahead of the then forthcoming set. Again, it's a big track and one on which Symeonn asks for clemency for those who live unaware and unrighteous lives. I definitely tuned in on this one from a lyrical side because it's done with this exceedingly level-headed approach, for the most part (although things start burning later on) and what I took was a fine presentation from Symeonn. So pay a special amount of consideration to this one before passing a final judgment. The very familiar sounding 'Day By Day', on the other hand, makes a far more immediate type of impression on the listener. This is a kind of a relationship song on the surface. But (because I like to overanalyze things), I applied it to more of a 'life commentary', where Symeonn is saying to not take things to heavily and not be able to forgive people (and yourself) when they make mistakes. Check the riddim on that song (and 'Forgive Them') as well. The album's first of a pair of combinations, 'Mama Said', is another of my favourites on this album. This tune has an intoxicating old school sound to it and features the work of veteran chanter, Ragga Lox. It is, obviously, kind of the album's obligatory Mama song (that comes later), but it isn't the stereotypical type of song that I usually use that designation in reference to. It's more of a song about listening to and heeding the sagacious words of your elders ["My Mama said if you want to reach far - show me your company, I'll tell you who you are"], in general, and not just about effusing love for Mama. Ultimately it is very well arranged and another highlight on "Indigenous". And rounding out the first third of the album is another big effort, 'Tired of Work'. 

"Tired of working and I can't get no pay

Tired of suffering everyday

Tired of working to make ends meet

They want wi sleep on the cold concrete

Tired of working and I can't get no pay

Tired of suffering everyday

Don't wanna toil in the boiling sun -

While the rich sit down and have their fun"

This is a social commentary (a financial and economical social commentary) which hits more towards the effect of high-risk/low-reward type of work has on the family. And I should also mention just how FUN this song is to listen to. It clearly has a focus of a very serious nature, but it's going to make your head move and feet stomp because it is a very entertaining piece which may have a great future if given the opportunity. 

The middle quintet features some of the (and THE) biggest and best material to be found throughout the whole of "Indigenous" including its second combination, the mighty 'Jah Only'. This selection comes courtesy of esteemed producer and oft Rob Symeonn collaborator, Ticklah. The two have worked together numerous times (and I think Ticklah even worked on Symeonn's debut album) and it is readily apparent on this delightful old school piece on which the singer makes sure that it is known that if everyone in your life lets you down, you still have Someone looking out for your best interests. The tune just prior to 'Jah Only', 'Night On The Town', is another single from the album and though it took awhile to grow on me, it eventually did in a major way. The song is kind of about having a good time and being with the one you love, but its pace is CRAWLING. It's a heavy, bouncy type of piece and it builds and builds to the point where I am likely annoying everyone who can hear me, yelling as loud as I possibly can:

"Night on the town!

No one's around!" 

And I don't care at all! I was really looking forward to hearing 'Monkey Wrench' and its lyrical direction and it did not disappoint. This is a song (with a big riddim behind it) about people who just always seem to find themselves getting in the way of the progression and happiness of other people. Rob Symeonn is aware of such individuals and is making sure the rest of us are as well. It is an excellent song and one which will demand you follow along closely. Here you'll also find Symeonn's solid cut of Jah Youth's Indo Riddim from last year, 'Seems Like', as well as my choice as the single biggest tune on the whole of "Indigenous", 'Life Is Precious'. I heard the 'intro' portion of this tune and I got worried because I knew something bad was to follow and instead what developed was as BIG of a tune that I've heard in this young year.

"Life is fragile, handle it with care

When one door closes there's a next one there

Don't you worry or be in despair cause, 

Life is fragile, handle it with care

Do what you do everyday to survive

Just be humble and Jah will keep you alive

Strive for the best and you shall accomplish your goal

OPEN YOUR HEART AND LET HIS MAJESTY CONTROL"

The song makes me SMILE and there's a certain quality and respect for that alone. It also brings a large amount of substance as this big tune about bringing people together to appreciate what we all have. A spectacular song. 

And though "Indigenous" has a big opening and pinnacles at its midpoint, the final tunes which round out the album also offer some great pieces as well. Such a piece is easily 'Never Too Late'. This one struck as being about maintaining oneself through more difficult times and recognizing that even things get at their worst [their rainiest], that the sun can come shining through in the most unexpected of ways. The lovely 'Live Upright', is another track released ahead of the album and, obviously, a song I should have taken a closer look at. One of the best songs on this album, 'Live Upright' wonderfully builds on the concepts expressed on a few songs on the album as it says that good things will come to those who live a good life and try as hard as they can for themselves and others as well. 'Because Of You' is a remake of an old R&B song [I THINK], which was wholly unexpected but was a joy to listen to and then the albums comes to its conclusion with two more of its best tunes, 'Grass Is Greener' and 'Respect Due'. The former isn't likely what you're thinking that it is (because anytime you see the word 'GRASS' referred to in Reggae music, you automatically come up with one idea). Instead, it is another observation of how determination and living upful can greatly benefit someone. In this particular case, however, it almost comes off as a song about reformation as far as correcting (or at least attempting to correct) one's past behaviour and making up for your mistakes. As for 'Respect Due', with its dazzlingly HEAVY sound, it most certainly is the Mama song for the album. You don't have a record called "Indigenous" and not make a special place for Mama and 'Respect Due' is that place on this album, building indirectly on the themes of 'Mama Said'. 

I do want to quickly mention something of an underlying quality of this album which I didn't do so previously. To my opinion "Indigenous" is one of the more sonically pleasing Roots albums that I've heard in some time. In recent years, I always point to Chezidek's wonderful "Judgment Time" set as a comparison point (because it was fantastic in every conceivable way in that spectrum) and though it may not be at that lofty level, it is well within the discussion. A big credit goes to the producers and musicians who made it possible because they all did well and if they wanted to make an instrumental version of this one (and Goldheart does that type of thing), they'd sell at least one copy. 

Rob Symeonn

Overall, I'm most hopeful that this album can generate the type of attention and buzz that it deserves. Too many times a project like this will go overlooked and, a few years from now, the artist will just appear with another album and things will go on, but I'd make a point to STOP in the case of "Indigenous". It is an exceptional release and one which is sending me back for Rob Symeonn's first two albums wondering and confident that I missed something else pretty good as well. So, while the back story for this album, going forward, may always make it that album that my Brother-In-Law correctly demanded that I listen to immediately, it will also very likely be that final impetus that made me and hopefully a lot of other people start to take notice of the amazing music of the amazing Rob Symeonn. A GEM! 

Rated: 4.75/5

Goldheart Music/Jah Youth Productions

2014

CD [I THINK] + Digital 

Review #492